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(f. 6). Decorated initials with arabesque foliate ornament in blue, red, and green, larger at the beginning of books, and smaller at the beginning of chapters. Small initials in red, blue, or green throughout the text. De universo seu De
(f. 6). Decorated initials with arabesque foliate ornament in blue, red, and green, larger at the beginning of books, and smaller at the beginning of chapters. Small initials in red, blue, or green throughout the text. De universo seu De
(f. 6). Decorated initials with arabesque foliate ornament in blue, red, and green, larger at the beginning of books, and smaller at the beginning of chapters. Small initials in red, blue, or green throughout the text. De universo seu De
(f. 6). Decorated initials with arabesque foliate ornament in blue, red, and green, larger at the beginning of books, and smaller at the beginning of chapters. Small initials in red, blue, or green throughout the text. De universo seu De
(f. 6). Decorated initials with arabesque foliate ornament in blue, red, and green, larger at the beginning of books, and smaller at the beginning of chapters. Small initials in red, blue, or green throughout the text. De universo seu De
(f. 6). Decorated initials with arabesque foliate ornament in blue, red, and green, larger at the beginning of books, and smaller at the beginning of chapters. Small initials in red, blue, or green throughout the text. De universo seu De
(f. 6). Decorated initials with arabesque foliate ornament in blue, red, and green, larger at the beginning of books, and smaller at the beginning of chapters. Small initials in red, blue, or green throughout the text. De universo seu De
dragons in colours and gold, at the beginning of Hebrews (f. 174). Initials in blue, with pen-flourishing in red, and in red with pen-flourishing in blue. Gloss on the Pauline Epistles Added chapter numbers, 14th-century English hand.Presented to the British
initials in red, brown or green, some with penwork decoration in green, blue, red and/or brown, completed by a different but contemporary hand. Initials in red, green, or blue (ff. 109-174v) Theological texts Added table of contents, 12th century (f.
far as 'lx' (f. 125). Large puzzle initial in red and blue, with purple and red pen-flourishing (f. 1). Large initials in red with purple pen-flourishing, and in blue with red pen-flourishing. Initials in red. Paraphs in red. Highlighting of
decoration of foliage and a hybrid creature (f. 180). 1 large initial in blue with penwork decoration in green and red (f. 129). Large initials in blue, purple, or red, one with penwork decoration in another colour (f. 136v). Small
and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line
parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end, and there
94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end,
and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line
94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end,
and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line
unfinished, as they lack contour lines. 2 large initials, outlined in brown ink, coloured yellow and green, on a red, blue and violet ground, with foliate, rope and knotwork motifs (f. 2) and, with animal heads (f. 14v). Large initials
41. 12 very large initials in blue and red with red and brown pen-flourishing (ff. 42, 52v, 63, 72v, 82, 93v, 105v, 116v, 126v, 137v, 149v, 161v). Large plain initials in red or blue. Capitals marked in red. Opera (Works)
with entwined animals and head terminals. Large initials in red, green, yellow, purple, or blue, some with penwork decoration. Small initials in brown, green or blue. Rubrics in red. Homiliary The Benedictine abbey of St Augustine, Canterbury: liturgical evidence; corresponds