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Atticae, from the lower border. 1 large faceted initial in gold on a coloured field, with partial floral border (f. 1). Heading in display capitals, and small initials, alternating gold, purple, gold, red, gold, green. 1 large 'white vine' initial:
of Aulus Gellius's Noctes Atticae. 1 large faceted initial in gold on a coloured field, with partial floral border (f. 1). Heading in display capitals, and small initials, alternating gold, purple, gold, red, gold, green. 1 large 'white vine' initial:
Detail of border. 1 large faceted initial in gold on a coloured field, with partial floral border (f. 1). Heading in display capitals, and small initials, alternating gold, purple, gold, red, gold, green. 1 large 'white vine' initial: the initial
by John Multon, London stationer (will of 1475): see discussion Christianson 1990.Thomas Wall, Windsor Herald, 1525: his added arms (f. 1); his name (ff. 89v-92); his record of purchase 'This boke belongyth unto T. Wall alias Wyndesor herault at armes
history, beginning his research in 1463 (see inscription on f. 37v).Numerous blank ruled unfoliated parchment leaves: 1 after f. 14, 7 after f. 16, 1 after f. 23, 6 after f. 25, 2 after f. 29, 3 after f. 30,
by John Multon, London stationer (will of 1475): see discussion Christianson 1990.Thomas Wall, Windsor Herald, 1525: his added arms (f. 1); his name (ff. 89v-92); his record of purchase 'This boke belongyth unto T. Wall alias Wyndesor herault at armes
Matthias Corvinus. 1 large white vine initial developing a three-sided white vine border, with heraldic arms supporter by putti in the lower margin, in colours and gold (f. 3). 14 smaller white vine initials, in colours and gold (ff. 22,
history, beginning his research in 1463 (see inscription on f. 37v).Numerous blank ruled unfoliated parchment leaves: 1 after f. 14, 7 after f. 16, 1 after f. 23, 6 after f. 25, 2 after f. 29, 3 after f. 30,
lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat
illuminated initial. 1 large white vine initial, in colours and gold, with three-sided border incorporating arms. Small initials in gold on a ground of red, blue, and green; or in plain blue. De caelesti hierarchia (ff. 3-117), De mystica theologia
lower border. 1 large white vine initial, in colours and gold, with three-sided border incorporating arms. Small initials in gold on a ground of red, blue, and green; or in plain blue. De caelesti hierarchia (ff. 3-117), De mystica theologia
illuminated initial. 1 large white vine initial, in colours and gold, with three-sided border incorporating arms. Small initials in gold on a ground of red, blue, and green; or in plain blue. De caelesti hierarchia (ff. 3-117), De mystica theologia
Smaller puzzle initials in red and blue with floral pen-flourishing in blue and red, developing three-sided borders, 1 accompanied by a small cross, 1 by a ciborium, in colours, in the margins (ff. 115v, 316v). Smaller initials in blue, with
Smaller puzzle initials in red and blue with floral pen-flourishing in blue and red, developing three-sided borders, 1 accompanied by a small cross, 1 by a ciborium, in colours, in the margins (ff. 115v, 316v). Smaller initials in blue, with
9s. 6d. (Egerton MSS 710-730). 1 large decorated initial with a full foliate border, in colours and gold (f. 9). 1 large decorated initial with a partial foliate border, in colours and gold (f. 44). 1 roundel including a naked
9s. 6d. (Egerton MSS 710-730). 1 large decorated initial with a full foliate border, in colours and gold (f. 9). 1 large decorated initial with a partial foliate border, in colours and gold (f. 44). 1 roundel including a naked
arms in the lower margin, in colours and gold, at the beginning of the prologues to the books (ff. 1, 52). 1 smaller miniature with full foliate borders, in colours and gold, at the end of the prologue for the
Coloured drawing of a nun receiving the chrism from a bishop. Catchwords written horizontally. Leaf signatures.f. 27 is damaged.f. 1* is a parchment leaf. 1st recension of the text. 103 coloured drawings using a restricted palette (yellow, purple, green,
Coloured drawings, from left to right: Francis in the Holy Jerusalem, souls undressing before Peter standing at Heaven's gate. Catchwords written horizontally. Leaf signatures.f. 27 is damaged.f. 1* is a parchment leaf. 1st recension of the text. 103 coloured
Coloured drawing of Reason (index Raison) advising the clergy represented by a nun and a bishop. Catchwords written horizontally. Leaf signatures.f. 27 is damaged.f. 1* is a parchment leaf. 1st recension of the text. 103 coloured drawings using a