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forming a partial border (f. 1). Numerous marginal sketches in brown ink of animals, birds, fish, ships and various figures. Blue initials with red pen-flourishing. John Crophill's commonplace book with astrological prognostications, cookery recipes, and medical and alchemical treatises, imperfect
forming a partial border (f. 1). Numerous marginal sketches in brown ink of animals, birds, fish, ships and various figures. Blue initials with red pen-flourishing. John Crophill's commonplace book with astrological prognostications, cookery recipes, and medical and alchemical treatises, imperfect
forming a partial border (f. 1). Numerous marginal sketches in brown ink of animals, birds, fish, ships and various figures. Blue initials with red pen-flourishing. John Crophill's commonplace book with astrological prognostications, cookery recipes, and medical and alchemical treatises, imperfect
forming a partial border (f. 1). Numerous marginal sketches in brown ink of animals, birds, fish, ships and various figures. Blue initials with red pen-flourishing. John Crophill's commonplace book with astrological prognostications, cookery recipes, and medical and alchemical treatises, imperfect
forming a partial border (f. 1). Numerous marginal sketches in brown ink of animals, birds, fish, ships and various figures. Blue initials with red pen-flourishing. John Crophill's commonplace book with astrological prognostications, cookery recipes, and medical and alchemical treatises, imperfect
3 large initials in red with penwork decoration. Large and small simple red or blue initials. Musical notation on four-line staves. Hymns for the vigils of the Ascension ('Eterne rex altissime'), Katherine ('Disputando vicit virgo'), and Nicholas ('Sospitate dedit egros')
red (ff. 151-160v);Alexander of Hales, 'Exoticon' (ff. 164v-168v);John of Garland, 'Aequivoca', with two initials in red with penwork decoration in blue, other initials and paraphs in red, verse initials highlighted in red (ff. 174v-185v), followed by a copy of John's
in the same scriptorium as ms. Royal 4 A. XIV of 12th-century Worcester provenance.Quires signatures. Large initials in green or blue, at the beginning of three major divisions of Psalms 1, 51, and 101 (ff. 8, 64, 117). Smaller outline
in the same scriptorium as ms. Royal 4 A. XIV of 12th-century Worcester provenance.Quires signatures. Large initials in green or blue, at the beginning of three major divisions of Psalms 1, 51, and 101 (ff. 8, 64, 117). Smaller outline
in the same scriptorium as ms. Royal 4 A. XIV of 12th-century Worcester provenance.Quires signatures. Large initials in green or blue, at the beginning of three major divisions of Psalms 1, 51, and 101 (ff. 8, 64, 117). Smaller outline
in the same scriptorium as ms. Royal 4 A. XIV of 12th-century Worcester provenance.Quires signatures. Large initials in green or blue, at the beginning of three major divisions of Psalms 1, 51, and 101 (ff. 8, 64, 117). Smaller outline
Pseudo-Albert the Great, 'Summa naturalium', 15th century, with initials and paraphs in red (ff. 1-8). Initials with penwork decoration in blue and red. Rubrics in red. 'Liber poenitentialis', imperfect at the end (ff. 37-49v), preceded by a table of contents
171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major
171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major
171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major
171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major
171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major