• Miniature of Isaiah, who holds a scroll containing text from Isaiah 11; miniature of the tree of Jesse, with seven roundels containing doves, representing the Seven Gifts of the Holy Spirit., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

blue, green, and/or red with foliate decoration, and many with clasps, some with zoomorphic features (ff. 6, 8, 9v, 18v, 22, 52, 64, 96). Initials in gold with blue and/or green washes. Initials in red, some with red and

• Miniature of Isaiah, who holds a scroll containing text from Isaiah 11, and on the right a tree of Jesse, with seven roundels containing doves, representing the Seven Gifts of the Holy Spirit., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

blue, green, and/or red with foliate decoration, and many with clasps, some with zoomorphic features (ff. 6, 8, 9v, 18v, 22, 52, 64, 96). Initials in gold with blue and/or green washes. Initials in red, some with red and

• Decorated initial 'S', set on a painted purple background, inhabited by dragons painted in silver and gold, at the beginning of the reading for Epiphany., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

blue, green, and/or red with foliate decoration, and many with clasps, some with zoomorphic features (ff. 6, 8, 9v, 18v, 22, 52, 64, 96). Initials in gold with blue and/or green washes. Initials in red, some with red and

• null, Glossed Matthew with prologues (ff. 7v-108v), preceded (ff. 1v-6v) by excerpts from Jerome, Augustine, Pope Leo and others

are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v). Small initials in plain red.

• null, Glossed Matthew with prologues (ff. 7v-108v), preceded (ff. 1v-6v) by excerpts from Jerome, Augustine, Pope Leo and others

are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v). Small initials in plain red.

• Zoomorphic initial 'M'(atheus) with animal heads at the beginning of the first prologue., Glossed Matthew with prologues (ff. 7v-108v), preceded (ff. 1v-6v) by excerpts from Jerome, Augustine, Pope Leo and others

two columns). The horizontal rulings are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v).

• Zoomorphic initial 'L'(iber) formed by a fish with a branch or flower in its mouth, at the start of Matthew, an ownership inscription with the date 1369 in the lower margin; and a title and incipit inscription in the upper margin., Glossed Matthew with prologues (ff. 7v-108v), preceded (ff. 1v-6v) by excerpts from Jerome, Augustine, Pope Leo and others

two columns). The horizontal rulings are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v).

• Illuminated headpiece with a foliate pattern and decorated initial 'E'(n) at the beginning of the Gospel of John., Four Gospels, each preceded by a table of capitula (index New Testament, Bible)

157) at the beginning of each Gospel. Simple headpieces and endpieces in red and sometimes brown. Large decorated initials in blue and red at the beginning of each Gospel. Small simple initials in red. Four Gospels, each preceded by a

• Decorated initial 'P'(ascalis) in Anselm's epistle 281., Epistolae 280, 281, and 415, imperfect and fragmentary

281. 2 large initials in red with blue penwork decoration (ff. 2, 3v). 1 large initial in red (f. 5). Small initials in brown ink. Epistolae 280, 281, and 415, imperfect and fragmentary Thomas Astle (b. 1735, d. 1803), archivist

• Decorated initial 'P'(aulus) at the beginning of Paul's epistles, with gloss., Epistles of Paul, with prologues and gloss; Jerome's prologue to the Epistles (ff. 151-152v)

14 large foliate brown ink initials with colours, most with red, yellow, blue, and sometimes olive green (ff. 1, 27, 52, 69, 78, 87, 93v, 99v, 105, 108v, 116, 121v, 125, 127). Small initials in red. Epistles of Paul, with

• Decorated initial 'M'(ultiphariam) at the beginning of Paul's epistle to the Hebrews, with gloss., Epistles of Paul, with prologues and gloss; Jerome's prologue to the Epistles (ff. 151-152v)

gloss. 14 large foliate brown ink initials with colours, most with red, yellow, blue, and sometimes olive green (ff. 1, 27, 52, 69, 78, 87, 93v, 99v, 105, 108v, 116, 121v, 125, 127). Small initials in red. Epistles of Paul,

• Puzzle initial 'K'(i) and rubric at the beginning of the Brut., The Scheme of the Heptarchy (f. 40), the Roman de Brut (ff. 40-113), the Estoire des Engles (ff. 113-150) (index Estoire des Engleis)

lance in red and brown ink (f. 81). 2 large puzzle initials in red and blue (ff. 40v, 113). Plain initials in red and blue. Capitals marked in red. The Scheme of the Heptarchy (f. 40), the Roman de Brut

• Decorated initial 'P'(aulus), from a fragment of a 12th-century copy of 1 Thessalonians., Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15 (f. 51); 5:17-2 Thessalonians 1:3 (f. 52); Philippians 2:22-3:5.

tropes). Musical notation: square notation on four-line red staves. 1 large decorated initial in blue, green, red and yellow (f. 52v). Small initials in red, blue and green. Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15

• Detail of decorated initial 'P'(aulus), from a fragment of a 12th-century copy of 1 Thessalonians., Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15 (f. 51); 5:17-2 Thessalonians 1:3 (f. 52); Philippians 2:22-3:5.

tropes). Musical notation: square notation on four-line red staves. 1 large decorated initial in blue, green, red and yellow (f. 52v). Small initials in red, blue and green. Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15

• Zoomorphic initial formed of a dragon and foliage. The inscription in reddish ink in the lower margin states that it is from Glastonbury Abbey, and names 'Robertus Wottone', one of its monks., Homiliary

Abbey, and names 'Robertus Wottone', one of its monks. Large zoomorophic initial in green, red, brown, and blue (f. 1). Initials in blue, red, brown, or green, some with penwork decoration in the same colour or in another colour or

• Decorated initial 'P'(ost), with later underlining and marginal notations., Homiliary

Decorated initial 'P'(ost), with later underlining and marginal notations. Large zoomorophic initial in green, red, brown, and blue (f. 1). Initials in blue, red, brown, or green, some with penwork decoration in the same colour or in another colour or

• Display script with penwork decoration and reserved lines., Epistolae

(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate

• Dedtail of display script with penwork decoration and reserved lines., Epistolae

(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate

• Detail of decorated initial 'H'(abens) with reserved lines, arabesque and foliate motifs., Epistolae

(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate

• Detail of decorated initial 'A'(ugustinus) with reserved lines, arabesque and foliate motifs., Epistolae

(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate