• Historiated initial 'P'(ost) with an eagle holding a book (the symbol of John?), at the beginning of part 6., Moralia in Job, parts 4-6 (books 17-35)

beginning of books (ff. 15, 33, 45v, 68v, 91, 128, 152v, 167v, 206, 218v, 236, 247). Initials in red or blue, some with penwork decoration (e.g., ff. 101v, 185). Moralia in Job, parts 4-6 (books 17-35) The cathedral priory of

• Historiated initial 'Q'(uo) of Job and his wife giving him bread, with a dragon forming the tail of the letter, at the beginning of book 17., Moralia in Job, parts 4-6 (books 17-35)

beginning of books (ff. 15, 33, 45v, 68v, 91, 128, 152v, 167v, 206, 218v, 236, 247). Initials in red or blue, some with penwork decoration (e.g., ff. 101v, 185). Moralia in Job, parts 4-6 (books 17-35) The cathedral priory of

• Historiated initial 'Q'(uis) of a saint, at the beginning of book 27., Moralia in Job, parts 4-6 (books 17-35)

beginning of books (ff. 15, 33, 45v, 68v, 91, 128, 152v, 167v, 206, 218v, 236, 247). Initials in red or blue, some with penwork decoration (e.g., ff. 101v, 185). Moralia in Job, parts 4-6 (books 17-35) The cathedral priory of

• Zoomorphic initial 'P'(salmus) with display script, at the beginning of Augustine's commentary to Psalm 50., Enarrationes in Psalmos (Volume 2)

in red, initials in red, some with penwork decoration in green, in purple with penwork decoration in green, or in blue with penwork decoration in red and/or green. First letters of sentences highlighted in green or red. Glosses in red

• Historiated initial 'F'(actum est) of David playing the harp with two musician on both sides, one playing the violin and another playing the horn, at the beginning of 2 Kings, Bible (Joshua, Judges, Ruth, and I-IV Kings) (The 'Rochester Bible')

f. 52v), the preface to Kings (dragons, f. 55v), and 3 Kings (hybrid lion-birds, f. 120v). Smaller initials in red, blue, and green, some with penwork decoration (e.g., ff. 14v, 42, 60v, 70v, 116v, etc.) Bible (Joshua, Judges, Ruth, and

• Miniature of Gregory the Great writing, inspired by the Holy Spirit represented as a dove. Above the frame of the miniature, inscription 'Teodericus depinxit hanc imaginem Gregorium papam'. The miniature is between books 3 and 4 of Gregory the Great's Dialogi., Dialogi

foliate motifs, between books 3 and 4 (f. 69v). 1 half-page drawing in dark brown ink with some red and blue (Deposition from the Cross) in book 2, chapter 24 (f. 33v). 4 large initials, outlined in dark brown ink,

• Detail of a miniature of Gregory the Great writing, inspired by the Holy Spirit represented as a dove. Above the frame of the miniature, inscription 'Teodericus depinxit hanc imaginem Gregorium papam'. The miniature is between books 3 and 4 of Gregory the Great's Dialogi., Dialogi

foliate motifs, between books 3 and 4 (f. 69v). 1 half-page drawing in dark brown ink with some red and blue (Deposition from the Cross) in book 2, chapter 24 (f. 33v). 4 large initials, outlined in dark brown ink,

• Historiated initial 'E'(t) of two men with a book, at the beginning of the Book of Joshua., Bible (Joshua, Judges, Ruth, and I-IV Kings) (The 'Rochester Bible')

f. 52v), the preface to Kings (dragons, f. 55v), and 3 Kings (hybrid lion-birds, f. 120v). Smaller initials in red, blue, and green, some with penwork decoration (e.g., ff. 14v, 42, 60v, 70v, 116v, etc.) Bible (Joshua, Judges, Ruth, and

• Detail of an historiated initial 'E'(t factum est) of two men with a book, perhaps Moses giving the book of the law to Joshua, at the beginning of Joshua., Bible (Joshua, Judges, Ruth, and I-IV Kings) (The 'Rochester Bible')

f. 52v), the preface to Kings (dragons, f. 55v), and 3 Kings (hybrid lion-birds, f. 120v). Smaller initials in red, blue, and green, some with penwork decoration (e.g., ff. 14v, 42, 60v, 70v, 116v, etc.) Bible (Joshua, Judges, Ruth, and

• Inhabited initial 'T'(andem), at the beginning of the prologue to Joshua., Bible (Joshua, Judges, Ruth, and I-IV Kings) (The 'Rochester Bible')

f. 52v), the preface to Kings (dragons, f. 55v), and 3 Kings (hybrid lion-birds, f. 120v). Smaller initials in red, blue, and green, some with penwork decoration (e.g., ff. 14v, 42, 60v, 70v, 116v, etc.) Bible (Joshua, Judges, Ruth, and

• Coloured initials in a text page of the chronicle., Chronicle, AD 1-1135 (ff. 34-61), with additions up to 1266 (ff. 61v-73)

the 13th century (f. 14) Large initial with foliate decoration in yellow and green (f. 34). Rubrics in red and blue. Number of the year in Roman numerals in red. Initials in red and green. Chronicle, AD 1-1135 (ff. 34-61),

• Upper cover of the ivory binding, with scenes from the life of David., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Lower cover of the ivory binding, with the Six Corporal Works of Mercy listed in Matthew 25:35-36., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Detail of the upper cover of the ivory binding, with David and the lion., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Detail of the upper cover of the ivory binding, with David being anointed by Samuel., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Detail of the upper cover of the ivory binding, with David receiving the sword of Goliath from Ahimelech the priest., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Detail of the upper cover of the ivory binding, with David and Goliath., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Detail of the upper cover of the ivory binding, with David kneeling before an altar., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Detail of the lower right hand roundel on the lower cover of the ivory binding, with the act of mercy of visitng the imprisoned, with the inscription: 'In carcere eram et venistis ad me (Matthew 25: 36)., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Detail of the lower left hand roundel on the lower cover of the ivory binding, with the act of mercy of visiting the sick, with the inscription: 'infirmus et visitastis me' (Mathew 25: 36)., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine