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British Library Catalogue of Illuminated Manuscripts
initials in red, blue, or green; now a flyleaf, formerly a pastedown.ff. 1-2 are parchment flyleaves. Initials in red or green, some with penwork decoration in the other colour. From f. 195v, initials in red and blue with penwork decoration.
Decorated initial 'I'(n). Ruled in hardpoint.f. 127 is a fragment. 1 large initial in blue and red (f. 25). Initials in red, green, blue, and yellow, of various sizes, some with reserved lines. Rubrics in red. Capitals marked in red.
of two bishops in green, red, and brown on a blue ground (f. 1). 2 large initials with animals or animals heads in red, green, and brown, or also with blue (ff. 1, 18v). Simple initials in red or green,
of two bishops in green, red, and brown on a blue ground (f. 1). 2 large initials with animals or animals heads in red, green, and brown, or also with blue (ff. 1, 18v). Simple initials in red or green,
Decorated initial 'U'(ulsis) in Pseudo-Boethius's De disciplina scolarium, with blue pen-flourishing, and red pen-flourishing and manicula around the gloss. Red initials with penwork decoration, some with pen-flourishing in red or blue, and ink flourished initials. A zoomorphic line filler (f.
p. 22 Part 2 is perhaps the earliest classical text on paper. Large initial in blue with red penwork decoration, and in red with blue penwork decoration (f. 89). Large and small simple initials in red, some with penwork decoration.
incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
in brown, orange, yellow, and sometimes blue, at the beginning of the text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the
second half of the 12th century (ff. 1-2v; 85-86v) 1 large initial in blue with red penwork decoration (f. 2). Large simple initials in green, red, or blue. Musical notation on four-line staves. Fragment of a Missal with antiphons and
Mark (f. 6). 1 large initial in gold on a blue ground with colours and foliate decoration at the beginning of the prologue to Mark (f. 3). Small initials in blue or red, a few with simple decoration in the
underdrawing of the frame (f. 46v). Large decorated initials in gold on red and blue grounds. Smaller initials and line-fillers in gold on red or blue grounds. Le Sacre de Claude de France Description of the coronation of Claude de
underdrawing of the frame (f. 46v). Large decorated initials in gold on red and blue grounds. Smaller initials and line-fillers in gold on red or blue grounds. Le Sacre de Claude de France Description of the coronation of Claude de
underdrawing of the frame (f. 46v). Large decorated initials in gold on red and blue grounds. Smaller initials and line-fillers in gold on red or blue grounds. Le Sacre de Claude de France Description of the coronation of Claude de
with penwork decoration in green, red, and blue, at the beginning of other Epistles (ff. 54, 89, 107, 122, 133, 140, 146v, 151v, 154v, 162, 166v, 169). Smaller initials in green, red, or blue, some with penwork decoration, throughout the
in red and blue with pen-flourishing in blue and red (f. 4). 1 smaller initial in olive green with red penwork decoration (f. 87). Smaller initials in red with blue or brown pen-flourishing/penwork decoration or in blue with red pen-flourishing/penwork
in red and blue with pen-flourishing in blue and red (f. 4). 1 smaller initial in olive green with red penwork decoration (f. 87). Smaller initials in red with blue or brown pen-flourishing/penwork decoration or in blue with red pen-flourishing/penwork