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in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border
in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border
in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border
in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border
in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border
by unicorns and enclosed in a wreath with the motto 'In deo est mea gloria'. Ruling in pink ink.f. 1 is ruled but unwritten.No local saint in the litany. Miniature of the consecration of a bishop (f. 1v). Large initials
Headpiece and decorated initial at the beginning of the text. Watermark of an angel, see C. M. Briquet, ~Les Filigranes: Dictionnaire historique des marques du papier dès leur apparition vers 1282 jusqu'en 1600~, A Facsimile of the 1907 edition
Detail of decorated initials. Ff. 1-24 is a separate manuscript with no illumination except paraph marks in plain red or blue, but the whole volume belonged apparently to Pirckheimer. He added a table of contents at the end (ff.
chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the
chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the
chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the
chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the
Text page with the third and fourth chapters of the Inferno. Horizontal catchwords.This manuscript was made in Milan in 1469, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford. Marginal drawings in black
Marginal drawings of Dante and Virgil entering Hell. Horizontal catchwords.This manuscript was made in Milan in 1469, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford. Marginal drawings in black ink of subjects
Initials with pen-flourishing, in Bartolus de Saxoferrato's Super tribus libris postremis codicis Justiniani. Ff. 1-24 is a separate manuscript with no illumination except paraph marks in plain red or blue, but the whole volume belonged apparently to Pirckheimer. He
Flourished initials, in Angelus de Perugia's Commentary on the Novellas Constitutiones Justiniani. Ff. 1-24 is a separate manuscript with no illumination except paraph marks in plain red or blue, but the whole volume belonged apparently to Pirckheimer. He added
Flourished initials, in Angelus de Perugia's Commentary on the Novellas Constitutiones Justiniani. Ff. 1-24 is a separate manuscript with no illumination except paraph marks in plain red or blue, but the whole volume belonged apparently to Pirckheimer. He added
collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘24 die Junij, A.D. 1723’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘24 die Junij, A.D. 1723’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘24 die Junij, A.D. 1723’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime