• Historiated initial 'P'(ater) of Christ blessing and holding a book, at the beginning of the Pater Noster., Gospel of Matthew, with the Glossa ordinaria

Passion (ff. 1, 90v). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing throughout the main text. Small initials and paraphs, some with penwork decoration, in red or blue, throughout the gloss. Gospel of Matthew, with the

• Illuminated initial 'I'(nitium) with dragons and human masks in medallions, at the beginning of Mark., Gospel of Mark, with the Glossa ordinaria

of Mark (f. 2v). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing throughout the main text. Small initials and paraphs, some with penwork decoration, in red or blue, throughout the gloss. Gospel of Mark, with the

• Historiated initial 'H'(ic est) formed by a dragon and a lion, of John writing on a tablet and the dove of the Holy Spirit approaching to his ear, at the beginning of the prologue to John., Gospel of John, with the Glossa ordinaria

the Passion (f. 68v). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing throughout the main text. Small initials and paraphs, some with penwork decoration, in red or blue, throughout the gloss. Gospel of John, with the

• Decorated initial 'M'(ortuo) at the beginning of Peter Comestor's Historia scholastica, with the crossed-out ownership inscription of St Mary Overy above., Historia scholastica, part, and Sermons

100v). Drawing of a standing figure (f. 101v). Initials in red with blue penwork decoration, and in blue, usually with red penwork decoration. Paraphs in red and blue with penwork decoration. Historia scholastica, part, and Sermons The Augustinian priory of

• Decorated initials 'I'(saias) and 'V'(isio) at the beginning of Haymo's commentary on Isaiah, and above, a 14th-century inscription identifying the author and title, adding that it belonged to the monks' refectory or dining hall at St Edmund's Abbey (Bury St Edmunds), and an earlier pressmark in the corner 'H. 1'., Commentary on Isaiah

the corner 'H. 1'. Faint catchwords. Large initials in red with red and blue or green penwork decoration (ff. 1, 14), and in blue with red and blue penwork decoration (f. 1). Initials in red. Commentary on Isaiah The Benedictinne

• Decorated initials P(hebeio) and 'S'(epe)., Carmina majora, Carmina minora, De raptu Proserpine

puzzle and other initials with penwork decoration in red, blue, and green. Large initials in blue and red or red and green with penwork decoration. Small initials in red, green or blue. Carmina majora, Carmina minora, De raptu Proserpine ?

• Decorated initials., Carmina majora, Carmina minora, De raptu Proserpine

puzzle and other initials with penwork decoration in red, blue, and green. Large initials in blue and red or red and green with penwork decoration. Small initials in red, green or blue. Carmina majora, Carmina minora, De raptu Proserpine ?

• Decorated initial 'O' and a full foliate border, in the Breviary., Breviary, Use of Rome

decorated initial in gold on a red and blue ground, with foliate extensions into the margins (f. 385). Smaller initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Breviary, Use of Rome Inscription: 'Richardus Brandreth

• Historiated initial 'U' with Andrew, and a full foliate border with a bird, in the Brevary., Breviary, Use of Rome

decorated initial in gold on a red and blue ground, with foliate extensions into the margins (f. 385). Smaller initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Breviary, Use of Rome Inscription: 'Richardus Brandreth

• Historiated initial 'S'(ancti) with a monk presenting relics, and a full foliate border, in the Brevary., Breviary, Use of Rome

decorated initial in gold on a red and blue ground, with foliate extensions into the margins (f. 385). Smaller initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Breviary, Use of Rome Inscription: 'Richardus Brandreth

• Detail of an historiated initial 'P'(ater) of Christ blessing and holding a book, at the beginning of the Pater Noster., Gospel of Matthew, with the Glossa ordinaria

Passion (ff. 1, 90v). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing throughout the main text. Small initials and paraphs, some with penwork decoration, in red or blue, throughout the gloss. Gospel of Matthew, with the

• Diagram with decorated bands., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with table and marginal drawing., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with marginal gloss., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with diagram of astrolabe., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with diagram., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with diagram of astrolabe., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with geometrical diagrams., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with mathematical diagrams., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with diagrams of the astrolabe., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,