• Historiated initial 'D'(ixit) of the Trinity, at the beginning of Psalm 109, and an illuminated initial 'D'(ixit) with a dragon, at the beginning of the commentary on Psalm 109., Psalter with the commentary of Peter Lombard

in the commentary (ff. 1, 2v, 55v, 87, 114v, 116, 148, 184v, 215v, 246). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, bigger at the beginning of other Psalms, and smaller at the beginning of verses.

• Historiated initial 'S'(alvum) of God and David in the water, at the beginning of Psalm 68, and a foliate initial 'S'(alvum) at the beginning of the commentary on Psalm 68., Psalter with the commentary of Peter Lombard

in the commentary (ff. 1, 2v, 55v, 87, 114v, 116, 148, 184v, 215v, 246). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, bigger at the beginning of other Psalms, and smaller at the beginning of verses.

• Historiated initial 'Q'(uid) of king David with a sword and another man, at the beginning of Psalm 51., Psalter with the commentary of Peter Lombard

in the commentary (ff. 1, 2v, 55v, 87, 114v, 116, 148, 184v, 215v, 246). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, bigger at the beginning of other Psalms, and smaller at the beginning of verses.

• Historiated initial 'D'(ixi) of David pointing his mouth with the head of God above, at the beginning of Psalm 38, and a decorated initial 'D'(ixi) with an animal, at the beginning of the commentary on Psalm 38., Psalter with the commentary of Peter Lombard

in the commentary (ff. 1, 2v, 55v, 87, 114v, 116, 148, 184v, 215v, 246). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, bigger at the beginning of other Psalms, and smaller at the beginning of verses.

• Foliate initial 'C'(um) with a dragon, at the beginning of the prologue., Psalter with the commentary of Peter Lombard

in the commentary (ff. 1, 2v, 55v, 87, 114v, 116, 148, 184v, 215v, 246). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, bigger at the beginning of other Psalms, and smaller at the beginning of verses.

• Historiated initial 'C'(antate) of three clerics singing, at the beginning of Psalm 97, and a foliate initial 'C'(antate) at the beginning of the commentary to Psalm 97., Psalter with the commentary of Peter Lombard

in the commentary (ff. 1, 2v, 55v, 87, 114v, 116, 148, 184v, 215v, 246). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, bigger at the beginning of other Psalms, and smaller at the beginning of verses.

• Historiated initial 'E'(xultate) of David playing the bells, at the beginning of Psalm 80, and a foliate initial 'E'(xultate) at the beginning of the commentary on Psalm 80., Psalter with the commentary of Peter Lombard

in the commentary (ff. 1, 2v, 55v, 87, 114v, 116, 148, 184v, 215v, 246). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, bigger at the beginning of other Psalms, and smaller at the beginning of verses.

• Historiated initial 'D'(ominus) of God and David pointing his eyes, at the beginning of Psalm 26, and a foliate initial 'D'(ominus) with a dragon, at the beginning of the commentary on Psalm 26., Psalter with the commentary of Peter Lombard

in the commentary (ff. 1, 2v, 55v, 87, 114v, 116, 148, 184v, 215v, 246). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, bigger at the beginning of other Psalms, and smaller at the beginning of verses.

• Pecia fragment, with decorated initials and inscription by the Parisian ~libraire~ and stationer Thomas de Maubeuge., Decretum, Book 6, fragment

were written by a number of scribes at different times. Initials with penwork decoration in red and blue. Small initials in red and blue. Decretum, Book 6, fragment This copy of Gratian's Decretum is a collection of pecia manuscripts bound

• Illuminated miniature of Christ enthroned in Majesty within a mandorla, surrounded by the four symbols of the Evangelists. The figure of a tonsured ecclesiastic (possibly the donor of the manuscript) is outside of the frame below Christ's feet., Gradual, Sequentiary, and Sacramentary

blue grounds, some with green borders (ff. 27, 36v, 42v, 44, 46v, 54, 57v, 62v, 64, 68v, 78v, 110, 111v, 114, 119v, 122, 143, 144, 152, 154v, 159, 160, 168v, 171v, 180v, 186v, 193v). Large initials in red with

• Inhabited illuminated initial 'P'(er) at the beginning of the prefaces to the Mass, with foliage, men, animals, hybrids, and animal heads., Gradual, Sequentiary, and Sacramentary

blue grounds, some with green borders (ff. 27, 36v, 42v, 44, 46v, 54, 57v, 62v, 64, 68v, 78v, 110, 111v, 114, 119v, 122, 143, 144, 152, 154v, 159, 160, 168v, 171v, 180v, 186v, 193v). Large initials in red with

• Miniature of the Crucifixion, with Mary and John flanking Christ on the cross, a skull below, and two angels above., Gradual, Sequentiary, and Sacramentary

blue grounds, some with green borders (ff. 27, 36v, 42v, 44, 46v, 54, 57v, 62v, 64, 68v, 78v, 110, 111v, 114, 119v, 122, 143, 144, 152, 154v, 159, 160, 168v, 171v, 180v, 186v, 193v). Large initials in red with

• Inhabited initial 'A' with men and a dragon in the letter., Gradual, Sequentiary, and Sacramentary

blue grounds, some with green borders (ff. 27, 36v, 42v, 44, 46v, 54, 57v, 62v, 64, 68v, 78v, 110, 111v, 114, 119v, 122, 143, 144, 152, 154v, 159, 160, 168v, 171v, 180v, 186v, 193v). Large initials in red with

• Initial with men and animals within the foliage., Gradual, Sequentiary, and Sacramentary

blue grounds, some with green borders (ff. 27, 36v, 42v, 44, 46v, 54, 57v, 62v, 64, 68v, 78v, 110, 111v, 114, 119v, 122, 143, 144, 152, 154v, 159, 160, 168v, 171v, 180v, 186v, 193v). Large initials in red with

• Miniature of the Crucifixion, with Mary and John flanking Christ on the cross, a skull below, and two angels above., Gradual, Sequentiary, and Sacramentary

blue grounds, some with green borders (ff. 27, 36v, 42v, 44, 46v, 54, 57v, 62v, 64, 68v, 78v, 110, 111v, 114, 119v, 122, 143, 144, 152, 154v, 159, 160, 168v, 171v, 180v, 186v, 193v). Large initials in red with

• The ownership inscription 'De camera abbatis Pippewell', and facing it the calendar page for January, with the occupation of the month of a miniature of a man drinking and removing a boot from one foot., Psalter, imperfect

the months (ff. 2-7v). 1 large historiated initial at the beginning of Psalm 51 (f. 8). Large 'champ' initials in blue, red and gold with white filigree decoration. Small gold initials outlined in ink. Psalter, imperfect The Cistercian abbey of

• Illuminated initials and miniatures for the calendar pages for October and November, with a man gathering produce into a basket, and a man knocking acorns from trees to feed pigs., Psalter, imperfect

the months (ff. 2-7v). 1 large historiated initial at the beginning of Psalm 51 (f. 8). Large 'champ' initials in blue, red and gold with white filigree decoration. Small gold initials outlined in ink. Psalter, imperfect The Cistercian abbey of

• Illustration of Sirius, in Greek mythology, the dog of the hunter, Orion, with rays shining from his head, with text or scholia within the figure of the constellation., Aratea, with extracts from Hyginus's Astronomica in the constellation figures

of the solar system in brown and red (f. 19). Small initials in brown or red. Text in red or blue. Aratea, with extracts from Hyginus's Astronomica in the constellation figures f. 1 is a slightly later addition (c. 1000,

• Inscription recording the pledge of the book by William de Rokesle, a Dominican friar from London, to James of Spain, canon of St. Paul's, London, illegitimate son of King Alfonso X of Castile, and nephew of Eleanor, wife of Edward I, on 8th September 1326, reading 'ved. q[uo]d die lune in festo nat[ivitatis] be[a]te Marie videlicet VIIIº die septembris anno d[omi]ni Mº / CCC VIº et anno r[egni] r[egis] E[duardi] fil[ii] r[egis] E[dmundi] XXº iste liber impignorat[ur] mag[ist]ro Jacobo de Sspania Canon[ic]o s[anc]ti pauli london[iensis] p[er] fra[tr]em Will[iamu]m de Rokesle de ordine et canon... p[re]dicatorum lond. / pro xx s. quos id[e]m f[rate]r Will[iamu]s recup[erat] a mano de p[re]dic[t]o Jacobo ad opus p[re]dicti co[n]ventus solvand[us] / in mandena (?) s[anc]ti Mich[ael]is p[ro]ximo venturo condonat[ur] quia paup[er].', Psalter with the commentary of Peter Lombard

in the commentary (ff. 1, 2v, 55v, 87, 114v, 116, 148, 184v, 215v, 246). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, bigger at the beginning of other Psalms, and smaller at the beginning of verses.

• Genealogical diagram from Pierre de Poitiers's Compendium historiae in genealogia Christi., Aurora, with marginal gloss; Pierre de Poitiers' Compendium (ff. 1v-6v)

Christi. Catchwords written horizontally. Quire marks. 4 initials in red or blue with pen-flourishing in the other colour (ff. 9 (x3), 16v), including a bearded head on f. 9. Large coloured initials in red or brown ink (with reserved lines