Your search found 973 results in 1 resource
and pressmark of the Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier. 1 large puzzle initial in blue and red with red pen-flourishing (f. 1). 9 smaller blue and red puzzle initials with red pen-flourishing (ff. 2, 54v,
an ox (f. 46). 6 large initials with interlace and zoomorphic decoration in yellow, red and green or unpainted (ff. 1, 14v, 18v, 23, 32, 41). Large interlace initial in orange, yellow, brown and green with foliate decoration (f. 41v).
(ff. 5v, 6, 6v, 7, 8, 8v, 9). Full foliate border in blue, pink, green, yellow, and gold (f. 1). 19 large historiated initials in colours and gold and sometimes silver, with foliate decoration forming a partial border at the
(ff. 5v, 6, 6v, 7, 8, 8v, 9). Full foliate border in blue, pink, green, yellow, and gold (f. 1). 19 large historiated initials in colours and gold and sometimes silver, with foliate decoration forming a partial border at the
(ff. 5v, 6, 6v, 7, 8, 8v, 9). Full foliate border in blue, pink, green, yellow, and gold (f. 1). 19 large historiated initials in colours and gold and sometimes silver, with foliate decoration forming a partial border at the
lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat
'A'(bsenti) with small figures, at the beginning of Joannes de Milis's Repertorium aureum sive lexicon juridicum. 1 large inhabited foliate initial, in colours (f. 1). 3 large foliate initials, in colours (ff. 25v, 33, 62). 8 large puzzle initials in
lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat
and a naked man, at the beginning of Joannes de Milis's Repertorium aureum sive lexicon juridicum. 1 large inhabited foliate initial, in colours (f. 1). 3 large foliate initials, in colours (ff. 25v, 33, 62). 8 large puzzle initials in
lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat
lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat
into three-sided foliate borders, sketched in brown ink, unfinished (ff. 30, 31). 1 large decorated initial with foliate extensions into the margins, in colours and gold (f. 19). 1 large initial in green with foliate penwork decoration in red and
into three-sided foliate borders, sketched in brown ink, unfinished (ff. 30, 31). 1 large decorated initial with foliate extensions into the margins, in colours and gold (f. 19). 1 large initial in green with foliate penwork decoration in red and
are visible on the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin,
are visible on the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin,
are visible on the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin,
178).Inscribed 14th or 15th century 'honores de ferra [?ferri] ppe dicu[n]t[ur]' (on a small piece of parchment pasted onto f. 1 bearing only these words).Thomas Dryffield (d. 1513), scholar of Winchester College in 1459 and fellow of New College Oxford
are visible on the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin,
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or