• Diagram of the ratios of the sides of a right triangle to each other, a theorum thought useful for reconstructing measurements of the Temple not given in the vision of Ezekiel., In Ezechielem, imperfect

century, Harley 459-463 formed one volume. Large initial in gold with penwork decoration, on blue, pink, and green grounds (f. 1). Large initials in red, blue, or green, a few with penwork decoration in another colour. Rubrics in red. Large

• Diagram of the elevation (design of the walls and supporting structures) of the Temple as described in Ezekiel 41:5-8., In Ezechielem, imperfect

century, Harley 459-463 formed one volume. Large initial in gold with penwork decoration, on blue, pink, and green grounds (f. 1). Large initials in red, blue, or green, a few with penwork decoration in another colour. Rubrics in red. Large

• Diagram of the porticus described in Ezekiel 41:5-8 from the side., In Ezechielem, imperfect

century, Harley 459-463 formed one volume. Large initial in gold with penwork decoration, on blue, pink, and green grounds (f. 1). Large initials in red, blue, or green, a few with penwork decoration in another colour. Rubrics in red. Large

• Diagram of the plan of the temple with its Holy of Holies, holocaust, and vestibule, as described in Ezekiel 41:15-42:20., In Ezechielem, imperfect

century, Harley 459-463 formed one volume. Large initial in gold with penwork decoration, on blue, pink, and green grounds (f. 1). Large initials in red, blue, or green, a few with penwork decoration in another colour. Rubrics in red. Large

• Diagram of the Temple and its surrounding structures in elevation and plan., In Ezechielem, imperfect

century, Harley 459-463 formed one volume. Large initial in gold with penwork decoration, on blue, pink, and green grounds (f. 1). Large initials in red, blue, or green, a few with penwork decoration in another colour. Rubrics in red. Large

• Diagram of the altar described in Ezekiel 43:16-18., In Ezechielem, imperfect

century, Harley 459-463 formed one volume. Large initial in gold with penwork decoration, on blue, pink, and green grounds (f. 1). Large initials in red, blue, or green, a few with penwork decoration in another colour. Rubrics in red. Large

• Coloured 'KL' letters in the calendar page for May, with additions, including on 23 May 'the feast of the relics of the blessed Peter, Exeter' (Festum reliquiarum ecclesie beati Petri Exon.'), Calendar and verses

IX and saint Bardo, bishop of Mainz (see Bishop 1918). Large 'KL' letters in red, blue, and green, with penwork decoration. Small initials in red, blue, green, or brown. Calendar and verses The cathedral church of St Peter, Exeter: evidence

• Ruled for three columns of text, the middle column on this page contains the double-spaced words of the Gospel, while glosses occupy some of the space between the lines and fill the side columns., Glossed Matthew and Mark, with capitula

Latin.ff. 4 and 148 are parchment leaves with various inscriptions. Large initials in red or blue, some with simple penwork decoration. Paraphs in red or blue. Running chapter numbers in red. Glossed Matthew and Mark, with capitula The Augustinian priory

• Coloured initials., Fragment of a Missal with antiphons and readings for Quinquagesima and Ephiphany (ther proper order is ff. 85, 1, 2, 86)

second half of the 12th century (ff. 1-2v; 85-86v) 1 large initial in blue with red penwork decoration (f. 2). Large simple initials in green, red, or blue. Musical notation on four-line staves. Fragment of a Missal with antiphons and

• Decorated initial 'C' at the beginning of the first section concerning Augustine, sent to convert the Angles by Gregory the Great and the first archbishop of Canterbury, and other early English ecclesiastics., Gesta pontificum anglorum, imperfect

punctuation.Includes Mynors and Lawrence-Mathers's 'split petal' motif. Large initials in red or blue, with penwork decoration in the same colours (ff. 1, 1v, 46v). Initials initials in red, blue, or green, some with simple penwork decoration. Line-fillers in red. Rubrics

• Decorated initial 'H' at the beginning of the second book chronicling early bishops of all the dioceses and kingdoms of England. Starting in the first column with the red inscription, the prologue gives a framework of the different regions. London, beginning with Erkenwald (675), heads the chapters on early bishops., Gesta pontificum anglorum, imperfect

punctuation.Includes Mynors and Lawrence-Mathers's 'split petal' motif. Large initials in red or blue, with penwork decoration in the same colours (ff. 1, 1v, 46v). Initials initials in red, blue, or green, some with simple penwork decoration. Line-fillers in red. Rubrics

• Decorated initial 'P'(rima) at the beginning of the prologue, identified by the title in red (rubric) at the top of the first column. In the upper margin above is an ownership inscription of the abbey of St Mary of 'Belelanda' (Byland)., Gesta pontificum anglorum, imperfect

punctuation.Includes Mynors and Lawrence-Mathers's 'split petal' motif. Large initials in red or blue, with penwork decoration in the same colours (ff. 1, 1v, 46v). Initials initials in red, blue, or green, some with simple penwork decoration. Line-fillers in red. Rubrics

• Decorated initials., Two leaves of a Breviary

Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Added one line of musical notation without text: white mensural notation, France ?, early

• Decorated initials., Two leaves of a noted Missal, with part of the masses for the dead

and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Two leaves of a noted Missal, with part of the masses for the dead

• Decorated initial 'T'(andem) at the beginning of book 2 of In Catilinam and decoration in brown ink added by Petrarch., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Decorated initial 'V'(ideo) at the beginning of book 4 of In Catilinam., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Text page with manicula and faces in profile, probably added by Petrarch., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Text page with decoration in brown ink probably added by Petrarch., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Decorated initial 'S'(i.p.c)' and faces in profile probably added by Petrarch., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Decorated initial 'Q'(uoniam) with a winged dragon, foliate motifs and clasps, at the beginning of the second book of Gariopontus, Passionarius Galeni., Passionarius Galeni

131v), one with a dragon (f. 17). 1 initial in red with penwork decoration in blue (f. 1). Numerous smaller initials in red or blue. Rubrics in red. Display script in brown ink for letters following 2 foliate initials (ff.