• Miniature of the raising of the widow's son, with a preliminary sketch in the lower margin, a partial border, and a foliate initial 'E'(n ce temps), at the beginning of the chapter 26., Meditationes vitae Christi (Le Livre doré des meditations de la vie de nostre seigneur Jesu Christ)

32 and his assistant.Catchwords and bifolium signatures. 1 large miniature in colours and gold with a full border containing the royal arms of England, at the beginning of the preface (f. 1).1 small miniature in colours and gold, with

• Miniature of the healing of the woman with an issue of blood, with a preliminary sketch in the lower margin, a partial border and a foliate initial 'A'(la requeste), at the beginning of chapter 27., Meditationes vitae Christi (Le Livre doré des meditations de la vie de nostre seigneur Jesu Christ)

32 and his assistant.Catchwords and bifolium signatures. 1 large miniature in colours and gold with a full border containing the royal arms of England, at the beginning of the preface (f. 1).1 small miniature in colours and gold, with

• Miniature of the healing of the man (represented as woman) with a withered hand, with a preliminary sketch in the lower margin, a partial border, and a foliate initial 'E'(n un jour), at the beginning of chapter 33., Meditationes vitae Christi (Le Livre doré des meditations de la vie de nostre seigneur Jesu Christ)

32 and his assistant.Catchwords and bifolium signatures. 1 large miniature in colours and gold with a full border containing the royal arms of England, at the beginning of the preface (f. 1).1 small miniature in colours and gold, with

• Miniature of Christ feeding the multitude, with a preliminary sketch in the lower margin, a partial border, and a foliate initial 'O'(n lit), at the beginning of chapter 34., Meditationes vitae Christi (Le Livre doré des meditations de la vie de nostre seigneur Jesu Christ)

32 and his assistant.Catchwords and bifolium signatures. 1 large miniature in colours and gold with a full border containing the royal arms of England, at the beginning of the preface (f. 1).1 small miniature in colours and gold, with

• null, Pneumatica

'10; 6?', f. 1, top right margin. Simple brown initials; numerous diagrams in ink illustrating the text, many incorporating images of classical buildings or facades, vases, or small figures of animals, men, or hybrids such as a centaur or a

• Illuminated initial 'S'(i) entwined with strapwork, square capitals in a four-colour sequence, and a trompe l'oeil page with its corners curling at the edges, surrounded by a full border with all'antica elements, a frieze, and griffins supporting a shield in a wreath; at the beginning of Cicero's In verrem., Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)

a shield in a wreath; at the beginning of Cicero's In verrem. 1 large decorated initial with knotted strapwork, and a full border, in colours and gold (f. 1). Smaller decorated initials with knotted strapwork, at the beginning of the

• Illuminated initial 'I'(l est assavoir), and a full border with foliage and acanthus, at the beginning of Guillebert de Lannoy's Travels in Egypt and Syria undertaken in 1422., Le raport que le Guillebert de Lannoy chevalier fay sur pluseurs visitations de villes, pors et rivieres par moy visitees tant es pays d'Egypte comme de Surie

of Guillebert de Lannoy's Travels in Egypt and Syria undertaken in 1422. 1 large decorated foliate initial and a full foliate border, in colours and gold (f. 1). Large decorated foliate initials with extensions into the margins, in colours and

• Miniature of the creation of Eve, with foliate border and foliate initials, and a diagram of the the descendants of Adam and Eveat the beginning of a genealogy from Adam and Eve to the Kings of England., Biblical and genealogical chronicle from Adam and Eve to Edward VI (the Longer English genealogical chronicle of the kings of England)

of England. 1 small miniature, in colours and gold (f. 2). Numerous small medallions containing portrait busts, some with biblical scenes, on every folio, in colours and gold. Diagrams, in colours and gold (ff. 2v (x2), 6, 17). 1 large

• Illuminated initials 'N'(unc) and 'I'(ncipit), with foliate extensions., Compendium litterale totius Scripture

lat. 1196, Longleat House 24, and Oxford, Bodleian Library, Bodl. Auct. F. inf. 1.1, associated with John Whetehamstede, abbot of St. Albans.Catchwords and bifolium signatures. 1 miniature in colours and gold, of the author preaching, with a full border,

• Detail of a miniature of Petrus Aureoli, Archbishop of Aix, preaching from the pulpit inscribed on the front with words 'quis ascendit in montem', with Christ enthroned on the mountain above him, at the beginning of the text., Compendium litterale totius Scripture

lat. 1196, Longleat House 24, and Oxford, Bodleian Library, Bodl. Auct. F. inf. 1.1, associated with John Whetehamstede, abbot of St. Albans.Catchwords and bifolium signatures. 1 miniature in colours and gold, of the author preaching, with a full border,

• Miniature of Petrus Aureoli, Archbishop of Aix, preaching from the pulpit inscribed on the front with words 'quis ascendit in montem', with Christ enthroned on the mountain above him, with a full border and a shield with cross, crown of thorns, and crossed lance and sponge, at the beginning of the text., Compendium litterale totius Scripture

lat. 1196, Longleat House 24, and Oxford, Bodleian Library, Bodl. Auct. F. inf. 1.1, associated with John Whetehamstede, abbot of St. Albans.Catchwords and bifolium signatures. 1 miniature in colours and gold, of the author preaching, with a full border,

• Headpiece and coloured initial., Commentary on Claudius Ptolemaeus's Harmonica

Headpiece and coloured initial. Simple red and brown headpiece (f. 2). Simple red initials, some with foliate penwork decoration. Tables and diagrams, and spaces left in the text for others. Commentary on Claudius Ptolemaeus's Harmonica Written by the same

• Miniatures of a portcullis and an initial 'T'(enor) in the form of half-Tudor rose, half-pomegranate, with a partial trompe l'oeil border., Book of 28 motets

badges of a portcullis adopted by Henry VIII and the Tudor rose, with Katherine's badge of a pomegranate (ff. 2v-3).[f. 1 only: Henry Fitzalan, 12th earl of Arundel (b. 1512, d. 1580), magnate, or his father William Fitzalan, 11th earl

• Text pages with musical notation., Book of 28 motets

badges of a portcullis adopted by Henry VIII and the Tudor rose, with Katherine's badge of a pomegranate (ff. 2v-3).[f. 1 only: Henry Fitzalan, 12th earl of Arundel (b. 1512, d. 1580), magnate, or his father William Fitzalan, 11th earl

• Historiated initial 'A'(ve) with the Virgin and Child and a kneeling man, and as part of the lower border, a monk with a shield and sword fighting a dragon., Musical miscellany

Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts

• Historiated initial 'H'(omo) with the Crucifixion and a kneeling woman, and one-sided border., Musical miscellany

Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts

• Historiated initial 'Q'(uisquis) with standing figures and a dragon forming the tail of the letter., Musical miscellany

Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts

• Illuminated initial 'V'(eritas) with a man standing on a dragon spearing an owl., Musical miscellany

Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts

• Illuminated initial 'B'(ulla) with foliate decoration., Musical miscellany

Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts

• Historiated initial 'A' with a standing Catherine, and the letter formed by an animal body and head., Musical miscellany

Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts