• Decorated initial 'Q'(ui) and white vine decoration in the border enclosing defaced arms, probably that of the Sassetti family, at the beginning of Ovid's Amores., Amores

probably that of the Sassetti family, at the beginning of Ovid's Amores. f. 1 is a parchment leaf. Ending with Ovid's epitaph (ff. 50v-51).Leaf signatures. Large initial in gold on a blue panel at the beginning of each book (ff.

• Illuminated initial 'S'(i)., Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)(ff. 1-79); Orationes in Catilinam (ff. 80-97)

C, etc. Large initials in gold, outlined in black, on red and blue grounds ornamented with white filigree decoration (ff. 1, 10, 15, 30v, 54v, 80, 80v, 85 (x 2), 89, 93v). Rubrics in red. Paraphs in red or blue.

• Decorated initial 'O'(mnis homines) with leaves and flowers, and square capitals in three-colour alternation at the beginning of Sallust's Cataline Conspiracy., Catilina (ff. 1-45v), Jugurtha (ff. 45v-134)

the beginning of Sallust's Cataline Conspiracy. 2 large decorated foliate initials, in colours and gold (ff. 1, 45v). Square capitals used as display script. Catilina (ff. 1-45v), Jugurtha (ff. 45v-134) ? Written by Gaspar of Verona (b. c.1400, d. 1474),

• Miniature of the Crucifixion, and full foliate border, facing the historiated initial 'T'(e) with the Instruments of the Passion of Christ, at the beginning of the 'Te igitur' in a Missal., Missal, Use of Rome

Instruments of the Passion of Christ, at the beginning of the 'Te igitur' in a Missal. 1 large miniature, accompanied by a full foliate border, in colours and gold (f. 113v). 20 large historiated initials, in colours and gold (ff.

• Calendar page and historiated initial 'A'(d) with David, at the beginning of a Missal., Missal, Use of Rome

David, at the beginning of a Missal. 1 large miniature, accompanied by a full foliate border, in colours and gold (f. 113v). 20 large historiated initials, in colours and gold (ff. 7, 15, 20v, 114, 122, 132, 135, 141, 164,

• Historiated initial 'R'(esurrexi) with the Resurrection of Christ, in a Missal., Missal, Use of Rome

Resurrection of Christ, in a Missal. 1 large miniature, accompanied by a full foliate border, in colours and gold (f. 113v). 20 large historiated initials, in colours and gold (ff. 7, 15, 20v, 114, 122, 132, 135, 141, 164, 171,

• Puzzle initial 'P'(aschales) below a rubric with the date 1465 in medieval arabic numerals, at the beginning of a prologue, Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc.

Puzzle initial 'P'(aschales) below a rubric with the date 1465 in medieval arabic numerals, at the beginning of a prologue ff. 1-3v are notes by Barthélemy Mercier (b. 1734 d. 1799), abbé de St.-Léger. Large and small puzzle initials

• null, Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc.

ff. 1-3v are notes by Barthélemy Mercier (b. 1734 d. 1799), abbé de St.-Léger. Large and small puzzle initials in red and blue. Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc. Apparently written in 1465: a rubric reads 'Prologus sedulij

• null, Commentary on the Psalms (imperfect, starting in the middle of the commentary on Psalm 9 and ending in the middle of the commentary on Psalm 146)

for Psalms 26, 38, 51, 80, 101, and 109. 1 large painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around

• null, Commentary on the Psalms (imperfect, starting in the middle of the commentary on Psalm 9 and ending in the middle of the commentary on Psalm 146)

for Psalms 26, 38, 51, 80, 101, and 109. 1 large painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around

• Decorated initial., Medical miscellany, including Gilbertus Anglicus's Compendium medicinae (ff 91-139), imperfect, On buboes (ff. 139-140); Guy de Chauliac's On bloodletting (f. 147v); and On scarifying and cupping (f. 147v)

Decorated initial. ff. 1-2 are parchment flyleaves. Large and small initials in blue with red penwork decoration and pen-flourishing. Small initials in red or blue. Paraphs in red. Marginal drawing of a face (f. 83). From ff. 81v-86v, large

• Detail of a miniature of a master and scholars., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Detail of a miniature of a master and scholars., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Detail of a miniature of God, with the instruments of Creation., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Miniature of diagrams showing the shape of the earth., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Circular diagrams and text., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Miniature of diagrams to show the shadow of the earth., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Miniature of the phases of the moon., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Miniature of the Universe as a diagram in various concentric circles, with Christ at the top, Hell in the centre, and symbols of the Four Evangelists in the corners., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Full border with Cupid in a large historiated initial 'V'(oi), medallions of leopard heads, and, in the lower margin, two crowned leopards salient ~or~ supporting a medallion with the arms of the Mussolini family of Treviso., Table of first lines (ff. 2-8v); Rime (ff. 12-138v); Trionfi (index Triumphs) (ff. 140-171)

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘13 die mensis Septembris, A.D. 1722’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime