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some framed or marked in red.Italian manuscript with initials in a Northern style. 1 large initial in blue with red and purple penwork decoration (f. 1).1 large initial in red with purple penwork decoration (f. 118v). 4 initials in
the lower margin of the verso of the last leaf of the quires); later medieval (?) leaf marks (in quire 1 the ff. 1-3 are foliated 'f.ii'-'f.iiii'; in quires 2-5 the first four leaves respectively are marked 'a', 'ai', 'aii',
with the coat of arms of the Duchy of Cleves. f. 1 is a parchment flyleaf.f. 2 is a paper title page.Watermark of a 'Tête de boeuf', similar to C. M. Briquet, ~Les Filigranes: Dictionnaire historique des marques du papier
transferred there in 1638, with a 18th century French note regarding the manuscript’s provenance (f. ir-v), and 'No. 197' (f. 1, lower left corner).? The abbey of St-Laurence (18th century French note regarding the manuscript’s provenance, f. ir-v).Charles Burney (b.
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley, ‘18 die mensis Januarij, A.D. 1723/4’ (f. 1; see Wright and Wright 1966). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694,
scintillarum'. Large initial in colours with interlace decoration and a bird (f. 1). Large initials in oxidised red with penwork decoration in green (f. 17) and in red (f. 89). Initials in oxidised red or in green, with the occasional
an ox (f. 46). 6 large initials with interlace and zoomorphic decoration in yellow, red and green or unpainted (ff. 1, 14v, 18v, 23, 32, 41). Large interlace initial in orange, yellow, brown and green with foliate decoration (f. 41v).
178).Inscribed 14th or 15th century 'honores de ferra [?ferri] ppe dicu[n]t[ur]' (on a small piece of parchment pasted onto f. 1 bearing only these words).Thomas Dryffield (d. 1513), scholar of Winchester College in 1459 and fellow of New College Oxford
with animal heads and figures at the beginning of Psalm 1. Calendar includes 'Herhardi episcopi' (10 January); 'Eulalie virginis' (4 February) and 'Eulalii episcopi' (23 February); Waldpurge (27 February and 1 May); Winibald (7 July, highlighted); Xixti (6 August and
with foliate extensions into the margins, in colours and gold (ff. 1, 55v, 82, 113v). Smaller initials in gold on red and blue grounds. Small initials in plain red or blue. Elegiae (index Elegies) (ff. 1-55); Carmina (ff. 55v-81v); Catullus
large white vine initial 'S'(equitur) in colours and gold (f. 176). 35 large white vine initials in colours and gold, 1 at the beginning of each book (ff. 20v, 35v, 44v, 52, 60v, 72v, 84v, 97, 107, 116v, 129, 135,
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Octobris, A.D. 1725’ (ff. 1, 34). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her
white vine initials in gold and colours (ff. 1, 28, 43v, 59v, 76v, 92, 106, 123, 138v). Alternating initials in red or blue. Rubrics in red. Marginal notes in red. Letters and other texts Written by Pietro Cennini in Florence
large white vine initial 'S'(equitur) in colours and gold (f. 176). 35 large white vine initials in colours and gold, 1 at the beginning of each book (ff. 20v, 35v, 44v, 52, 60v, 72v, 84v, 97, 107, 116v, 129, 135,
large white vine initial 'S'(equitur) in colours and gold (f. 176). 35 large white vine initials in colours and gold, 1 at the beginning of each book (ff. 20v, 35v, 44v, 52, 60v, 72v, 84v, 97, 107, 116v, 129, 135,
vine initial in colours and gold and a wreath designed for a coat of arms in the lower margin (f. 1). 9 large white vine initials in colours and gold (ff. 24, 48v, 69, 89v, 109v, 131v, 156, 179, 196).
intial. 1 large decorated initial, in colours (f. 3). Smaller initials in plain red or blue, some with reserved designs. Travels of Sir John Mandeville ? The Benedictine Abbey of St Albans (see below).? Willyam Caxton, by 1490 (see below).?
page. 1 large decorated initial, in colours (f. 3). Smaller initials in plain red or blue, some with reserved designs. Travels of Sir John Mandeville ? The Benedictine Abbey of St Albans (see below).? Willyam Caxton, by 1490 (see below).?
(ff. 161 and 162). Large initial in red with brown penwork decoration (f. 1). Spaces for initials left blank. Aeneis (index Aeneid) Written by Gabrielle Gnuardus de Asula on 10 July 1466: inscribed with his colophon 'Finis per me Gabrielle[m]
last leaf, near the fore-edge (see, e.g., ff. 12v, 24v, 48v or 60v). One or more leaves lost before f. 1, including the beginning of and the historiated initial to Genesis, and after f. 374.Catchwords; leaf marks. 4 historiated initials