• null, Glossed Matthew with prologues (ff. 7v-108v), preceded (ff. 1v-6v) by excerpts from Jerome, Augustine, Pope Leo and others

are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v). Small initials in plain red.

• Miniature of the Ascension., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

• Miniature of the Ascension., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

• Zoomorphic initial 'M'(atheus) with animal heads at the beginning of the first prologue., Glossed Matthew with prologues (ff. 7v-108v), preceded (ff. 1v-6v) by excerpts from Jerome, Augustine, Pope Leo and others

two columns). The horizontal rulings are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v).

• Zoomorphic initial 'L'(iber) formed by a fish with a branch or flower in its mouth, at the start of Matthew, an ownership inscription with the date 1369 in the lower margin; and a title and incipit inscription in the upper margin., Glossed Matthew with prologues (ff. 7v-108v), preceded (ff. 1v-6v) by excerpts from Jerome, Augustine, Pope Leo and others

two columns). The horizontal rulings are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v).

• Miniature of the Nativity, prefacing the reading for Christmas., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

• Decorated initial 'P'(ascalis) in Anselm's epistle 281., Epistolae 280, 281, and 415, imperfect and fragmentary

281. 2 large initials in red with blue penwork decoration (ff. 2, 3v). 1 large initial in red (f. 5). Small initials in brown ink. Epistolae 280, 281, and 415, imperfect and fragmentary Thomas Astle (b. 1735, d. 1803), archivist

• Decorated initial 'P'(aulus) at the beginning of Paul's epistles, with gloss., Epistles of Paul, with prologues and gloss; Jerome's prologue to the Epistles (ff. 151-152v)

14 large foliate brown ink initials with colours, most with red, yellow, blue, and sometimes olive green (ff. 1, 27, 52, 69, 78, 87, 93v, 99v, 105, 108v, 116, 121v, 125, 127). Small initials in red. Epistles of Paul, with

• Decorated initial 'M'(ultiphariam) at the beginning of Paul's epistle to the Hebrews, with gloss., Epistles of Paul, with prologues and gloss; Jerome's prologue to the Epistles (ff. 151-152v)

gloss. 14 large foliate brown ink initials with colours, most with red, yellow, blue, and sometimes olive green (ff. 1, 27, 52, 69, 78, 87, 93v, 99v, 105, 108v, 116, 121v, 125, 127). Small initials in red. Epistles of Paul,

• Detail of a historiated initial 'U' with Christ giving the keys to Peter, a dragon making up part of the letter., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

• Marginal decoration of two dragon-line animals surrounding the 'VII' quire numbering at the lower margin of the folio., Sententiae (index Sentences)

colours and gold (ff. 2, 4v, 42v, 75, 76 (x2), 102, 103). Small initials in red with blue or green pen-flourishing, in blue with red pen-flourishing, in green with red pen-flourishing, or in brown with red pen-flourishing, some with reserved

• Puzzle initial 'K'(i) and rubric at the beginning of the Brut., The Scheme of the Heptarchy (f. 40), the Roman de Brut (ff. 40-113), the Estoire des Engles (ff. 113-150) (index Estoire des Engleis)

lance in red and brown ink (f. 81). 2 large puzzle initials in red and blue (ff. 40v, 113). Plain initials in red and blue. Capitals marked in red. The Scheme of the Heptarchy (f. 40), the Roman de Brut

• Decorated initial 'P'(aulus), from a fragment of a 12th-century copy of 1 Thessalonians., Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15 (f. 51); 5:17-2 Thessalonians 1:3 (f. 52); Philippians 2:22-3:5.

tropes). Musical notation: square notation on four-line red staves. 1 large decorated initial in blue, green, red and yellow (f. 52v). Small initials in red, blue and green. Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15

• Detail of decorated initial 'P'(aulus), from a fragment of a 12th-century copy of 1 Thessalonians., Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15 (f. 51); 5:17-2 Thessalonians 1:3 (f. 52); Philippians 2:22-3:5.

tropes). Musical notation: square notation on four-line red staves. 1 large decorated initial in blue, green, red and yellow (f. 52v). Small initials in red, blue and green. Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15

• Zoomorphic initial formed of a dragon and foliage. The inscription in reddish ink in the lower margin states that it is from Glastonbury Abbey, and names 'Robertus Wottone', one of its monks., Homiliary

Abbey, and names 'Robertus Wottone', one of its monks. Large zoomorophic initial in green, red, brown, and blue (f. 1). Initials in blue, red, brown, or green, some with penwork decoration in the same colour or in another colour or

• Decorated initial 'P'(ost), with later underlining and marginal notations., Homiliary

Decorated initial 'P'(ost), with later underlining and marginal notations. Large zoomorophic initial in green, red, brown, and blue (f. 1). Initials in blue, red, brown, or green, some with penwork decoration in the same colour or in another colour or

• Decorated initial 'B'(ritannia) at the beginning of Bede's text., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork

• Decorated initial 'H'(is) at the beginning of Book II., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork

• Decorated initial 'S'(uccessit) at the beginning of Book V. The roman numeral 'xvii' at the lower edge of the page is a quire signature., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork

• Ownership inscription: 'Liber sancti Andree Roffensis ecclesie' (book of the church of St. Andrew, Rochester). The inscription above ('5 die Novembris A.D. 1723') was written by Humfrey Wanley, librarian of Robert and Edward Harley, 1st and 2nd earls of Oxford., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork