• Decorated initial 'I'(udas) at the beginning of the commentary on Jude., In epistolas catholicas

parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end, and there

• Decorated initial 'I'(acobus) at the beginning of the commentary on the Epistle of the James., In epistolas catholicas

94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end,

• Decorated initial 'P'(etrus) at the beginning of the Letters of Peter with marginal notes, including 'On charity', 'In the time Peter went to Rome'., In epistolas catholicas

and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line

• Decorated initial 'S'(ymon) at the beginning of chapter 2 of the letters of Peter., In epistolas catholicas

94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end,

• Decorated initial 'Q'(uod) at the beginning of the Letters of John, with the beginnings of paragraphs marked in yellow and a 'q' in the margin, and a marginal marking of 'C1'., In epistolas catholicas

and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line

• Initial 'U'(num) with foliate and knotwork motifs., Epistulae

unfinished, as they lack contour lines. 2 large initials, outlined in brown ink, coloured yellow and green, on a red, blue and violet ground, with foliate, rope and knotwork motifs (f. 2) and, with animal heads (f. 14v). Large initials

• Puzzle initial 'F(rat[er]) at the beginning of the Prologue to Genesis., Bible

the manuscript. Pricking holes. Puzzle initials in red and blue at the beginning of the prologue to Genesis and at the beginning of Genesis (ff. 2, 4v). Plain initials in blue or red, many initials not added. Running titles. Bible

• Decorated initial 'C'(onticuere)., Opera (Works)

41. 12 very large initials in blue and red with red and brown pen-flourishing (ff. 42, 52v, 63, 72v, 82, 93v, 105v, 116v, 126v, 137v, 149v, 161v). Large plain initials in red or blue. Capitals marked in red. Opera (Works)

• Inhabited initial 'V'(espe), with birds, dragons, and the face of Christ in a roundel., Homiliary

with entwined animals and head terminals. Large initials in red, green, yellow, purple, or blue, some with penwork decoration. Small initials in brown, green or blue. Rubrics in red. Homiliary The Benedictine abbey of St Augustine, Canterbury: liturgical evidence; corresponds

• Inhabited initial 'P'(rimo) with animals and animal and human-head terminals., Homiliary

with entwined animals and head terminals. Large initials in red, green, yellow, purple, or blue, some with penwork decoration. Small initials in brown, green or blue. Rubrics in red. Homiliary The Benedictine abbey of St Augustine, Canterbury: liturgical evidence; corresponds

• Decorated initial 'L'(iber) with display capitals, at the beginning of the Gospel of Matthew., Glossed Gospel of Matthew, preceded by prologues (f. 2r-v)

initial, in colours and gold (f. 3). Large initials alternating red, blue, or pale brown, usually with simple decoration in one of the other colours. Small initials alternating red, blue, or pale brown. Spaces for coloured initials left blank after

• Decorated initial 'C'(um) at Matthew 1:18., Glossed Gospel of Matthew, preceded by prologues (f. 2r-v)

initial, in colours and gold (f. 3). Large initials alternating red, blue, or pale brown, usually with simple decoration in one of the other colours. Small initials alternating red, blue, or pale brown. Spaces for coloured initials left blank after

• Decorated foliate initial 'C', and full foliate border, at the beginning of the Statues., Nova Statuta (index Statutes of England; Statuta Angliae, Statute book), from 1 Edward III to 14 Henry VI in chronological order

Statutes (f. 24). Smaler initials in gold on red and blue grounds, with foliate extensions into the margins, at the beginning of each reign. Paraph marks in plain red or blue. Nova Statuta (index Statutes of England; Statuta Angliae, Statute

• Inhabited initial 'D'(ivinus) with a dog, in gold and colours., Theological miscellany, including Goselin's (index: Gocelinus, Jocelyn) Life of Augustine and other saints' lives (see Notes)

on a blue ground (f. 3). Large initials in red, green, or blue, some with penwork decoration in the other colour or colours. Small initials in red or green. Text in alternating letters or words of red, blue, and green.

• Inhabited initial 'R'(egu) with a dragon, in gold and colours., Theological miscellany, including Goselin's (index: Gocelinus, Jocelyn) Life of Augustine and other saints' lives (see Notes)

on a blue ground (f. 3). Large initials in red, green, or blue, some with penwork decoration in the other colour or colours. Small initials in red or green. Text in alternating letters or words of red, blue, and green.

• Large decorated initial 'P'(oentissimus) in colours and gold with foliate decoration and acanthus leaves., Theological miscellany, including Goselin's (index: Gocelinus, Jocelyn) Life of Augustine and other saints' lives (see Notes)

on a blue ground (f. 3). Large initials in red, green, or blue, some with penwork decoration in the other colour or colours. Small initials in red or green. Text in alternating letters or words of red, blue, and green.

• Zoomorphic initial 'M'(agnitudo) in dark brown ink, red and green and some blue, with knot-work and foliate motifs, in the shape of a grotesque(s)., De mysteriis (ff. 1-4v); De sacramentis (ff. 4v-16v); Sermo de corpore et sanguine Domini (serm. 17, ff. 16v-18v); Contra Iouinianum (ff. 18v-69v); Hypomnesticon (ff. 69v-90)

ink, red and green and some blue, with knot-work and foliate motifs, in the shape of a bird or grotesque(s) (ff. 6, 16v, 19, 69v). Large and smaller Initials in red, green or occasionally blue, some with penwork decoration including

• Zoomorphic initial 'I' in dark brown ink, red and green and some blue, with knot-work and foliate motifs, in the shape of a bird., De mysteriis (ff. 1-4v); De sacramentis (ff. 4v-16v); Sermo de corpore et sanguine Domini (serm. 17, ff. 16v-18v); Contra Iouinianum (ff. 18v-69v); Hypomnesticon (ff. 69v-90)

ink, red and green and some blue, with knot-work and foliate motifs, in the shape of a bird or grotesque(s) (ff. 6, 16v, 19, 69v). Large and smaller Initials in red, green or occasionally blue, some with penwork decoration including

• Detail from the plaque set in the front cover of Paul, holding an open book (according to Foot) or Matthew (according to Dalton; Lasko)., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

blue, green, and/or red with foliate decoration, and many with clasps, some with zoomorphic features (ff. 6, 8, 9v, 18v, 22, 52, 64, 96). Initials in gold with blue and/or green washes. Initials in red, some with red and

• Text page with note on Johannes de Grenborough, purchaser and compiler of this manuscript., Compendium seu Lilium medicinae (ff. 5-127) with a composite miscellany of scientific tracts, medical recipes and charms

in red and blue with pen-flourishing in both colours at the beginning of each book of the Compendium. Initials in red or blue with pen-flourishing in both colours. Small initials and numbers in alternating red or blue. Rubrics and paraphs