• null, Glossed Gospel of Mark

1 large puzzle initial in red and blue, with red and blue foliate decoration (f. 1). 2 large initials in red or blue, with red and blue foliate decoration (ff. 2, 89v). Glossed Gospel of Mark ? Lichfield Cathedral, Staffordshire,

• Decorated initial 'S' and flourished initial 'P', at the beginning of the De lapidibus pretiosis., De lapidibus pretiosis

and flourished initial 'P', at the beginning of the De lapidibus pretiosis. 1 large decorated foliate initial with foliate extensions into the margins, in colours and gold (f. 1). Small initials in red with purple foliate pen-flourishing or in blue

• Flourished initials, in Petrus de Riga's Aurora., Aurora

used for 'A Thrteenth-century Foreward' for the critical edition. 1 large (f. 2) and small initials in blue with red (foliate) pen-flourishing. Aurora Franciscan convent, Cambridge: inscription (f. 1).Inscription in English, 15th- or 16th-century: 'Thomas …' (f. 117).Sir Hans Sloane

• Puzzle initial 'C'(um)., Medical miscellany

Puzzle initial 'C'(um). Only the illuminated parts are described. 1 large puzzle initial in red and blue with pen-flourishing in blue and red (f. 1). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Medical miscellany

• Inhabited initial 'B'(eatus) with 'white lions', at the beginning of the treatise on Psalm 1., Flores Psalterii

3 foliate, zoomorphic, or inhabited initials in colours, at the beginning of the prologues and the treatise on Psalm 1 (ff. 1, 3). 2 large initials in red or blue with foliate penwork decoration in green, blue, and brown, at

• Zoomorphic initial 'S'(anctus) formed of a dragon, with foliate decoration, display script, and pen-flourishing in the margin, at the beginning of the prologue to the commentary on Psalms., Commentary on Psalms 1-50

to the commentary on Psalms. Quire and bifolium signatures. 1 zoomorphic initial in colours with display script and pen-flourishing in red and blue, at the beginning of the prologue (f. 1). 4 large puzzle initials in red and blue with

• Historiated initial 'Q'(uoniam) of Gregory the Great writing, at the beginning of homily 1., Homiliae In Ezechielem, book 2, with Ezekiel 40: 1-47

historiated initials in outline drawing, with display script, at the beginning of Ezekilel 40, and of Gregory's homily 1 on Ezekiel (ff. 1, 4v). Large puzzle initials with penwork decoration in red and green, at the beginning of other homilies

• Text page of the end of chapter 158 and the beginning of the chapter 159 of book 4, with a decorated chapter number., De Concordia Evangelistarum (or Explanatio in Unum ex Quatuor)

with penwork decoration in blue, red and green, at the beginning of the prologue and books 1, 3, 4 (ff. 11, 20, 96, 162). 1 puzzle initial in red, at the beginning of book 2 (f. 57). Small initials in

• Historiated initial 'I'(n principio) of the days of Creation, at the beginning of book 1., Antiquitates iudaicae

to him are: Oxford, Bodleian Library, Bodley 752 and Oxford, Christ Church 115.Quire signatures. 1 historiated initial of Creation, in colours, at the beginning of book 1 (f. 3). 14 outline initials, some with foliate decoration interlaced with human figures,

• Detail of an historiated initial 'I'(n principio) of the days of Creation, at the beginning of book 1., Antiquitates iudaicae

to him are: Oxford, Bodleian Library, Bodley 752 and Oxford, Christ Church 115.Quire signatures. 1 historiated initial of Creation, in colours, at the beginning of book 1 (f. 3). 14 outline initials, some with foliate decoration interlaced with human figures,

• Puzzle initial 'R'(elegamus) with a foliate decoration, at the beginning of book 7., Commentary on Leviticus

the relevant fragments and in the lower margin of each folio. 1 large foliate initial in colours and gold, with display script, at the beginning of the prologue (f. 1). Puzzle initials in red and blue with penwork decoration in

• Puzzle initial 'Q'(uod) with a foliate decoration, at the beginning of book 20., Commentary on Leviticus

the relevant fragments and in the lower margin of each folio. 1 large foliate initial in colours and gold, with display script, at the beginning of the prologue (f. 1). Puzzle initials in red and blue with penwork decoration in

• Puzzle initial 'D'(ominus) at the beginning of the commentary on Psalm 26., Commentary on Psalms 1-50

the commentary on Psalm 26. Quire and bifolium signatures. 1 zoomorphic initial in colours with display script and pen-flourishing in red and blue, at the beginning of the prologue (f. 1). 4 large puzzle initials in red and blue with

• Historiated initial with David and full border at the beginning of Psalm 1., Bilingual Psalter, in the later Wycliffite translation, with the Canticles, and the Athanasian Creed

the beginning of Psalm 1. f. 1* is a parchment flyleaf.Catchwords. 2 full bordes in colours and gold with foliate decoration and gold balls and historiated initials at the beginning of Psalms 1, 109 (ff. 1, 78v). 5 3-sided borders

• Inhabited initial 'Q'(uisque) with dogs and a dragon., Theological miscellany, including Paschasius Radbertus, De corpore et sanguine Domini; Augustine, De sacramento altaris (sermon 52); Lanfranc, De corpore et sanguine Domini; Augustine, De purgatorio igne

Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert

• Detail of a historiated initial 'H'(ec) of Nicholas of Lyre in a Franciscan habit, sitting at a desk and presenting his book to a king and a queen, at the beginning of the prologue 1., Postilla litteralis in vetus et novum testamentum

initials in colours and gold, usually containing hybrids, with partial borders and 1 full border with drolleries (f. 1), at the beginning of all books and prologues (ff. 1, 2, 43v, 77, 92v, 110v, 129, 140, 151, 153, 169v, 182,

• Decorated initial 'P'(auci) with stems and foliate motifs, a clasp, and a face, at the beginning of Jerome's 'Adversus Iovinianum'., Adversus Iovinianum; Commentarius in Symbolum apostolorum; De viris illustribus (excerpt)

erased). 1 large decorated initial with stems and foliate motifs, a clasp, and a face, outlined in brown ink, with yellow wash, on a red ground (f. 1).1 rough drawing of a profile head (f. 99v, erased?). 1 smaller

• Decorated initial 'T'(ribus) with two masks and foliate motifs., Commentary on the Song of Songs; Nativity of Christ according to the Gospels

Ampersands; ae caudatas. 1 large initial with two masks (effaced) and foliate motifs, outlined in brown ink (f. 1).1 large initial with stems and foliate motifs, outlined in brown ink, with some red (f. 2v). 1 large initial in

• Initial 'A'(bba) with penwork decoration., Commentary on the Song of Songs (ff. 1-52); Regula S. Benedicti (ff. 52-84)

decoration. Two scribes (one is on ff. 1-3; ff. 8-18; ff. 52r-52v and ff. 57-84).Ampersands; ae caudatas. 1 initial in gold (f. 1).1 initial in green with penwork decoration in green and red (f. 54v). Some large and several

• Historiated initial 'C'(arissimi) with a standing bishop (Basil?)., 'De Vita et miraculis sancti Basilii'

(part 1) may have been altered as it is not painted in an Italian style.f. 108v is blank. ff. 108-111v are unwritten ruled parchment leaves. Large historiated initial in colours and gold with a standing bishop (Basil) (f. 1; perhaps