• Decorated initial 'O'(mnis) with geometric pattern and foliage, at the beginning of the prologue to Hypognosticon., Hypognosticon

decoration in green, blue and red, at the beginning of Hypognosticon (f. 3v). Smaller initials in red, green, or blue some with penwork or puzzle decoration, at the beginning of books. Small initials in red, green or blue. Hypognosticon Added

• Decorated initials 'I'(saias) and 'V'(isio) at the beginning of Haymo's commentary on Isaiah, and above, a 14th-century inscription identifying the author and title, adding that it belonged to the monks' refectory or dining hall at St Edmund's Abbey (Bury St Edmunds), and an earlier pressmark in the corner 'H. 1'., Commentary on Isaiah

the corner 'H. 1'. Faint catchwords. Large initials in red with red and blue or green penwork decoration (ff. 1, 14), and in blue with red and blue penwork decoration (f. 1). Initials in red. Commentary on Isaiah The Benedictinne

• Decorated initials P(hebeio) and 'S'(epe)., Carmina majora, Carmina minora, De raptu Proserpine

puzzle and other initials with penwork decoration in red, blue, and green. Large initials in blue and red or red and green with penwork decoration. Small initials in red, green or blue. Carmina majora, Carmina minora, De raptu Proserpine ?

• Decorated initials., Carmina majora, Carmina minora, De raptu Proserpine

puzzle and other initials with penwork decoration in red, blue, and green. Large initials in blue and red or red and green with penwork decoration. Small initials in red, green or blue. Carmina majora, Carmina minora, De raptu Proserpine ?

• Ink drawings of a beaver with a man blowing a horn, a crocodile swallowing a hydrus, a crocodile with fish, and a winged hyena., Bestiary

12. 28 drawings in brown ink, some partially painted in red, green or blue. Small initials in blue or red (the red oxidised), some of the blue with dots of green or red. Highlighting of letters in red. From f.

• Detail of ink drawings of an ibex and fire stones., Bestiary

12. 28 drawings in brown ink, some partially painted in red, green or blue. Small initials in blue or red (the red oxidised), some of the blue with dots of green or red. Highlighting of letters in red. From f.

• Ink drawings of animals., Bestiary

12. 28 drawings in brown ink, some partially painted in red, green or blue. Small initials in blue or red (the red oxidised), some of the blue with dots of green or red. Highlighting of letters in red. From f.

• Decorated initial 'O' and a full foliate border, in the Breviary., Breviary, Use of Rome

decorated initial in gold on a red and blue ground, with foliate extensions into the margins (f. 385). Smaller initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Breviary, Use of Rome Inscription: 'Richardus Brandreth

• Historiated initial 'U' with Andrew, and a full foliate border with a bird, in the Brevary., Breviary, Use of Rome

decorated initial in gold on a red and blue ground, with foliate extensions into the margins (f. 385). Smaller initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Breviary, Use of Rome Inscription: 'Richardus Brandreth

• Historiated initial 'S'(ancti) with a monk presenting relics, and a full foliate border, in the Brevary., Breviary, Use of Rome

decorated initial in gold on a red and blue ground, with foliate extensions into the margins (f. 385). Smaller initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Breviary, Use of Rome Inscription: 'Richardus Brandreth

• null, Legenda aurea (index Legendae sanctorum; Legends of the saints; Golden Legend)

and blue with red and blue penwork decoration and pen flourishing, the first two extending to form a partial border (ff. 2, 3, 139v, 164). Large and small initials in blue with red penwork decoration, and in red with blue

• null, Legenda aurea (index Legendae sanctorum; Legends of the saints; Golden Legend)

and blue with red and blue penwork decoration and pen flourishing, the first two extending to form a partial border (ff. 2, 3, 139v, 164). Large and small initials in blue with red penwork decoration, and in red with blue

• Drawing of Zodiac man., Medical miscellany, including John of Gaddesden's Rosa Anglica (ff. 48-169), and a phlebotomy

From f. 31, large and small blue initials, usually with red penwork decoration. Small initials in red, some with penwork decoration in red or brown. Small initials in brown. Paraphs in red or blue. Diagram (f. 25). Medical miscellany, including

• Puzzle initial 'B'(eatissimi) with pen-flourishing and a partial border at the beginning of Book 2., Doctrinale fidei ecclesiae, Books 1 and 2

red and blue with red and blue pen-flourishing and partial borders (ff. 2, 9, 73). 3 smaller puzzle initials in red and blue with red and blue pen-flourishing (ff. 58v, 66, 74). Blue initials with red pen-flourishing. Blue, red and

• Decorated initial 'C'(omplevimus) at the beginning of the Diaetarum., Diaetarum

localisation of this manuscript. 1 large initial with foliate decoration in brown and red on a blue ground (f. 47). Large initials in blue or red, one with penwork decoration in the other colour (f. 64). Diaetarum Monogram 'TCB' ,

• Decorated initial 'C'(omplevimus) at the beginning of the Diaetarum., Diaetarum

localisation of this manuscript. 1 large initial with foliate decoration in brown and red on a blue ground (f. 47). Large initials in blue or red, one with penwork decoration in the other colour (f. 64). Diaetarum Monogram 'TCB' ,

• Puzzle initial 'M'(atheus) at the beginning of the commentary on Matthew's Gospel and ownership inscription., Commentaries on the Gospels of Matthew (f. 1) and John (f. 81), the Apocalypse (f. 173) and the Catholic Epistles (f. 187)

1478 in Cologne. Puzzle initials in blue and red with pen-flourishing in red at the beginning of each commentary (ff. 1, 81, 173). Initials in blue with pen-flourishing in red. Paraphs in red or blue. Underlining in red. Commentaries on

• Puzzle initial 'H'(ic) at the beginning of the commentary on John's Gospel., Commentaries on the Gospels of Matthew (f. 1) and John (f. 81), the Apocalypse (f. 173) and the Catholic Epistles (f. 187)

1478 in Cologne. Puzzle initials in blue and red with pen-flourishing in red at the beginning of each commentary (ff. 1, 81, 173). Initials in blue with pen-flourishing in red. Paraphs in red or blue. Underlining in red. Commentaries on

• Decorated initial 'B'(eatus) with interlace and interwoven dogs., Commentary on the Psalms

and/or blue, some with animal heads, some unfinished (e.g. ff. 122v, 124v). Large initial in red with penwork decoration (f. 101v). Highlighting of letters in yellow, green, and/or red. Rubrics of Psalm text in red. Incipit in red and blue

• Illuminated initial 'D'(ominus) at the beginning of Psalm 26., Commentary on the Psalms

and/or blue, some with animal heads, some unfinished (e.g. ff. 122v, 124v). Large initial in red with penwork decoration (f. 101v). Highlighting of letters in yellow, green, and/or red. Rubrics of Psalm text in red. Incipit in red and blue