• Decorated initial 'I'(acobus) at the beginning of the commentary on the Epistle of the James., In epistolas catholicas

94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end,

• Decorated initial 'P'(etrus) at the beginning of the Letters of Peter with marginal notes, including 'On charity', 'In the time Peter went to Rome'., In epistolas catholicas

and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line

• Decorated initial 'S'(ymon) at the beginning of chapter 2 of the letters of Peter., In epistolas catholicas

94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end,

• Decorated initial 'Q'(uod) at the beginning of the Letters of John, with the beginnings of paragraphs marked in yellow and a 'q' in the margin, and a marginal marking of 'C1'., In epistolas catholicas

and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line

• Decorated initials., Two leaves of a Breviary

Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Added one line of musical notation without text: white mensural notation, France ?, early

• Decorated initials., Two leaves of a noted Missal, with part of the masses for the dead

and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Two leaves of a noted Missal, with part of the masses for the dead

• Decorated initial 'T'(andem) at the beginning of book 2 of In Catilinam and decoration in brown ink added by Petrarch., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Decorated initial 'V'(ideo) at the beginning of book 4 of In Catilinam., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Text page with manicula and faces in profile, probably added by Petrarch., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Text page with decoration in brown ink probably added by Petrarch., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Decorated initial 'S'(i.p.c)' and faces in profile probably added by Petrarch., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Decorated initial 'Q'(uoniam) with a winged dragon, foliate motifs and clasps, at the beginning of the second book of Gariopontus, Passionarius Galeni., Passionarius Galeni

131v), one with a dragon (f. 17). 1 initial in red with penwork decoration in blue (f. 1). Numerous smaller initials in red or blue. Rubrics in red. Display script in brown ink for letters following 2 foliate initials (ff.

• Text page with decoration in brown ink added by Petrarch., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Text page., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Text page from Cicero's De amicitia with annotations by Petrarch., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Initial 'U'(num) with foliate and knotwork motifs., Epistulae

unfinished, as they lack contour lines. 2 large initials, outlined in brown ink, coloured yellow and green, on a red, blue and violet ground, with foliate, rope and knotwork motifs (f. 2) and, with animal heads (f. 14v). Large initials

• Puzzle initial 'F(rat[er]) at the beginning of the Prologue to Genesis., Bible

the manuscript. Pricking holes. Puzzle initials in red and blue at the beginning of the prologue to Genesis and at the beginning of Genesis (ff. 2, 4v). Plain initials in blue or red, many initials not added. Running titles. Bible

• Decorated initial 'H'(oc) with reserved designs and penwork decoration including arabesque motifs., Diadema monachorum

with penwork decoration in red (f. 1). 1 large initial in blue with reserved designs and penwork decoration including arabesque motifs in red (f. 4v). Numerous initials in blue, red or green, occasionally with reserved designs or some penwork decoration

• Puzzle initial 'C'(armina) with pen-flourishing at the beginning of Book 1., De consolatione philosophiae (index Consolation of Philosophy) wit ha gloss at the start of the text

holes.Ff. 29-31 perhaps a palimpsest. 4 large puzzle initial in red and blue with red pen-flourishing (ff. 1, 5v, 11, 19). Numerous smaller initials in red or blue with simple pen-flourishing in the other colour. Capitals marked in red ink.

• Initial 'A'(postolicis) with penwork decoration., Epistolae and Sermones; Expositio missae and other shorter texts

are listed in ~A Catalogue of the Harleian Manuscripts~. Numerous small initials in green, red or blue, with penwork decoration in red or blue (f. 1). Rubrics in red. Epistolae and Sermones; Expositio missae and other shorter texts Added, 12th-14th