• Illuminated initial 'P'(hilopolus)., Poems (index Poemata); Laphra (a comedy)

is also written in the Filelfo's hand. 1 large initial in gold on a pink and green ground, 'P'(hilopolus) (f. 36v). Initials alternating in red or blue. Rubrics and protagonists names in red. Poems (index Poemata); Laphra (a comedy) Written

• Puzzle initial 'A'(t) with pen-flourishing, at the beginning of book 3 of Valerius Maximus's Memorabilia., Facta et dicta memorabilia

9 large puzzle initials in red (and blue), with reserved designs, with brown pen-flourishing (ff. 1, 19v, 40, 60v, 82v, 105v, 125v, 142v, 162v). Smaller puzzle initials in red and blue with brown pen-flourishing or penwork decoration. Small initials in

• Detail of marginal drawing of Virgil., Bucolica (index Bucolics, Eclogues), Georgica (index Georgics), etc.

of Virgil. Ff. 319-323 written in two columns, added later by Johann Pirckheimer in 1457. 1 ink drawing (f. 78v). 1 diagram (f. 27v). 1 puzzle initial in red and brown with brown penwork decoration (f. 79). Large and small

• Detail of puzzle initial., Bucolica (index Bucolics, Eclogues), Georgica (index Georgics), etc.

puzzle initial. Ff. 319-323 written in two columns, added later by Johann Pirckheimer in 1457. 1 ink drawing (f. 78v). 1 diagram (f. 27v). 1 puzzle initial in red and brown with brown penwork decoration (f. 79). Large and small

• Ink drawing of Virgil, crowned; Puzzle initial 'P'(rimus)., Bucolica (index Bucolics, Eclogues), Georgica (index Georgics), etc.

initial 'P'(rimus). Ff. 319-323 written in two columns, added later by Johann Pirckheimer in 1457. 1 ink drawing (f. 78v). 1 diagram (f. 27v). 1 puzzle initial in red and brown with brown penwork decoration (f. 79). Large and small

• Decorated initial 'P'(ost) with foliate decoration including acanthus leaves combined with a three-sided border at the beginning of the prologue., Polychronicon to c. 1400 (imperfect)

Decorated initial 'P'(ost) with foliate decoration including acanthus leaves combined with a three-sided border at the beginning of the prologue. Includes an alphabetical index (ff. 1-10). Catchwords. Leaf signatures. 2 diagrams in red (ff. 70, 70v). Large initials in

• The arms of Pope Pius II in the lower margin at the beginning of Strabo's De situ orbis , in the Latin translation of Guarino da Verona., De situ orbis (index Geographica)

start of that of the next scribe, resulting in blank pages being left mid-sentence. Heraldic arms and partial border (f. 1). De situ orbis (index Geographica) Aeneas Silvius Piccolomini (index Enea Silvio Piccolomini) (b. 1405 d. 1464): with his arms

• Text page with calligraphic initials., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of Priam and his court mourning over the body of Hector., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of a king enthroned surrounded by courtiers with Sir William Herbert and his wife, Anne Devereux wearing clothes decorated with their coats of arms, kneeling before him, with a full border with a scroll inscribed with William Herbert's and his wife's mottos reading 'e las sy longuement', and 'De toute'; a foliate initials 'O'(mighty), at the beginning of the Troy Book; and the arms of William Herbert and Anne Devereux with mottos, between the column of the text., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of a king enthroned surrounded by courtiers with Sir William Herbert and his wife, Anne Devereux kneeling before him, wearing clothes decorated with their coats of arms., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of the Wheel of Fortune with a king on the top, with a partial border and a foliate initial 'T'(henvyons), at the beginning of book 2., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Hector slaying Patroculus., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Agamemnon at council in his tent, with Achilles in bed behind, Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Ajax complaining to Agamemnon, while behind, the Greeks are preparing for departure., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of Ajax complaining to Agamemnon, while behind, the Greeks are preparing for departure., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Text page., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of the Wheel of Fortune with a king on the top, with a partial border and a foliate initial 'T'(henvyons), at the beginning of book 2., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of Hector slaying Patroculus, with an illuminated initial 'W'(hen) and a partial foliate border., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of Michael driving Lucifer and the other fallen angels from heaven., Troy Book, Siege of Thebes, Testament and The reignes of the kyngis of England; A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or