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of Burgundy (b. 1446, d. 1503), Yorkist matriarch and mediator. 1 3-sided foliate border in colours and gold and 1 large initial in colours on a gold ground (f. 1). Large initials in gold on red and blue grounds with
Detail of decorated initials with penwork and pen-flourishing. 1 small initial in gold on a red and blue ground with foliate filigree extending into the margins (f. 1). Initials in blue with red penwork decoration, sometimes foliate, and pen-flourishing. Chronica
frontispieces in colours and gold (ff. 1, 48v, 88, 114v, 152). 4 decorated initial-word panels in colours and gold (f. 242v, 248v, 255, 258v). 1 embellished panel in colours and gold (f. 245v). 1 embellished panel with pen-flourishing, in mauve
frontispieces in colours and gold (ff. 1, 48v, 88, 114v, 152). 4 decorated initial-word panels in colours and gold (f. 242v, 248v, 255, 258v). 1 embellished panel in colours and gold (f. 245v). 1 embellished panel with pen-flourishing, in mauve
bifolium signatures. 1 large historiated initial in colours and gold of the author presenting the book to a king, with a full border with white and red roses, at the beginning of the list of contents (f. 1).1 large
with full borders and foliate initials in colours and gold, at the beginning of each book and the prologue (ff. 1, 7, 41v, 97v, 178, 224v, 273v, 299v, 337v, 376v, 399). Initials in gold on blue and rose grounds with
with full borders and foliate initials in colours and gold, at the beginning of each book and the prologue (ff. 1, 7, 41v, 97v, 178, 224v, 273v, 299v, 337v, 376v, 399). Initials in gold on blue and rose grounds with
with full borders and foliate initials in colours and gold, at the beginning of each book and the prologue (ff. 1, 7, 41v, 97v, 178, 224v, 273v, 299v, 337v, 376v, 399). Initials in gold on blue and rose grounds with
with full borders and foliate initials in colours and gold, at the beginning of each book and the prologue (ff. 1, 7, 41v, 97v, 178, 224v, 273v, 299v, 337v, 376v, 399). Initials in gold on blue and rose grounds with
with full borders and foliate initials in colours and gold, at the beginning of each book and the prologue (ff. 1, 7, 41v, 97v, 178, 224v, 273v, 299v, 337v, 376v, 399). Initials in gold on blue and rose grounds with
with full borders and foliate initials in colours and gold, at the beginning of each book and the prologue (ff. 1, 7, 41v, 97v, 178, 224v, 273v, 299v, 337v, 376v, 399). Initials in gold on blue and rose grounds with
with full borders and foliate initials in colours and gold, at the beginning of each book and the prologue (ff. 1, 7, 41v, 97v, 178, 224v, 273v, 299v, 337v, 376v, 399). Initials in gold on blue and rose grounds with
with full borders and foliate initials in colours and gold, at the beginning of each book and the prologue (ff. 1, 7, 41v, 97v, 178, 224v, 273v, 299v, 337v, 376v, 399). Initials in gold on blue and rose grounds with
with full borders and foliate initials in colours and gold, at the beginning of each book and the prologue (ff. 1, 7, 41v, 97v, 178, 224v, 273v, 299v, 337v, 376v, 399). Initials in gold on blue and rose grounds with
visible. 1 initial-word panel inhabited by birds, dragons, and hybrids in ink (f. 1). 2 initial words decorated with geometrical motifs/inhabited by hybrids and dragons in brown ink (ff. 28v, 48v). 8 marginal decorations in brown ink (ff. 1, 2,
127v, 131v, 137). Numerous initial-word panels decorated with pen-flourishing, in blue and red ink. 1 micrography (f. 18v). Festival prayer book (~mahzor~), Italian rite, volume 1 Jacob ben Solomon: inscribed with his name (f. 1).Marchion: inscribed with his name (ff.
Detail of decorated initial. 1 large initial in red with pen-flourishing in brown (f. 1). Smaller initials in plain red. Capital letters highlighted in red. The Life of Catherine (ff. 1-117v), etc. Table for Easter dating from 1446 to 1649
Detail of inscription. 1 large initial in red with pen-flourishing in brown (f. 1). Smaller initials in plain red. Capital letters highlighted in red. The Life of Catherine (ff. 1-117v), etc. Table for Easter dating from 1446 to 1649 (ff.
beginning of Pseudo-Fenestella's Omnium deorum quos vetus. 1 large pen-drawing, partly with coloured wash (f. 2v). 1 large white-vine initial and a partial foliate border including arms, in colours and gold (f. 3). 1 large white-vine initial with foliate extensions
beginning of Ruffus Sextus's Pio perpetuo valentiniano. 1 large pen-drawing, partly with coloured wash (f. 2v). 1 large white-vine initial and a partial foliate border including arms, in colours and gold (f. 3). 1 large white-vine initial with foliate extensions