• Detail of illuminated initial., Opera omnia

Detail of illuminated initial. Vol. 1: Decorated table of contents, in colours and gold (f. 1v). 1 large inhabited initial, accompanied by a partial foliate border including medaillons, and arms supported by putti in the lower margin, in colours and

• Detail of decorated initial., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v, 17v, 19, 21, 26v) and other designs

• null, Psalter

University of Glasgow, Hunter MSS 405, 475. Foliate headpiece (f. 1) and other simple headpiece. Large red initials with penwork decoration, the first also with black and yellow (f. 1). Psalter Written by Matthaios, hieromonk of the monastery of St

• Miniature of Saints, decorated initial 'M'(onseigneur), and full foliate border, at the beginning of the prologue of the Légende dorée., Légende dorée (vol. 1)

except initials in plain red or blue. 1 large column-wide miniatur with a full foliate border, in colours and gold (f. 1). 2 decorated initials in gold on red and blue grounds (ff. 1, 1v). Large and small initials in

• Miniatures of the Tree of Jesse and the Annunciation, and decorated initial 'D'(omine), at the beginning of the Hours of the Virgin., Book of Hours, Use of Beaune?

for the Hours of the Virgin after Matins (ff. 32, 41v, 46, 49v, 52v, 55v, 61v).Later addition of 1 full- and 1 half-page miniatures at the end of the texts (ff. 21v, 65v), and of 5 small miniatures which were

• Miniature of David in penitence, and decorated initial 'D'(omine), at the beginning of the Penitential Psalms., Book of Hours, Use of Beaune?

for the Hours of the Virgin after Matins (ff. 32, 41v, 46, 49v, 52v, 55v, 61v).Later addition of 1 full- and 1 half-page miniatures at the end of the texts (ff. 21v, 65v), and of 5 small miniatures which were

• Detail of text and diagram., Opera omnia

Detail of text and diagram. Vol. 1: Decorated table of contents, in colours and gold (f. 1v). 1 large inhabited initial, accompanied by a partial foliate border including medaillons, and arms supported by putti in the lower margin, in colours

• Miniature of the presentation of the book to a king, with a foliate initial 'C'(omme) and a full border containing the arms of John Donne, at the beginning of the Romance of Sydrac and Boctus., Romance of Sydrac and Boctus, treatise on the Seven Deadly Sins

vertically, bifolium signatures. 1 large miniature in colours and gold with a foliate initial in colours and gold, and a full trompe l'oeil border, at the beginning of the Romance of Sydrac and Boctus (f. 1).1 one-column miniature in

• Detail of a miniature of the presentation of the book to a king, at the beginning of the Romance of Sydrac and Boctus., Romance of Sydrac and Boctus, treatise on the Seven Deadly Sins

vertically, bifolium signatures. 1 large miniature in colours and gold with a foliate initial in colours and gold, and a full trompe l'oeil border, at the beginning of the Romance of Sydrac and Boctus (f. 1).1 one-column miniature in

• Miniature of John on Patmos with a seven-headed beast rising from the sea, at the beginning of a treatise on the Seven Deadly Sins., Romance of Sydrac and Boctus, treatise on the Seven Deadly Sins

vertically, bifolium signatures. 1 large miniature in colours and gold with a foliate initial in colours and gold, and a full trompe l'oeil border, at the beginning of the Romance of Sydrac and Boctus (f. 1).1 one-column miniature in

• Detail of a miniature of John on Patmos with a seven-headed beast rising from the sea, at the beginning of a treatise on the Seven Deadly Sins., Romance of Sydrac and Boctus, treatise on the Seven Deadly Sins

vertically, bifolium signatures. 1 large miniature in colours and gold with a foliate initial in colours and gold, and a full trompe l'oeil border, at the beginning of the Romance of Sydrac and Boctus (f. 1).1 one-column miniature in

• Detail of a miniature of the Castle of Love, with the lover addressing three women., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,

• Detail of a miniature of a prince and his council, and a prince hearing mass., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,

• Detail of arms with a rose supported between a white greyhound and a red dragon, from the bottom border of the folio., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,

• Miniature of a lady Jeunesse presenting the author to lord Bel Accueil and lady Plaisance and their court, with a full border with two mottos, 'La plus eure' and 'Dieu et mon droit', the arms of Edward the Confessor and George, the royal arms of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and a red dragon between red and white roses., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,

• Detail of a miniature of a lady Jeunesse presenting the author to lord Bel Accueil and lady Plaisance and their court, with a full border with two mottos, 'La plus eure' and 'Dieu et mon droit', the arms of Edward the Confessor and George, the royal arms of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and a red dragon between red and white roses., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,

• Miniature of a view of London with the Tower Bridge and the Tower of London with duke Charles inside writing his poems, with a full border containing the royal arms of England surmounted by a crown and supported by two white lions, and a foliate initial 'D'(es nouvelles), introducing the poem Des nouvelles d'Albyon., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,

• Detail of a miniature of a view of London with the Tower Bridge and the Tower of London with duke Charles inside writing his poems., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,

• Text page, with a detail written within the ascender of a letter: ‘ave ma / ri gratia / plena / d[omi]n[us] tecu[m].', Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,

• Text page with illuminated initials and flourishes., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,