• Detail of a miniature of the Raising of Lazarus, at the beginning of the Office of the Dead., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of the lower part of the full all'antica border with putti, and biblical figures, at the beginning of the Office of the Dead., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of the upper section of the full all'antica border with putti, gems, and biblical figures, at the beginning of the Office of the Dead., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of a miniature of a man and woman, Francesco Salviati and Laudomia de' Medici, adoring the Virgin and Child, at the end of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of the upper section of the full all'antica border with putti, gems, and biblical figures, at the end of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of the lower section of the full all'antica border with putti holding the image of Noah, at the end of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of a section of the full all'antica border with putti, gems, and biblical figures, at the end of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of a miniature of the Visitiation shown as taking place in Florence, in front of the church of San Giovannino, with the Medici Palace on the right and a view up the Via Gori in the background, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of the lower section of the full all'antica border with putti, gems, and biblical figures, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of the upper section of the full all'antica border with putti, gems, and biblical figures, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Lower part of the full all'antica border with putti, gems, and biblical figures, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of a section of the full all'antica border with putti, gems, and biblical figures, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Miniature of Rollo marrying the daughter of Charles the Simple, the king of France, before the king and his court., Grande Chronique de Normandie

date somewhere around 1465. 15 half-page miniatures, the first accompanied by a full foliate border, in colours and gold (ff. 1, 24v, 35v, 74, 88, 89, 101, 138v, 155v, 160v, 167, 176, 186, 213v, 244v). Large initials with monochrome grotesque

• Miniature of Duke Richard the Fearless supervising the rebuilding of the church of the Abbey of Fecamp, while in the background, a man destroys the old church., Grande Chronique de Normandie

date somewhere around 1465. 15 half-page miniatures, the first accompanied by a full foliate border, in colours and gold (ff. 1, 24v, 35v, 74, 88, 89, 101, 138v, 155v, 160v, 167, 176, 186, 213v, 244v). Large initials with monochrome grotesque

• Miniature of Duke Richard III attacking the castle of Falais which his brother Robert had seized. In the background on the left, two men are playing chess under a tent; one of them is possibly Duke Robert., Grande Chronique de Normandie

date somewhere around 1465. 15 half-page miniatures, the first accompanied by a full foliate border, in colours and gold (ff. 1, 24v, 35v, 74, 88, 89, 101, 138v, 155v, 160v, 167, 176, 186, 213v, 244v). Large initials with monochrome grotesque

• Miniature of Duke Robert, unable to walk due to his illness, being carried on a litter by Ethiopians into the city of Jerusalem, while pilgrims unable to pay the toll into the city wait in ships in the background., Grande Chronique de Normandie

date somewhere around 1465. 15 half-page miniatures, the first accompanied by a full foliate border, in colours and gold (ff. 1, 24v, 35v, 74, 88, 89, 101, 138v, 155v, 160v, 167, 176, 186, 213v, 244v). Large initials with monochrome grotesque

• Detail of a miniature of the Battle of Hastings., Grande Chronique de Normandie

1465. 15 half-page miniatures, the first accompanied by a full foliate border, in colours and gold (ff. 1, 24v, 35v, 74, 88, 89, 101, 138v, 155v, 160v, 167, 176, 186, 213v, 244v). Large initials with monochrome grotesque and figural decoration,

• Detail of a miniature of the aftermath of the Battle of Hastings, including relatives seeking their dead, four monks carrying Harold's body to Waltham Abbey, and victorious Normans issuing from their pavilions, from the Grande Chronique de Normandie., Grande Chronique de Normandie

date somewhere around 1465. 15 half-page miniatures, the first accompanied by a full foliate border, in colours and gold (ff. 1, 24v, 35v, 74, 88, 89, 101, 138v, 155v, 160v, 167, 176, 186, 213v, 244v). Large initials with monochrome grotesque

• Detail of a miniature of the battle of Hastings, and decorated initial 'A'(insi), in the Grande Chronique de Normandie., Grande Chronique de Normandie

date somewhere around 1465. 15 half-page miniatures, the first accompanied by a full foliate border, in colours and gold (ff. 1, 24v, 35v, 74, 88, 89, 101, 138v, 155v, 160v, 167, 176, 186, 213v, 244v). Large initials with monochrome grotesque

• Miniature of the arrival of Duke Rollo in Normandy, with the city of Rouen on the left. With an illuminated initial 'D' of the arms of Philippe de Crèvecoeur, seigneur des Querdes, and a full foliate border including flowers, acanthus, birds, a man, and a griffin attacking a dragon., Grande Chronique de Normandie

date somewhere around 1465. 15 half-page miniatures, the first accompanied by a full foliate border, in colours and gold (ff. 1, 24v, 35v, 74, 88, 89, 101, 138v, 155v, 160v, 167, 176, 186, 213v, 244v). Large initials with monochrome grotesque