• Diagram of the ratios of the sides of a right triangle to each other, a theorum thought useful for reconstructing measurements of the Temple not given in the vision of Ezekiel., In Ezechielem, imperfect

century, Harley 459-463 formed one volume. Large initial in gold with penwork decoration, on blue, pink, and green grounds (f. 1). Large initials in red, blue, or green, a few with penwork decoration in another colour. Rubrics in red. Large

• Diagram of the elevation (design of the walls and supporting structures) of the Temple as described in Ezekiel 41:5-8., In Ezechielem, imperfect

century, Harley 459-463 formed one volume. Large initial in gold with penwork decoration, on blue, pink, and green grounds (f. 1). Large initials in red, blue, or green, a few with penwork decoration in another colour. Rubrics in red. Large

• Diagram of the porticus described in Ezekiel 41:5-8 from the side., In Ezechielem, imperfect

century, Harley 459-463 formed one volume. Large initial in gold with penwork decoration, on blue, pink, and green grounds (f. 1). Large initials in red, blue, or green, a few with penwork decoration in another colour. Rubrics in red. Large

• Diagram of the plan of the temple with its Holy of Holies, holocaust, and vestibule, as described in Ezekiel 41:15-42:20., In Ezechielem, imperfect

century, Harley 459-463 formed one volume. Large initial in gold with penwork decoration, on blue, pink, and green grounds (f. 1). Large initials in red, blue, or green, a few with penwork decoration in another colour. Rubrics in red. Large

• Diagram of the Temple and its surrounding structures in elevation and plan., In Ezechielem, imperfect

century, Harley 459-463 formed one volume. Large initial in gold with penwork decoration, on blue, pink, and green grounds (f. 1). Large initials in red, blue, or green, a few with penwork decoration in another colour. Rubrics in red. Large

• Diagram of the altar described in Ezekiel 43:16-18., In Ezechielem, imperfect

century, Harley 459-463 formed one volume. Large initial in gold with penwork decoration, on blue, pink, and green grounds (f. 1). Large initials in red, blue, or green, a few with penwork decoration in another colour. Rubrics in red. Large

• Coloured 'KL' letters in the calendar page for May, with additions, including on 23 May 'the feast of the relics of the blessed Peter, Exeter' (Festum reliquiarum ecclesie beati Petri Exon.'), Calendar and verses

IX and saint Bardo, bishop of Mainz (see Bishop 1918). Large 'KL' letters in red, blue, and green, with penwork decoration. Small initials in red, blue, green, or brown. Calendar and verses The cathedral church of St Peter, Exeter: evidence

• Ruled for three columns of text, the middle column on this page contains the double-spaced words of the Gospel, while glosses occupy some of the space between the lines and fill the side columns., Glossed Matthew and Mark, with capitula

Latin.ff. 4 and 148 are parchment leaves with various inscriptions. Large initials in red or blue, some with simple penwork decoration. Paraphs in red or blue. Running chapter numbers in red. Glossed Matthew and Mark, with capitula The Augustinian priory

• Illuminated initial 'E'(piscopus), at the beginning of causa 24., Decretum

79). 1 foliate initial in colours and gold, at the beginning of part 1 (f. 1). Initials in gold on blue and rose, red, or purple grounds with penwork decoration in white, at the beginning of causa 22-24, 27-32, 34-36,

• Diagram of the Tree of Consanguinity., Decretum

79). 1 foliate initial in colours and gold, at the beginning of part 1 (f. 1). Initials in gold on blue and rose, red, or purple grounds with penwork decoration in white, at the beginning of causa 22-24, 27-32, 34-36,

• Initial 'I'(n) in the form of a dragon, and 'B'(eatus) with two bishops with crosiers, the lower with a closed book;and the ownership inscription: 'Liber Sancte Trinitatis de Kirkham' in the lower margin., Lections for feasts of saints, including Vita Gregorii, the life of St Augustine; Nativitate St Maria, Vita Edwardi regis (one chapter), and other texts

of two bishops in green, red, and brown on a blue ground (f. 1). 2 large initials with animals or animals heads in red, green, and brown, or also with blue (ff. 1, 18v). Simple initials in red or green,

• initial 'P'(etisa) and three pairs of busts men and women, labelled Ioachim and Anna, Ioseph and Sancte Maria, and Alpheus and [Mary] Cleophe., Lections for feasts of saints, including Vita Gregorii, the life of St Augustine; Nativitate St Maria, Vita Edwardi regis (one chapter), and other texts

of two bishops in green, red, and brown on a blue ground (f. 1). 2 large initials with animals or animals heads in red, green, and brown, or also with blue (ff. 1, 18v). Simple initials in red or green,

• Decorated initial 'A'(stronomie) at the beginning of Herman of Carinthia Liber iudicum., Aretea, extract from De natura deorum (f. 95v); Liber iudicum (ff. 75-84), and other texts

p. 22 Part 2 is perhaps the earliest classical text on paper. Large initial in blue with red penwork decoration, and in red with blue penwork decoration (f. 89). Large and small simple initials in red, some with penwork decoration.

• Decorated initials 'B'(eato) and 'N'(ovum) with interlace at the beginning of Jerome's letter to Pope Damasus., Gospels, with the Epistle to Damasus, Canon tables, and prefaces, imperfect

in brown, orange, yellow, and sometimes blue, at the beginning of the text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the

• Detail of an inhabited initial 'P'(aulus) with white lions interlaced with a foliate scroll and an attached portrait of Peter Lombard writing the first words of his commentary, 'hunc epistola[m] / s/cribit / ap[osto]l[us]s roma/nos'., Pauline Epistles, with the commentary of Peter Lombard

with penwork decoration in green, red, and blue, at the beginning of other Epistles (ff. 54, 89, 107, 122, 133, 140, 146v, 151v, 154v, 162, 166v, 169). Smaller initials in green, red, or blue, some with penwork decoration, throughout the

• Blank frame for a miniature, with the hindquarters of a horse on the left., Prose Life of Cuthbert; extracts from the Historia Ecclesiastica (History of the English Church and People)

in red and blue with pen-flourishing in blue and red (f. 4). 1 smaller initial in olive green with red penwork decoration (f. 87). Smaller initials in red with blue or brown pen-flourishing/penwork decoration or in blue with red pen-flourishing/penwork

• Miniature of Cuthbert discovering a dolphin cut and prepared for cooking, from Chapter 11 of Bede's prose Life of St Cuthbert., Prose Life of Cuthbert; extracts from the Historia Ecclesiastica (History of the English Church and People)

in red and blue with pen-flourishing in blue and red (f. 4). 1 smaller initial in olive green with red penwork decoration (f. 87). Smaller initials in red with blue or brown pen-flourishing/penwork decoration or in blue with red pen-flourishing/penwork

• Miniature of Cuthbert building his hermitage with the help of an angel on the island of Farne, from Chapter 17 of Bede's prose Life of St Cuthbert., Prose Life of Cuthbert; extracts from the Historia Ecclesiastica (History of the English Church and People)

in red and blue with pen-flourishing in blue and red (f. 4). 1 smaller initial in olive green with red penwork decoration (f. 87). Smaller initials in red with blue or brown pen-flourishing/penwork decoration or in blue with red pen-flourishing/penwork

• Miniature of Cuthbert digging a water pit with a monk for his hermitage on the island of Farne, from Chapter 18 of Bede's prose Life of St Cuthbert., Prose Life of Cuthbert; extracts from the Historia Ecclesiastica (History of the English Church and People)

in red and blue with pen-flourishing in blue and red (f. 4). 1 smaller initial in olive green with red penwork decoration (f. 87). Smaller initials in red with blue or brown pen-flourishing/penwork decoration or in blue with red pen-flourishing/penwork

• Miniature of Cuthbert speaking to the birds and driving them away from the crops which he had sown, from Chapter 19 of Bede's prose Life of St Cuthbert., Prose Life of Cuthbert; extracts from the Historia Ecclesiastica (History of the English Church and People)

in red and blue with pen-flourishing in blue and red (f. 4). 1 smaller initial in olive green with red penwork decoration (f. 87). Smaller initials in red with blue or brown pen-flourishing/penwork decoration or in blue with red pen-flourishing/penwork