• Miniature of the Nativity, with a partial border, at the beginning of part 2 of La vie de notre seigneur Jhesucrist., La vie de notre seigneur Jhesucrist, La Vengance de la mort Jhesu Christ

in the 'Family H' version (ff. 193-212).Illuminated by the Master of the Flemish Boethius named after Paris, Bibliothèque Nationale, néel. 1; previously incorrectly identified by Paul Durrieu 1891 as Alexander Bening (d. 1519), father of Simon Bening, and sometimes referred

• Detail of a miniature of the Nativity, with a partial border, at the beginning of part 2 of La vie de notre seigneur Jhesucrist., La vie de notre seigneur Jhesucrist, La Vengance de la mort Jhesu Christ

in the 'Family H' version (ff. 193-212).Illuminated by the Master of the Flemish Boethius named after Paris, Bibliothèque Nationale, néel. 1; previously incorrectly identified by Paul Durrieu 1891 as Alexander Bening (d. 1519), father of Simon Bening, and sometimes referred

• Detail of a miniature of the translator of the book at work, and presenting the book to his patron., La vie de notre seigneur Jhesucrist, La Vengance de la mort Jhesu Christ

in the 'Family H' version (ff. 193-212).Illuminated by the Master of the Flemish Boethius named after Paris, Bibliothèque Nationale, néel. 1; previously incorrectly identified by Paul Durrieu 1891 as Alexander Bening (d. 1519), father of Simon Bening, and sometimes referred

• Miniature of the translator of the book at work, and presenting the book to his patron., La vie de notre seigneur Jhesucrist, La Vengance de la mort Jhesu Christ

in the 'Family H' version (ff. 193-212).Illuminated by the Master of the Flemish Boethius named after Paris, Bibliothèque Nationale, néel. 1; previously incorrectly identified by Paul Durrieu 1891 as Alexander Bening (d. 1519), father of Simon Bening, and sometimes referred

• Detail of a bird and two chickens, from the lower margin of the folio., La vie de notre seigneur Jhesucrist, La Vengance de la mort Jhesu Christ

in the 'Family H' version (ff. 193-212).Illuminated by the Master of the Flemish Boethius named after Paris, Bibliothèque Nationale, néel. 1; previously incorrectly identified by Paul Durrieu 1891 as Alexander Bening (d. 1519), father of Simon Bening, and sometimes referred

• Four part miniature of scenes from the life of Christ: miniature of the election of the disciples; miniature of Christ venturing into the desert; miniature of Christ feeding the Five Thousand; miniature of Christ healing the sick., La vie de notre seigneur Jhesucrist, La Vengance de la mort Jhesu Christ

in the 'Family H' version (ff. 193-212).Illuminated by the Master of the Flemish Boethius named after Paris, Bibliothèque Nationale, néel. 1; previously incorrectly identified by Paul Durrieu 1891 as Alexander Bening (d. 1519), father of Simon Bening, and sometimes referred

• Detail of a four part miniature of scenes from the life of Christ: miniature of the election of the disciples; miniature of Christ venturing into the desert; miniature of Christ feeding the Five Thousand; miniature of Christ healing the sick., La vie de notre seigneur Jhesucrist, La Vengance de la mort Jhesu Christ

in the 'Family H' version (ff. 193-212).Illuminated by the Master of the Flemish Boethius named after Paris, Bibliothèque Nationale, néel. 1; previously incorrectly identified by Paul Durrieu 1891 as Alexander Bening (d. 1519), father of Simon Bening, and sometimes referred

• Three-sided floral border with sprays; an historiated initial 'Q'(uintus) of a man in a red robe, probably Gaius Lalius; and a scribal colophon, 'finis paradoxe. deo gracias cum magna difficultate v^a^ die martii millesimo cccc lxxviii^o^'., Various works including De officiis, De senectute, Paradoxa stoicorum, De amicitia and Somnium Scipionis

initials in colours and gold (ff. 69, 107). Three-sided borders with historiated initials in colours and gold (f. 165v, 196v). 1 gold initial with red and blue pen-flourishing (f. 226). Numerous large initials in blue with red penwork decoration, and

• Miniature of Adonijah assuming a royal state, with decorated borders, and the arms of Edward IV., La Bible Historiale, Part 2 (Bible Historiale of Edward IV)

and the Yorkist badge of a white ~rose en soleil~ and motto 'Dieu et mon droit' (volume 1, Royal 18 D IX, f. 1, etc); written for him probably in Bruges, in 1479: inscribed 'Cy fine le cinquieme et /

• Detail of a miniature of Adonijah assuming a royal state., La Bible Historiale, Part 2 (Bible Historiale of Edward IV)

and the Yorkist badge of a white ~rose en soleil~ and motto 'Dieu et mon droit' (volume 1, Royal 18 D IX, f. 1, etc); written for him probably in Bruges, in 1479: inscribed 'Cy fine le cinquieme et /

• Decorated initial 'A'(mor) and full border including medaillons with a bird and a rabbit, at the beginning of Matteo Maria Boiardo's Amorum libri tres; heraldic arms in the lower margin., Amorum libri tres

the beginning of Matteo Maria Boiardo's Amorum libri tres; heraldic arms in the lower margin. 1 large decorated initial with a full white-vine border including medaillons and heraldic arms, in colours and gold (f. 7). 2 large decorated initials [the

• Decorated initial 'Q'(uelle) with a crowned half-bust figure and a partial white-wine border, at the beginning of book 3; the border in the lower margin is a 15th-century replacement., Amorum libri tres

the beginning of book 3; the border in the lower margin is a 15th-century replacement. 1 large decorated initial with a full white-vine border including medaillons and heraldic arms, in colours and gold (f. 7). 2 large decorated initials [the

• Miniature of the Amalekite bringing Saul's crown to David, with the execution of the Amalekite in the background, and a foliate initial 'A'(pres), with a full border containing the royal arms of England, at the beginning of Kings 2., La Bible Historiale, Part 2 (Bible Historiale of Edward IV)

and the Yorkist badge of a white ~rose en soleil~ and motto 'Dieu et mon droit' (volume 1, Royal 18 D IX, f. 1, etc); written for him probably in Bruges, in 1479: inscribed 'Cy fine le cinquieme et /

• Colophon reading 'Cy fine le cinquieme et / dernier livre de salomon / filz david intitule Ec/clesiasticus / Escript a[nn]o 1479'., La Bible Historiale, Part 2 (Bible Historiale of Edward IV)

and the Yorkist badge of a white ~rose en soleil~ and motto 'Dieu et mon droit' (volume 1, Royal 18 D IX, f. 1, etc); written for him probably in Bruges, in 1479: inscribed 'Cy fine le cinquieme et /

• Miniature of Solomon instructing Rehoboam, with a partial border, at the beginning of Proverbs., La Bible Historiale, Part 2 (Bible Historiale of Edward IV)

and the Yorkist badge of a white ~rose en soleil~ and motto 'Dieu et mon droit' (volume 1, Royal 18 D IX, f. 1, etc); written for him probably in Bruges, in 1479: inscribed 'Cy fine le cinquieme et /

• Miniature of David holding a stringless harp with an angel holding a sword, with a full border containing the royal arms of England, at the beginning of Psalms., La Bible Historiale, Part 2 (Bible Historiale of Edward IV)

and the Yorkist badge of a white ~rose en soleil~ and motto 'Dieu et mon droit' (volume 1, Royal 18 D IX, f. 1, etc); written for him probably in Bruges, in 1479: inscribed 'Cy fine le cinquieme et /

• Miniature of Job, with the loss of his servants and cattle in the background, with a partial border, at the beginning of Job., La Bible Historiale, Part 2 (Bible Historiale of Edward IV)

and the Yorkist badge of a white ~rose en soleil~ and motto 'Dieu et mon droit' (volume 1, Royal 18 D IX, f. 1, etc); written for him probably in Bruges, in 1479: inscribed 'Cy fine le cinquieme et /

• Decorated initials 'O[mega]' and line separating the books; title in display capitals., Odyssey

an extract from Flavius Philostratus, 'Heroicus', at the end (ff. 260-60v; see Pontani 2005). Decorated headpiece in light brown (f. 1, faded). Decorated lines, rubrics, titles in display capitals and large decorated initials in light brown at the beginning of

• Architectural frontispiece with an historiated initial, a portrait of Josephus, and the coat of arms and mottos of Aragon., De Antiquitates Judaicae and Vetustate Judaica

de la Mare 1985..Vertical catchwords. Architectural frontispiece with coat of arms, and an author portrait in the historiated initial (f. 1). 22 large initials with classical motifs, and partial borders with foliate decoration in colours and gold at the beginning

• Detail of the arms of Aragon and the mottos: BIEN ELIR (with the tassel of pearls) and POR BIEN FINIR (with bundle of maces)., De Antiquitates Judaicae and Vetustate Judaica

de la Mare 1985..Vertical catchwords. Architectural frontispiece with coat of arms, and an author portrait in the historiated initial (f. 1). 22 large initials with classical motifs, and partial borders with foliate decoration in colours and gold at the beginning