• Detail of an historiated initial 'P'(aulus) of Paul preaching., Pauline Epistles, glossed with the commentary of Peter Lombard

121, 126, 129, 138, 138v). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing, some with pen-flourished extensions in red and blue. Running titles in red and blue. Pauline Epistles, glossed with the commentary of Peter Lombard

• Zoomorphic initial 'C'(oncede) with a dragon and foliate motifs., Gospel lectionary with collects and a calendar

initial in red (f. 105v). 4 large initials in red and/or blue (ff. 100v, 102, 105, 108v). Large initials in red, some with blue penwork decoration. Large initials in blue, some with red penwork decoration. Rubrics in red. Gospel lectionary

• Detail of grotesque from the foot of the folio., Psalter (index Old Testament, Bible)

divisions. Smaller initials in gold on rose and blue grounds with penwork decoration in white or red, at the beginning of other Psalms. Initials in red with blue pen-flourishing, or in blue with red pen-flourishing. Line-fillers and marginal penwork decoration,

• Miniature of Isaiah, holding a scroll containing text from Isaiah 11, against a blue and gold background., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

blue, green, and/or red with foliate decoration, and many with clasps, some with zoomorphic features (ff. 6, 8, 9v, 18v, 22, 52, 64, 96). Initials in gold with blue and/or green washes. Initials in red, some with red and

• Bas-de-page scene of a blue-faced grotesque, hunched, with a man standing on his shoulders, and in the upper margin, a man painted around a textual addtion so that he appears to be holding it, from Book 1 of the Decretals., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

ebginning of each book. 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Initials in red with pen-flourished decoration in purple or blue, or in blue with pen-flourished decoration in red. Line-fillers in brown ink

• Inhabited initial 'P'(lures) in outline drawing, at the beginning of the Gospel Prologue, with a man fighting with a dragon., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Historiated initial 'L' (incipit unfinished) of a devil urging a monk to gluttony, with a portrait of Matthew below, a naked man pointing his mouth and a man with a head of an ox, at the beginning of a prologue to Matthew, with the instruction 'non scribatur' (not to be written) in the space above the opening of the prologue., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Decorated initial 'H'(ic est), with an instruction for display script., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Historiated initial 'I'(n principio) with the Lamb with cross, a bird, and a dragon in medallions, at the beginning of John., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Records of the revenues of the Benedictine abbey of St Augustine, Canterbury., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Zoomorphic initial 'A'(monius) formed of dragons, with display script, at the beginning of the epistle of Eusebius to Carpianus., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Initial 'M'(atheus) of the archangel Michael killing a dragon, at the beginning of an 'argumentum' to Matthew., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Inhabited initial 'L'(iber) with a dog, at the beginning of Matthew., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Inhabited initial 'I'(nicium) with a horse, a dragon, and a lion, at the beginning of the prologue to Mark., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Zoomorphic initial 'Q'(uoniam) in outline drawing, at the beginning of Luke., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Ownership inscription of William Bedeford, canon of Newnham Priory, with an anathema., Florigerus Liber (f. 2); Flores Bernardi (f. 14)

Newnham Priory, with an anathema. Catchwords Large red and blue initials with contrasting pen-flourishing in blue and red. Smaller red and blue initials. Roman numerals numbering books in red and blue. Rubrics and headings in red. Florigerus Liber (f. 2);

• Initials 'Q'(uorumdam) and 'D'(a) with pen flourishing at the beginning of the Florigerus Liber., Florigerus Liber (f. 2); Flores Bernardi (f. 14)

beginning of the Florigerus Liber. Catchwords Large red and blue initials with contrasting pen-flourishing in blue and red. Smaller red and blue initials. Roman numerals numbering books in red and blue. Rubrics and headings in red. Florigerus Liber (f. 2);

• Drawing of John the Baptist with holding a disk depicted with a lamb, with Salome under his feet and two lions at his sides., Summa logicae et naturalis philosophiae, with an index

3v). 7 puzzle initials in red and blue with pen-flourishing in red and blue and partial borders, at the beginning of books (ff. 4, 28, 48v, 72, 89v, 97, 132v). Initials in blue with pen-flourishing in red, and some in

• Puzzle initial 'P'(lurimorum), with a partial pen-flourished border, at the beginning of the text., Summa logicae et naturalis philosophiae, with an index

3v). 7 puzzle initials in red and blue with pen-flourishing in red and blue and partial borders, at the beginning of books (ff. 4, 28, 48v, 72, 89v, 97, 132v). Initials in blue with pen-flourishing in red, and some in

• Detail of an inhabited initial 'P'(lures) in outline drawing, at the beginning of the Gospel Prologue, with a man fighting with a dragon., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for