• Historiated initial with Peter and Paul., Bible, with prologues and the interpretations of Hebrew names

Large decorated initials with foliate extensions into the margins, in colours and gold. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Bible, with prologues and the interpretations of Hebrew names W. Barrett, book-seller in London,

• Inhabited initial., Bible, with prologues and the interpretations of Hebrew names

Large decorated initials with foliate extensions into the margins, in colours and gold. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Bible, with prologues and the interpretations of Hebrew names W. Barrett, book-seller in London,

• Decorated initials 'A'(d) and 'F'(uit) at the beginning of a collection of Marian miracles., Miracles of the Virgin, a series of 41 miracles closely akin to the collection known as PEZ; with hymns to the Virgin (ff. 50-53v); Miracles in Constantinople (ff. 53v-58v)

a paper flyleaf at the end. 2 very large monochrome initials with penwork decoration in blue or green (f. 1). Large monochrome initials in blue, red, or green, most with simple penwork decoration. Small initials in brown. Rubrics in red.

• Puzzle initials 'I'(n) and 'L'(iber) at the beginning of the Vigil for Christmas eve., Cistercian Gospel Lectionary: Temporale; Gospels for Matins and Mass from Christmas Eve till the 25th Sunday after Pentecost and for the four Sundays in Advent (ff. 1-112); Sanctorale; Gospels for Matins and Mass from the feast of St Stephen Protomartyr to that of St Thomas the Apostle (ff. 112-132v); Gospels for the feasts of the Dedication of a Church, votive Masses, and Masses for the dead (ff. 132v-146v)

iii is a parchment leaf affixed as the lower pastedown. Large puzzle initials in red and blue (f. 1). Rubrics in red or blue. Large initials in red, some with penwork decoration. Highlighting of letters in yellow. Some highlighting of

• Flourished initials., Chronicle of England to Edward III (b. 1312, d. 1377)

1 large initial in gold on a red and blue ground with decorated extensions developing into a full border with red foliate pen-flourishing (f. 1). Smaller and small initials in blue with red foliate pen-flourishing. Chronicle of England to Edward

• Historiated initial with David and full border at the beginning of Psalm 1., Bilingual Psalter, in the later Wycliffite translation, with the Canticles, and the Athanasian Creed

80, 97 (ff. 16, 26, 35v, 36, 55v, 66v). Large initials in blue with red penwork decoration and pen-flourishing, sometimes in the forms of leaves. Small initials in blue with red penwork decoration, or in red with brown penwork decoration.

• Decorated initial with a hybrid creature and foliage., Commentary on the Gospel of John and the Epistles of John

decoration of foliage and a hybrid creature (f. 180). 1 large initial in blue with penwork decoration in green and red (f. 129). Large initials in blue, purple, or red, one with penwork decoration in another colour (f. 136v). Small

• Coloured initials., Fragment of a Missal with antiphons and readings for Quinquagesima and Ephiphany (ther proper order is ff. 85, 1, 2, 86)

second half of the 12th century (ff. 1-2v; 85-86v) 1 large initial in blue with red penwork decoration (f. 2). Large simple initials in green, red, or blue. Musical notation on four-line staves. Fragment of a Missal with antiphons and

• Decorated initial 'C' at the beginning of the first section concerning Augustine, sent to convert the Angles by Gregory the Great and the first archbishop of Canterbury, and other early English ecclesiastics., Gesta pontificum anglorum, imperfect

punctuation.Includes Mynors and Lawrence-Mathers's 'split petal' motif. Large initials in red or blue, with penwork decoration in the same colours (ff. 1, 1v, 46v). Initials initials in red, blue, or green, some with simple penwork decoration. Line-fillers in red. Rubrics

• Decorated initial 'H' at the beginning of the second book chronicling early bishops of all the dioceses and kingdoms of England. Starting in the first column with the red inscription, the prologue gives a framework of the different regions. London, beginning with Erkenwald (675), heads the chapters on early bishops., Gesta pontificum anglorum, imperfect

punctuation.Includes Mynors and Lawrence-Mathers's 'split petal' motif. Large initials in red or blue, with penwork decoration in the same colours (ff. 1, 1v, 46v). Initials initials in red, blue, or green, some with simple penwork decoration. Line-fillers in red. Rubrics

• Decorated initial 'P'(rima) at the beginning of the prologue, identified by the title in red (rubric) at the top of the first column. In the upper margin above is an ownership inscription of the abbey of St Mary of 'Belelanda' (Byland)., Gesta pontificum anglorum, imperfect

punctuation.Includes Mynors and Lawrence-Mathers's 'split petal' motif. Large initials in red or blue, with penwork decoration in the same colours (ff. 1, 1v, 46v). Initials initials in red, blue, or green, some with simple penwork decoration. Line-fillers in red. Rubrics

• Decorated initial 'S'(enior) at the beginning of the commentary on chapter 2 of a letter of John., In epistolas catholicas

and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line

• Decorated initial 'I'(udas) at the beginning of the commentary on Jude., In epistolas catholicas

parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end, and there

• Decorated initial 'I'(acobus) at the beginning of the commentary on the Epistle of the James., In epistolas catholicas

94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end,

• Decorated initial 'P'(etrus) at the beginning of the Letters of Peter with marginal notes, including 'On charity', 'In the time Peter went to Rome'., In epistolas catholicas

and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line

• Decorated initial 'S'(ymon) at the beginning of chapter 2 of the letters of Peter., In epistolas catholicas

94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end,

• Decorated initial 'Q'(uod) at the beginning of the Letters of John, with the beginnings of paragraphs marked in yellow and a 'q' in the margin, and a marginal marking of 'C1'., In epistolas catholicas

and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line

• Decorated initials., Two leaves of a Breviary

Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Added one line of musical notation without text: white mensural notation, France ?, early

• Decorated initials., Two leaves of a noted Missal, with part of the masses for the dead

and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Two leaves of a noted Missal, with part of the masses for the dead

• Decorated initial 'T'(andem) at the beginning of book 2 of In Catilinam and decoration in brown ink added by Petrarch., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),