• Detail of a section of the full all'antica border with putti, gems, emblems, and biblical figures, at the beginning of None in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of a miniature of the Raising of Lazarus, at the beginning of the Office of the Dead., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of the lower part of the full all'antica border with putti, and biblical figures, at the beginning of the Office of the Dead., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of the upper section of the full all'antica border with putti, gems, and biblical figures, at the beginning of the Office of the Dead., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of a miniature of a man and woman, Francesco Salviati and Laudomia de' Medici, adoring the Virgin and Child, at the end of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of the upper section of the full all'antica border with putti, gems, and biblical figures, at the end of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of the lower section of the full all'antica border with putti holding the image of Noah, at the end of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of a section of the full all'antica border with putti, gems, and biblical figures, at the end of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of a miniature of the Visitiation shown as taking place in Florence, in front of the church of San Giovannino, with the Medici Palace on the right and a view up the Via Gori in the background, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of the lower section of the full all'antica border with putti, gems, and biblical figures, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of the upper section of the full all'antica border with putti, gems, and biblical figures, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Lower part of the full all'antica border with putti, gems, and biblical figures, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Detail of a section of the full all'antica border with putti, gems, and biblical figures, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• White-vine initial 'I'(ulius), and white-vine border with putti and a parrot, with the arms of Pope Paul II (?) in the lower margin, at the beginning of Suetonius's De Vita Caesarum., De vita Caesarum (index XII Caesars)

margin, at the beginning of Suetonius's De Vita Caesarum. 1 large white-vine initial, accompanied by a three-sided white-vine border, including heraldic arms in the lower margin, in colours and gold (f. 1). 11 smaller white-vine initials, in colours and gold

• White-vine initial 'V'(itelliorum), from Suetonius's De Vita Caesarum., De vita Caesarum (index XII Caesars)

White-vine initial 'V'(itelliorum), from Suetonius's De Vita Caesarum. 1 large white-vine initial, accompanied by a three-sided white-vine border, including heraldic arms in the lower margin, in colours and gold (f. 1). 11 smaller white-vine initials, in colours and gold (ff.

• Marginal drawing of of a dog? and a human half-bust figure, in the Sermones de quadragesima., Sermones de quadragesima (imperfect)

Marginal drawing of of a dog? and a human half-bust figure, in the Sermones de quadragesima. Large initials (2 lines) in brown, mostly with (zoomorphic) pen-flourishing in brown, with red infill. Capital letters highlighted in red. Holes in the

• Detail of a white-vine initial 'I'(ulius), and the upper section of the white-vine border, at the beginning of Suetonius's De Vita Caesarum., De vita Caesarum (index XII Caesars)

border, at the beginning of Suetonius's De Vita Caesarum. 1 large white-vine initial, accompanied by a three-sided white-vine border, including heraldic arms in the lower margin, in colours and gold (f. 1). 11 smaller white-vine initials, in colours and gold

• Detail of the lower section of the white-vine border with putti and a parrot, with the arms of Pope Paul II (?), at the beginning of Suetonius's De Vita Caesarum., De vita Caesarum (index XII Caesars)

(?), at the beginning of Suetonius's De Vita Caesarum. 1 large white-vine initial, accompanied by a three-sided white-vine border, including heraldic arms in the lower margin, in colours and gold (f. 1). 11 smaller white-vine initials, in colours and gold

• Detail of a white-vine initial 'V'(itelliorum), from Suetonius's De Vita Caesarum., De vita Caesarum (index XII Caesars)

a white-vine initial 'V'(itelliorum), from Suetonius's De Vita Caesarum. 1 large white-vine initial, accompanied by a three-sided white-vine border, including heraldic arms in the lower margin, in colours and gold (f. 1). 11 smaller white-vine initials, in colours and gold

• Detail of historiated initial 'D'(as) with Micah holding a scroll at the beginning of Micah., Old Testament (volume 2), from Psalms

pink, green, yellow, purple, and gold (f. 1). 23 large historiated initials in colours and gold and sometimes silver, with foliate decoration forming a partial border at the beginning of books (ff. 1, 41, 53v, 58, 60, 69, 93v, 123v,