• Puzzle initial 'C'(armina) with pen-flourishing at the beginning of Book 1., De consolatione philosophiae (index Consolation of Philosophy) wit ha gloss at the start of the text

holes.Ff. 29-31 perhaps a palimpsest. 4 large puzzle initial in red and blue with red pen-flourishing (ff. 1, 5v, 11, 19). Numerous smaller initials in red or blue with simple pen-flourishing in the other colour. Capitals marked in red ink.

• Initial 'A'(postolicis) with penwork decoration., Epistolae and Sermones; Expositio missae and other shorter texts

are listed in ~A Catalogue of the Harleian Manuscripts~. Numerous small initials in green, red or blue, with penwork decoration in red or blue (f. 1). Rubrics in red. Epistolae and Sermones; Expositio missae and other shorter texts Added, 12th-14th

• Coloured initials with penwork decoration., Samson's 'Les proverbes de Salemon' (ff. 1-86v), Guichard's 'Sermon' (ff. 87-99v), 'Disciplina clericalis', in Anglo-Norman translation, imperfect (ff. 99v-115v), Elias's ‘L'Afaitement Catun’, an Anglo-Norman translation of the 'Disticha Catonis' (ff. 115v-119v).

quire between ff. 110 and 111. Large initials with foliate decoration extending into the margins in blue, silver, red and green. Small initials in blue, silver, red or green. Rubrics in red. Samson's 'Les proverbes de Salemon' (ff. 1-86v), Guichard's

• Decorated initials 'S'(i)) and 'F'(ama) at the beginning of Rathramnus' Liber de quo Christus natus est de Virgine., Miscellany with Ulpian's De edendo (ff. 1-9v) and various religious treatises and sermons, including Liber de quo Christus natus est de Virgine

hand.f. 136 is a former pastedown. Large initials in red, green, or blue. A few with penwork decoration in another colour. Smaller initials in red, green, or blue. Paraphs in brown ink, some with foliate extensions (e. g., f. 30v).

• Coloured initial 'I'(n illo tempore)., Sermons, imperfect at the beginning and at the end (Homiliae in Evangelia dominicalia, De Sanctis)

initials in red, blue, or green; now a flyleaf, formerly a pastedown.ff. 1-2 are parchment flyleaves. Initials in red or green, some with penwork decoration in the other colour. From f. 195v, initials in red and blue with penwork decoration.

• Decorated initial 'I'(n)., Sacramentis (On the Sacraments), Paterius, Testimonia, imperfect at the end and elsewhere

Decorated initial 'I'(n). Ruled in hardpoint.f. 127 is a fragment. 1 large initial in blue and red (f. 25). Initials in red, green, blue, and yellow, of various sizes, some with reserved lines. Rubrics in red. Capitals marked in red.

• Full-page miniature of the Crucifixion with the Virgin Mary and John the Evangelist, a full border inhabited by birds and flowers, and, in the lower margin, a jewelled cross in a subsidiary medallion., Missal

and the infant Christ (pasted onto f. 140). Large initials in blue or red with penwork decoration or pen-flourishing in red and/or green. Plain initials in red or blue, some large, some small. Rubrics in red. Capitals marked in red.

• Added miniature of the Virgin Mary, her mother Anne, and the infant Christ., Missal

and the infant Christ (pasted onto f. 140). Large initials in blue or red with penwork decoration or pen-flourishing in red and/or green. Plain initials in red or blue, some large, some small. Rubrics in red. Capitals marked in red.

• Inhabited initial 'V'(espe), with birds, dragons, and the face of Christ in a roundel., Homiliary

with entwined animals and head terminals. Large initials in red, green, yellow, purple, or blue, some with penwork decoration. Small initials in brown, green or blue. Rubrics in red. Homiliary The Benedictine abbey of St Augustine, Canterbury: liturgical evidence; corresponds

• Inhabited initial 'P'(rimo) with animals and animal and human-head terminals., Homiliary

with entwined animals and head terminals. Large initials in red, green, yellow, purple, or blue, some with penwork decoration. Small initials in brown, green or blue. Rubrics in red. Homiliary The Benedictine abbey of St Augustine, Canterbury: liturgical evidence; corresponds

• Decorated initial 'L'(iber) with display capitals, at the beginning of the Gospel of Matthew., Glossed Gospel of Matthew, preceded by prologues (f. 2r-v)

initial, in colours and gold (f. 3). Large initials alternating red, blue, or pale brown, usually with simple decoration in one of the other colours. Small initials alternating red, blue, or pale brown. Spaces for coloured initials left blank after

• Decorated initial 'C'(um) at Matthew 1:18., Glossed Gospel of Matthew, preceded by prologues (f. 2r-v)

initial, in colours and gold (f. 3). Large initials alternating red, blue, or pale brown, usually with simple decoration in one of the other colours. Small initials alternating red, blue, or pale brown. Spaces for coloured initials left blank after

• Decorated initial 'U'(ulsis) in Pseudo-Boethius's De disciplina scolarium, with blue pen-flourishing, and red pen-flourishing and manicula around the gloss., De disciplina scholarium, with gloss

Decorated initial 'U'(ulsis) in Pseudo-Boethius's De disciplina scolarium, with blue pen-flourishing, and red pen-flourishing and manicula around the gloss. Red initials with penwork decoration, some with pen-flourishing in red or blue, and ink flourished initials. A zoomorphic line filler (f.

• Decorated foliate initial 'C', and full foliate border, at the beginning of the Statues., Nova Statuta (index Statutes of England; Statuta Angliae, Statute book), from 1 Edward III to 14 Henry VI in chronological order

Statutes (f. 24). Smaler initials in gold on red and blue grounds, with foliate extensions into the margins, at the beginning of each reign. Paraph marks in plain red or blue. Nova Statuta (index Statutes of England; Statuta Angliae, Statute

• null, Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• null, Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• null, Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• null, Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• null, Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• Decorated initials and music in a fragment of a Missal for Quinquagesima, Fragment of a Missal with antiphons and readings for Quinquagesima and Ephiphany (ther proper order is ff. 85, 1, 2, 86)

second half of the 12th century (ff. 1-2v; 85-86v) 1 large initial in blue with red penwork decoration (f. 2). Large simple initials in green, red, or blue. Musical notation on four-line staves. Fragment of a Missal with antiphons and