• Drawing of a pig playing bagpipes, a jester showing his genitals, a man blowing a flute or pipe, and various hybrid creatures., De caelo, De anima

in ink, 1 with brown and red washes (ff. 25v, 109v, 145v). 5 smaller drawings in ink (ff. 60v, 69v, 79v, 82v, 131). Small initials in brown, some with penwork decoration. Cadels, 1 with an animal head, and 1 with

• Zoomorphic initial 'P'(ompelus) with three quadrupeds., Chronographia tripertita, with preface

is a change of scribe at f. 64; the first uses quire signatures, the second uses catchwords. 1 large zoomorphic initial (f. 7v). 1 small iniital with zoomorphic features (f. 2). Added marginal drawings, 13th century (ff. 6v, 20, 85v,

• Decorated initials 'C'(um) and 'P'(rincipio), at the beginning of the volume, and, in the upper margin, two ownership inscriptions., Epitome historiarum Pompeii Trogi

'P'(rincipio), at the beginning of the volume, and, in the upper margin, two ownership inscriptions. 1 large puzzle initial with red penwork and flourishing (f. 1). Other large intiials in blue with red pen-flourishing, or red with pink pen-flourishing. Epitome

• Decorated initial 'A'(ltus) at the beginning of a short preface to Terence's Andria, executed in red ink with a brown ink geometric pattern in the bowl., Andria, Eunuchus, Heautontimorumenos, Adelphi, Hecyra (fragment)

Andria, executed in red ink with a brown ink geometric pattern in the bowl. 1 large red initial decorated with black ink in the bowl (f. 1). Other large and small mostly very plain red initials. Andria, Eunuchus, Heautontimorumenos, Adelphi,

• Miniature of a horned Moses receiving the tablets of the Law from the hand of God, illuminated initial 'pi' (prosecete), and foliate border at the beginning of Psalm 77., Psalter (ff. 3-186v); Odes 1-9 (ff. 186v-203); Horologion (ff. 204-221); Canon to the Virgin (ff. 221v-225v); Great canon for the evening office (ff. 226-270)

century with a similar decorated border. 2 miniatures and foliate borders in gold and colours at the beginning of Psalms 1 and 77 (ff. 3, 93v). Simple gold headpieces. Large gold initials and gold display script (chrysography). Psalter (ff. 3-186v);

• Illuminated interlace initial 'E'(go), at the beginning of Cicero's Epistolae ad familiares, Book 1, Epistolae ad familiares

Epistolae ad familiares, Book 1 The decoration is typically Veronese according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford.The inserted first leaf has an Easter table, covering 1480-1831 (f. 1)1 large interlace initial,

• Decorated initial with a deer and satyr holding a cup., Astronomical miscellany

holding a cup. Musical notation. 1 bas-de page image of two animals and a red heart with an arrow through it (f. 20). 1 initial with a hybrid figure in red and blue (f. 30). 1 initial in red and

• null, Epitome historiarum Pompeii Trogi

1 large puzzle initial with red penwork and flourishing (f. 1). Other large intiials in blue with red pen-flourishing, or red with pink pen-flourishing. Epitome historiarum Pompeii Trogi Annotated in humanistic hands, occasionally in Greek, second half of the 15th

• null, Andria, Eunuchus, Heautontimorumenos, Adelphi, Hecyra (fragment)

1 large red initial decorated with black ink in the bowl (f. 1). Other large and small mostly very plain red initials. Andria, Eunuchus, Heautontimorumenos, Adelphi, Hecyra (fragment) Formerly bound with Burney 137, 272, and 352, which have similar

• null, Epitome historiarum Pompeii Trogi

1 large puzzle initial with red penwork and flourishing (f. 1). Other large intiials in blue with red pen-flourishing, or red with pink pen-flourishing. Epitome historiarum Pompeii Trogi Annotated in humanistic hands, occasionally in Greek, second half of the 15th

• null, Psalter (ff. 3-186v); Odes 1-9 (ff. 186v-203); Horologion (ff. 204-221); Canon to the Virgin (ff. 221v-225v); Great canon for the evening office (ff. 226-270)

with a similar decorated border. 2 miniatures and foliate borders in gold and colours at the beginning of Psalms 1 and 77 (ff. 3, 93v). Simple gold headpieces. Large gold initials and gold display script (chrysography). Psalter (ff. 3-186v); Odes

• null, Psalter (ff. 3-186v); Odes 1-9 (ff. 186v-203); Horologion (ff. 204-221); Canon to the Virgin (ff. 221v-225v); Great canon for the evening office (ff. 226-270)

with a similar decorated border. 2 miniatures and foliate borders in gold and colours at the beginning of Psalms 1 and 77 (ff. 3, 93v). Simple gold headpieces. Large gold initials and gold display script (chrysography). Psalter (ff. 3-186v); Odes

• null, Liber de orthographia

1 large initial in blue and light yellow with foliate decoration, and a lower border of vines and flowers, executed in pen (f. 1). The rest of the manuscript is without illumination but with spaces and guide letters left for

• null, Liber de orthographia

1 large initial in blue and light yellow with foliate decoration, and a lower border of vines and flowers, executed in pen (f. 1). The rest of the manuscript is without illumination but with spaces and guide letters left for

• Decorated initial with a deer and satyr holding a cup., Astronomical miscellany

holding a cup. Musical notation. 1 bas-de page image of two animals and a red heart with an arrow through it (f. 20). 1 initial with a hybrid figure in red and blue (f. 30). 1 initial in red and

• Added diagrams and puzzle initial 'D'(ixit) with pen-flourishing, at the beginning of Johannes de Rupescissa's De quinta essentia., Alcehmical texts, including De quinta essentia

with pen-flourishing, at the beginning of Johannes de Rupescissa's De quinta essentia. 1 large puzzle initial in red and blue with pen-flourishing in brown and red (f. 2). 1 smaller puzzle initial in red and blue with pen-flourishing in purple

• Decorated initials., Mainly scientific and grammatic miscellany, including the Summa Chiromantiae (ff. 100-108v; 109-34), the Mirror of Light (ff. 155-168); Cistercian statuta and ordinationes (ff. 200-220); De sphaera (ff. 59-75); algorismus with commentary (ff. 26-43)

with a large initial in brown with interlace and foliage (f. 1). f. 221 is a paper leaf. Large diagrams of hands in brown ink (ff. 131v-134v, 169, 198). 1 large initial in red with blue and red penwork decoration

• Drawing of a monk kneeling on a cushion before a bishop holding a crosier with a dove., De caelo, De anima

in ink, 1 with brown and red washes (ff. 25v, 109v, 145v). 5 smaller drawings in ink (ff. 60v, 69v, 79v, 82v, 131). Small initials in brown, some with penwork decoration. Cadels, 1 with an animal head, and 1 with

• Detail of a drawing a woman pointing a quill towards a sleeping figure, accompanied by a small dog or squirrel., De caelo, De anima

in ink, 1 with brown and red washes (ff. 25v, 109v, 145v). 5 smaller drawings in ink (ff. 60v, 69v, 79v, 82v, 131). Small initials in brown, some with penwork decoration. Cadels, 1 with an animal head, and 1 with

• Decorated initial 'C'(harles), including heraldic arms, and a partial foliate border, at the beginning of the Lois d'Oléron., Lois d'Oléron

a partial foliate border, at the beginning of the Lois d'Oléron. 1 large decorated initial including heraldic arms with a partial foliate border, in colours and gold (f. 1). Large heraldic arms (f. 17). Smaller decorated initials, in colours and