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and/or alternate colour and occasionally in blue. 1 large initial in red and green, decorated with foliate motifs in both colours (f. 57). Smaller initials in red or green. Display script in green, red, blue and mauve. Rubrics in red,
beginning of this manuscript is now Harley 261. 1 parted initial in red and blue (f. 16v). Some large and numerous smaller initials in red or blue, occasionally with penwork decoration in the alternate colour or in green. 1 small
God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,
at the beginning of the text (f. 1v). 3 initials with penwork decoration and display script in green, red, and blue (f. 1v). Smaller initials in red, green, or purple throughout the text. Commentary on the Pauline Epistles The cathedral
1 inhabited initial in colours, with display script, at the beginning of the text (f. 1). Initials in red, brown, blue, or green, at the beginning of chapters. Enchiridion The Benedictine abbey of St Augustine, Canterbury: included in the catalogue
in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and
in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and
in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and
at the beginning of the text (f. 1v). 3 initials with penwork decoration and display script in green, red, and blue (f. 1v). Smaller initials in red, green, or purple throughout the text. Commentary on the Pauline Epistles The cathedral
God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,
God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,
60v, 81v, 88v, 112v, 121v, 130, 155, 170, 227, 241), at the beginning of books. Small initials in red or blue. De civitate Dei; Notae on De ciuitate Dei The cathedral priory of St. Andrew, Rochester: inscribed, 'Liber de claust[r]o
60v, 81v, 88v, 112v, 121v, 130, 155, 170, 227, 241), at the beginning of books. Small initials in red or blue. De civitate Dei; Notae on De ciuitate Dei The cathedral priory of St. Andrew, Rochester: inscribed, 'Liber de claust[r]o
60v, 81v, 88v, 112v, 121v, 130, 155, 170, 227, 241), at the beginning of books. Small initials in red or blue. De civitate Dei; Notae on De ciuitate Dei The cathedral priory of St. Andrew, Rochester: inscribed, 'Liber de claust[r]o
in red, initials in red, some with penwork decoration in green, in purple with penwork decoration in green, or in blue with penwork decoration in red and/or green. First letters of sentences highlighted in green or red. Glosses in red
in red, initials in red, some with penwork decoration in green, in purple with penwork decoration in green, or in blue with penwork decoration in red and/or green. First letters of sentences highlighted in green or red. Glosses in red
in red, initials in red, some with penwork decoration in green, in purple with penwork decoration in green, or in blue with penwork decoration in red and/or green. First letters of sentences highlighted in green or red. Glosses in red
foliate motifs, between books 3 and 4 (f. 69v). 1 half-page drawing in dark brown ink with some red and blue (Deposition from the Cross) in book 2, chapter 24 (f. 33v). 4 large initials, outlined in dark brown ink,
silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures
(f. 1).Musical notation: neumes on staff (f. 1). 12 large diagrammatic drawings in brown or colours with highlighting in green, blue, yellow and red (ff. 2v, 13, 28v, 29, 34v, 46, 57v, 70, 83v, 93v, 108v, 114v). 2 small miniatures