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British Library Catalogue of Illuminated Manuscripts
1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate decoration and a large initial in colours on a gold ground (f. 2).
1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate decoration and a large initial in colours on a gold ground (f. 2).
1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate decoration and a large initial in colours on a gold ground (f. 2).
1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate decoration and a large initial in colours on a gold ground (f. 2).
for this artist. The present initial is boxed with Add. 37472, ff. 1, 3-7. To see this initial in the Manuscripts Reading Room order Add. 37472.Musical notation. 1 historiated initial 'I' in colours and gold, of two Creation scenes: the
and decorated extensions, at the beginning of Marchesinus's Mammotrectus. 1 large puzzle initial in red and blue with pen-flourishing in purple and red and decorated extension in red and blue (f. 1). Small initials in red with purple pen-flourishing or
Decorated initial 'D'(eum) with pen-flourishing in book 1. f. 1 is a parchment leaf. f. 1* consists of a paper and a parchment flyleaves pasted to each other. ff. 1*-2* are flyleaves with later inscriptions.Quire signatures (numbers on the recto
Drawing of the Mocking of Christ. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink, most with
Drawing of God in Majesty with good and bad angels, and the mouth of hell. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27.
Detail of a drawing of Adam delving and Eve spinning, with children. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of
Detail of a drawing of the Nativity of the Virgin. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in
Drawing of the Presentation of the Virgin. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink, most
Detail of a drawing of the marriage of Joseph and Mary. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types
Detail of a drawing of Rebecca and Eliezer. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink,
Detail of a drawing of the Nativity. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink, most
Unexecuted drawing, with captions for the three mighty men bringing water to David. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings
Drawing of David with a lion and bear. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink,
Drawing of the Return of the Prodigal Son. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink,
Detail of a drawing of Jews with the Pascal lamb. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in
Detail of a drawing of the Flagellation. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink, most