• Emblem of a man (a king?) wearing a crown of flames and holding an orb marked 'Sol' in the centre of a radiating Tudor Rose inscribed with verses 'Ex paterno trono radii splendoris/ ex matre candor virginii decoris/ ex patre flos rubi coloris / ex utroque redemptio nostri amoris', and tears dropping onto an eye weeping onto a word 'cor', with Percy badge of a crescent, and a scroll bearing an inscription reading, 'I receyue noo lighte but of thy bearmes bright. The light / benevoulent causith cor to relent for remembrynge / thy goodenes contenuall which remanith perpetuall / Cor cannot but of duti he muste distill yet he saith dutie / cannot recompence a cordinge too his goode will'., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea, sun and moon., Historia naturalis (index Natural history)

Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and decorated in different hands (change particularly noticeable from f. 91, for instance). 1 miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea,

• Detail of a white vine initial 'M'., Historia naturalis (index Natural history)

Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and decorated in different hands (change particularly noticeable from f. 91, for instance). 1 miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea,

• Detail of arms from the lower border of the folio., Historia naturalis (index Natural history)

Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and decorated in different hands (change particularly noticeable from f. 91, for instance). 1 miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea,

• Detail of a marginal drawing of David and Goliath., Bible (the 'Worms Bible') (index Frankenthal Bible), Genesis to Job

[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes

• Miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea, sun and moon; text with a decorative initial 'M', and decorated borders with a coat of arms., Historia naturalis (index Natural history)

Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and decorated in different hands (change particularly noticeable from f. 91, for instance). 1 miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea,

• Astonomical diagram, Calendar, Computus, Alphonsine tables, Tractatus de arte numerandi (Algorismus), and Astronomical tables

Astonomical diagram 3 unfoliated paper flyleaves after f. 1*.3 blank unfoliated leaves after f. 115. Numerous astronomical diagrams in red and/or brown ink, including one with a vovelle (f. 53v). Large initials and headings in red. 'KL' initials in

• Pen-flourished initial 'I'(n dei nomine amen)., The Endowment and Orders of Sherington’s Chantry, founded in Saint Paul’s Church, London

King Henry VI in a chapel in Saint Paul's Church, London. 5 large initials in blue with red pen-flourishing (ff. 1, 2, 9, 10v, 11v). Marginal notations and rubrics in red. Paraphs in red or blue. The Endowment and Orders

• Text page with coloured initials and rubric., Thebais (index Thebaid)

been used as a paste-down as the text from f. 191v. has been re-written in the margin of f. 191.f. 1 has 2 inserted scraps of vellum with an introductory note and epitome in a 13th-century hand. Initials in gold

• Coloured initial and rubric., Thebais (index Thebaid)

been used as a paste-down as the text from f. 191v. has been re-written in the margin of f. 191.f. 1 has 2 inserted scraps of vellum with an introductory note and epitome in a 13th-century hand. Initials in gold