• Text of the Golden Legend (the Passion)., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of a miniature of the stoning of Stephen, with an historiated initial 'E'(stienne) of Stephen preaching, at the beginning of his legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of a miniature of the conversion of Saul (Paul) on the road to Damascus, with partial foliate borders, at the beginning of the legend of Paul., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of a miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), at the beginning of her legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Decorated initial 'L'(a) and border., Modi singulari de cocina (recipes for made dishes, soups, sauces, pastry, etc.), with index at the end of the volume (ff. 1-23v, 105-107); Libro de manescalchia de tutte le febre ed ogni altre infirmitate che se generano in li caualli, composto per uno dicto Messer Joanne Facio per ordinatione de Re Carlo Magno Imperatore, preceded by a table of contents (ff. 25-104v)

Decorated initial 'L'(a) and border. 1 small and 1 large initial in gold on a blue, red, (and green) ground, with three-sided foliate borders, in colours and gold (ff. 1, 33). Small initials in plain red or blue. Modi singulari

• White vine initial 'S'(emper)., Satires (index Saturae, Satirae)

White vine initial 'S'(emper). f. 1* is a parchment leaf.Lines ruled in ink. Vertical catchwords. 1 large white vine initial in colours and gold (f. 1). Plain initials in blue. Rubrics in red. Satires (index Saturae, Satirae) The Jesuit College

• White vine initial 'M'(aiores), at the beginning of the book 7., De architectura

3-sided white vine border, in colours and gold (f. 1). 11 large white vine initials, in colours and gold, at the beginning of the prologue and of the 10 books (ff. 1, 2, 16v, 33v, 49, 54, 63v, 81v, 95v,

• Illuminated initial 'C'(ome) at the beginning of the statutes of Edward III., Nova Statuta (index Statutes of England, Statuta Angliae, Statute book), from 1 Edward III to 23 Henry VI

of the statutes of Edward III. There are 4 unfoliated parchment leaves after f. 296, and 1 after f. 285.Alphabetical quire signatures.Parchment tabs. 1 large initial in blue, white, and red on a gold ground, with foliage extending into the

• Illuminated initial 'H'(enry) at the beginning of the statutes of Henry IV., Nova Statuta (index Statutes of England, Statuta Angliae, Statute book), from 1 Edward III to 23 Henry VI

of the statutes of Henry IV. There are 4 unfoliated parchment leaves after f. 296, and 1 after f. 285.Alphabetical quire signatures.Parchment tabs. 1 large initial in blue, white, and red on a gold ground, with foliage extending into the

• null, Nova Statuta (index Statutes of England, Statuta Angliae, Statute book), from 1 Edward III to 23 Henry VI

There are 4 unfoliated parchment leaves after f. 296, and 1 after f. 285.Alphabetical quire signatures.Parchment tabs. 1 large initial in blue, white, and red on a gold ground, with foliage extending into the margins to form a two-sided border

• null, Nova Statuta (index Statutes of England, Statuta Angliae, Statute book), from 1 Edward III to 23 Henry VI

There are 4 unfoliated parchment leaves after f. 296, and 1 after f. 285.Alphabetical quire signatures.Parchment tabs. 1 large initial in blue, white, and red on a gold ground, with foliage extending into the margins to form a two-sided border

• White vine initial 'C'(um), and part of the three-sided border, at the beginning of the prologue., De architectura

3-sided white vine border, in colours and gold (f. 1). 11 large white vine initials, in colours and gold, at the beginning of the prologue and of the 10 books (ff. 1, 2, 16v, 33v, 49, 54, 63v, 81v, 95v,

• Lower part of the three-sided border, at the beginning of the prologue., De architectura

3-sided white vine border, in colours and gold (f. 1). 11 large white vine initials, in colours and gold, at the beginning of the prologue and of the 10 books (ff. 1, 2, 16v, 33v, 49, 54, 63v, 81v, 95v,

• White vine initial 'M'(aiores), at the beginning of the book 7., De architectura

3-sided white vine border, in colours and gold (f. 1). 11 large white vine initials, in colours and gold, at the beginning of the prologue and of the 10 books (ff. 1, 2, 16v, 33v, 49, 54, 63v, 81v, 95v,

• Added diagrams and puzzle initial 'D'(ixit) with pen-flourishing, at the beginning of Johannes de Rupescissa's De quinta essentia., Alcehmical texts, including De quinta essentia

with pen-flourishing, at the beginning of Johannes de Rupescissa's De quinta essentia. 1 large puzzle initial in red and blue with pen-flourishing in brown and red (f. 2). 1 smaller puzzle initial in red and blue with pen-flourishing in purple

• Coloured initials., De architectura

3-sided white vine border, in colours and gold (f. 1). 11 large white vine initials, in colours and gold, at the beginning of the prologue and of the 10 books (ff. 1, 2, 16v, 33v, 49, 54, 63v, 81v, 95v,

• Detail of zoomorphic initial., De eucharista contra Petrum Martyrem Vermilium

Detail of zoomorphic initial. 1 large zoomorphic initial (f. 1). 2 large decorated initials (ff. 45, 78). Decorated descenders, one including a Crucifixion (f. 182v). De eucharista contra Petrum Martyrem Vermilium Written not earlier than 1549: the text is by

• Illuminated initials 'T'(his) and 'R'(irste) at the beginning of a treatise on the rights of the Marshall during wartime., One gathering of a treatise of rights of the Marshall in wartime

during wartime. Large initials in gold on blue and pink backgrounds with white or black filigree (f. 1). Paraphs in blue. LIne-fillers in blue. Rubrics in red. One gathering of a treatise of rights of the Marshall in wartime The

• null, One gathering of a treatise of rights of the Marshall in wartime

pink backgrounds with white or black filigree (f. 1). Paraphs in blue. LIne-fillers in blue. Rubrics in red. One gathering of a treatise of rights of the Marshall in wartime The remainder of the manuscript (ff. 5-87v) is an 18th-century

• Detail of historiated initial with bishops., Lections for feasts of saints, including Vita Gregorii, the life of St Augustine; Nativitate St Maria, Vita Edwardi regis (one chapter), and other texts

pp. 74-77. 1 historiated initial of two bishops in green, red, and brown on a blue ground (f. 1). 2 large initials with animals or animals heads in red, green, and brown, or also with blue (ff. 1, 18v). Simple