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British Library Catalogue of Illuminated Manuscripts
inscriptions in gold and silver relating to (lost) miniatures (ff. 1, 30, 44). Canon tables in colours and gold with zoomorphic decoration in the 'Trewhiddle Style' (ff. 4- 6). 1 outline initial with zoomorphic decoration (f. 42). Gospels, imperfect (the
inscriptions in gold and silver relating to (lost) miniatures (ff. 1, 30, 44). Canon tables in colours and gold with zoomorphic decoration in the 'Trewhiddle Style' (ff. 4- 6). 1 outline initial with zoomorphic decoration (f. 42). Gospels, imperfect (the
and interlinear 10th- and possibly 11th-century glosses (see Bergmann and Stricker 2005).Musical notation: neumes, Germany, 10th century (f. 1) and 11th century (f. 3). Titles in display capitals and initials coloured in red or purple. The Consolation of Philosophy, Books
and interlinear 10th- and possibly 11th-century glosses (see Bergmann and Stricker 2005).Musical notation: neumes, Germany, 10th century (f. 1) and 11th century (f. 3). Titles in display capitals and initials coloured in red or purple. The Consolation of Philosophy, Books
and interlinear 10th- and possibly 11th-century glosses (see Bergmann and Stricker 2005).Musical notation: neumes, Germany, 10th century (f. 1) and 11th century (f. 3). Titles in display capitals and initials coloured in red or purple. The Consolation of Philosophy, Books
(ff. 35v-39).Marginal and interlinear 10th- and possibly 11th-century glosses (see Bergmann and Stricker 2005).Musical notation: neumes, Germany, 10th century (f. 1) and 11th century (f. 3). Titles in display capitals and initials coloured in red or purple. The Consolation of
Puzzle initial 'P'(oule) at the beginning of I Corinthians. Catchwords.Red paper star stuck on f. 135v, in Acts.ff. 1* and 1** are paper flyleaves. Puzzle initials in red and blue with red pen-flourishing (ff. 2, 22, 59, 75, 82v,
volumes: vol. 1 is Harley 1728. The text of this volume starts at the end of book 3.Catchwords. 4 initials in colours and gold with foliate decoration including acanthus and kidney-shaped leaves extending into the margins (ff. 1, 32, 70,
with pen-flourishing in book 2. This manuscript is volume 1 of 2 volumes: vol. 2 is Harley 1729.Catchwords.f. 8 is ruled but unwritten. f. [102] is from a 14th-century lliturgical manuscript with a few initials and signs of the cross
Decorated initial 'T'(his) at the beginning of the text. ff. 1* and 107 are former pastedowns with added inscriptions.Catchwords written horizontally.Explicit: 'Here endith a book callyd the Croniclis of Englonde made & compilid by notabil Clerkis of aventuris of
foliate feathering. Initials in blue with red pen-flourishing. Inscription on a scroll in brown ink in the margin of f. 1. Capitals marked in yellow. Masses ff. 1-8vMade for Alicia Ligh, widow of John Ligh, of Chippenham, Wiltshire, 15th century:
five leaves at the beginning and several others at the end: the text therefore begins at Book 1, chapter 3, and ends at Book 11, chapter 45, wanting part of Book 11 and the entire Book 12. Other leaves were
inserted by Bessarion. Decorated headpiece, line-filler and initial in red (f. 1). Decorated line-fillers and initials, rubrics, figures of division, and diagrams in red. Commentaries on Aristotle's 'Organon' (ff. 1-103) and Hermogenes (ff. 117-132); 'Institutio physica' (ff. 135-138v). Johannes Bessarion
'lessouns pistlis and gospels that ben red in the churche after the usse of salisburi' for the whole year (f. 1). Ending with a calendar in English (ff. 139-144v), including Wolston, Oswalde, Chadde, Edward, Cuthbert, George (in red), Arke[n]wold, Dunston,
Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'.Catchwords and bifolium signatures. 1 large (f. 1) and 4 one-column miniatures in colours and gold, with partial ivy borders and foliate initials in colours and
Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'.Catchwords and bifolium signatures. 1 large (f. 1) and 4 one-column miniatures in colours and gold, with partial ivy borders and foliate initials in colours and
Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'.Catchwords and bifolium signatures. 1 large (f. 1) and 4 one-column miniatures in colours and gold, with partial ivy borders and foliate initials in colours and
in gold. Catchwords. 8 foliate initial with flowers in colours on gold grounds, at the beginning of major divisions (ff. 1, 7, 8v, 14, 17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with
in gold. Catchwords. 8 foliate initial with flowers in colours on gold grounds, at the beginning of major divisions (ff. 1, 7, 8v, 14, 17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with
in gold. Catchwords. 8 foliate initial with flowers in colours on gold grounds, at the beginning of major divisions (ff. 1, 7, 8v, 14, 17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with