• Astronomical moveable diagrams, on the left with a pointing standing man in the centre., Astronomical and medical miscellany, including a volvelle and tables of the mansions of the moon

x 80) on paper.Various watermarks visible. 5 diagrams on thick paper with moveable parts, in yellow and brown (ff. 20v-22v), 1 also with yellow and black (f. 21v) and one with a man in colours (f. 20v). Miniature of a

• Detail of calligraphic specimens with decorated initial 'O' signed by Petruccio Ubaldini, dated 1550, and dedicated to Edward VI (in the fourth year of his reign)., Specimens of Calligraphy

brown ink (f. 48). Specimens of Calligraphy Written in London by Petruccio Ubaldini; signed and dated 20 July 1550 (ff. 1, 21, 42).Edward VI (b. 1537, d.1553), king of England and Ireland, king from 1547: apparently intended for him (ff.

• Miniature of a knight on a horse killing a knight lying on the ground, with a full border containing the royal arms of England and two Yorkist badges of the white ~rose-en-soleil~ with the motto 'Dieu est mon droit', and a foliate initial 'E'(n), at the beginning of book 4., Facta et dicta memorabilia

1400-1401; preceded by a list of contents (ff. 1-22).Catchwords written vertically and bifolium signatures. Foliation in red beginning on f. 1. 4 large miniatures in colours and gold, with full foliate borders containing the royal arms of England, and foliate

• Miniature divided in four compartments: 1. the Entry into Jerusalem, 2. the Cleansing of the Temple, 3. Christ and the woman taken in adultery, 4. Judas agreeing to betray Christ, with a full border, at the beginning of part 5., La vie de notre seigneur Jhesucrist, La Vengance de la mort Jhesu Christ

in four compartments: 1. the Entry into Jerusalem, 2. the Cleansing of the Temple, 3. Christ and the woman taken in adultery, 4. Judas agreeing to betray Christ, with a full border, at the beginning of part 5. Includes 'La

• Miniature divided in two compartments: 1. the Resurrection of Christ, 2. Noli me tangere, with a full border and an illuminated initial 'L'(e jour), at the beginning of part 7., La vie de notre seigneur Jhesucrist, La Vengance de la mort Jhesu Christ

in two compartments: 1. the Resurrection of Christ, 2. Noli me tangere, with a full border and an illuminated initial 'L'(e jour), at the beginning of part 7. Includes 'La vie de notre seigneur Jhesucrist', the French adaptation attributed to

• Miniature divided in four compartments: 1. Finding of the infant Judas, 2. Judas killing his foster brother, 3. Judas killing his father, 4. Judas before Pilate, with a full border, at the beginning of the La Vengance de la mort Jhesu Christ., La vie de notre seigneur Jhesucrist, La Vengance de la mort Jhesu Christ

in four compartments: 1. Finding of the infant Judas, 2. Judas killing his foster brother, 3. Judas killing his father, 4. Judas before Pilate, with a full border, at the beginning of the La Vengance de la mort Jhesu Christ.

• Miniature of Julius Caesar and parliament of Gallic tribal chiefs., Les commentaires de César

miniatures, in colours and gold, at the beginning of the books (ff. 1, 9, 74, 100v, 116v, 130, 146, 172v, 192, 254v). Large and small initials in gold on red and blue grounds. Les commentaires de César Bought by the

• Coloured print with Christ as Man of Sorrows being adored by a Carthsian, pasted to a page painted in red covered with streaming blood. A Carthusian kneels before a bloody Christ, who stands beside his cross. They converse by means of scrolls with texts in latin. The Carthusian petitions Christ: ‘O Lord I beseech, send me salvation’ (Domine obsecro dirige ad me salutem). He replies: ‘Son, shun (temptation, understood), subdue (it), say nothing, keep quiet (Fili fuge, vince, tace, quiesce). The formulation is found in Abelard’s Epistle VII on the foundation of a women’s convent, and the context is how to avoid the temptation to sin. Below is a caption in English: ‘The greatest comfort in al temptacyon Is the remembraunce of Crystes passyon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

them (ff. 8v-9v). 1 large coloured print with the Virgin and Child at the beginning of the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with

• Large illuminated initial, with later ownership inscriptions in the lower margin., Decretals, an anonymous collection, the latest being attributed to Pope Lucius III (1181-1185), with marginal gloss

collection of decretals (a collection in 63 titles with 713 chapters): see Duggan 2008. 1 large initial in colours and gold with foliate decoration (f. 1). Small initials in red with blue and/or red penwork decoration, or in blue with

• Miniature at the beginning of the Prologue., Les commentaires de César

in colours and gold, at the beginning of the books (ff. 1, 9, 74, 100v, 116v, 130, 146, 172v, 192, 254v). Large and small initials in gold on red and blue grounds. Les commentaires de César Bought by the British

• Miniature of men on horseback., Les commentaires de César

colours and gold, at the beginning of the books (ff. 1, 9, 74, 100v, 116v, 130, 146, 172v, 192, 254v). Large and small initials in gold on red and blue grounds. Les commentaires de César Bought by the British Museum

• null, Les commentaires de César

at the beginning of the books (ff. 1, 9, 74, 100v, 116v, 130, 146, 172v, 192, 254v). Large and small initials in gold on red and blue grounds. Les commentaires de César Bought by the British Museum from Payne and

• null, Les commentaires de César

at the beginning of the books (ff. 1, 9, 74, 100v, 116v, 130, 146, 172v, 192, 254v). Large and small initials in gold on red and blue grounds. Les commentaires de César Bought by the British Museum from Payne and

• null, Les commentaires de César

at the beginning of the books (ff. 1, 9, 74, 100v, 116v, 130, 146, 172v, 192, 254v). Large and small initials in gold on red and blue grounds. Les commentaires de César Bought by the British Museum from Payne and

• Miniature of an encampment., Les commentaires de César

and gold, at the beginning of the books (ff. 1, 9, 74, 100v, 116v, 130, 146, 172v, 192, 254v). Large and small initials in gold on red and blue grounds. Les commentaires de César Bought by the British Museum from

• Miniature of Caesar landing at the watergate of a city., Les commentaires de César

miniatures, in colours and gold, at the beginning of the books (ff. 1, 9, 74, 100v, 116v, 130, 146, 172v, 192, 254v). Large and small initials in gold on red and blue grounds. Les commentaires de César Bought by the

• Miniature of a group of men in discussion, with an inscription on the wall reading 'Concilium', with a full border containing the royal arms of England and the Yorkist badges of the white ~rose-en-soleil~ with the motto 'Dieu est mon droit', and a foliate initial 'A'(dives), at the beginning of book 2., Facta et dicta memorabilia

1400-1401; preceded by a list of contents (ff. 1-22).Catchwords written vertically and bifolium signatures. Foliation in red beginning on f. 1. 4 large miniatures in colours and gold, with full foliate borders containing the royal arms of England, and foliate

• Miniature of Samson fighting with a lion, with a full border containing the royal arms of England and two Yorkist badges of white ~rose-en-soleil~ with the motto 'Dieu est mon droit', and a foliate initial 'E'(en), at the beginning of the book 3., Facta et dicta memorabilia

1400-1401; preceded by a list of contents (ff. 1-22).Catchwords written vertically and bifolium signatures. Foliation in red beginning on f. 1. 4 large miniatures in colours and gold, with full foliate borders containing the royal arms of England, and foliate

• Coloured print with Christ as the Man of Sorrows surrounded by instruments of the Passion pasted to a page painted in red covered with streaming blood, with an indulgence (later defaced): ‘To all them that devoutly say five Pater nosters, five Aves, and a Creed afore such a figure are granted 32,755 years of pardon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

them (ff. 8v-9v). 1 large coloured print with the Virgin and Child at the beginning of the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with

• Partial border with decorated initial 'A'(uris) and the arms of Gui II Arbaleste painted over those of Jean Budé., Commentary on the canon of medicine by Avicenna

a large initial with a coat of arms, and the same coat of arms repeated in the lower margin (f. 1). 3 partial borders in colours and gold with acanthus and floral motifs, and large initials in colours and gold,