• Historiated initial 'L'(ibrum) of Ahasuerus and Esther banqueting, at the beginning of Esther., Historia scholastica (The 'Ashridge Petrus Comestor')

190). Initials in blue with red pen-flourishing and 'I'-band borders in red and blue. Running titles and chapter numbers with pen-flourishing in red and blue, line-fillers in red and blue. Omitted text written in the margins in blue and yellow

• Historiated initial 'P'(ost) of Manasses and his wife outside the temple, at the beginning of Esther 2., Historia scholastica (The 'Ashridge Petrus Comestor')

190). Initials in blue with red pen-flourishing and 'I'-band borders in red and blue. Running titles and chapter numbers with pen-flourishing in red and blue, line-fillers in red and blue. Omitted text written in the margins in blue and yellow

• Historiated initial 'M'(ortuo) of the death of Simon, last of the Maccabee brothers, at the beginning of Maccabees 2, 2., Historia scholastica (The 'Ashridge Petrus Comestor')

190). Initials in blue with red pen-flourishing and 'I'-band borders in red and blue. Running titles and chapter numbers with pen-flourishing in red and blue, line-fillers in red and blue. Omitted text written in the margins in blue and yellow

• Historiated initial 'A'(nno) of the Ascension, at the beginning of acts, with an instruction to an illuminator in the margin., Historia scholastica (The 'Ashridge Petrus Comestor')

190). Initials in blue with red pen-flourishing and 'I'-band borders in red and blue. Running titles and chapter numbers with pen-flourishing in red and blue, line-fillers in red and blue. Omitted text written in the margins in blue and yellow

• Historiated initial 'R'(everendo) of Peter Comestor with a partial bar border, at the beginning of the preface., Historia scholastica (The 'Ashridge Petrus Comestor')

190). Initials in blue with red pen-flourishing and 'I'-band borders in red and blue. Running titles and chapter numbers with pen-flourishing in red and blue, line-fillers in red and blue. Omitted text written in the margins in blue and yellow

• Detail of an historiated initial 'R'(everendo) of Peter Comestor, at the beginning of the preface., Historia scholastica (The 'Ashridge Petrus Comestor')

190). Initials in blue with red pen-flourishing and 'I'-band borders in red and blue. Running titles and chapter numbers with pen-flourishing in red and blue, line-fillers in red and blue. Omitted text written in the margins in blue and yellow

• Historiated initial 'F'(uit) of an angel and Zacharias censing the altar, with a full bar-border with foliate cornerpieces, marginal animals (including a squirrel, lion, rabbit, birds, dog, peacock and hybrids) and shields with the arms of Edward I, Edward of Caernarvon, Richard, King of the Romans (Edward's I uncle), and his son Edmund, Earl of Cornwall, at the beginning of Luke., Historia scholastica (The 'Ashridge Petrus Comestor')

190). Initials in blue with red pen-flourishing and 'I'-band borders in red and blue. Running titles and chapter numbers with pen-flourishing in red and blue, line-fillers in red and blue. Omitted text written in the margins in blue and yellow

• Detail of an historiated initial 'F'(uit) of an angel and Zacharias censing the altar, at the beginning of Luke., Historia scholastica (The 'Ashridge Petrus Comestor')

190). Initials in blue with red pen-flourishing and 'I'-band borders in red and blue. Running titles and chapter numbers with pen-flourishing in red and blue, line-fillers in red and blue. Omitted text written in the margins in blue and yellow

• Detail of a miniature of a lion, a rabbit with a trumpet,and a perching bird, from the border of the folio., Historia scholastica (The 'Ashridge Petrus Comestor')

190). Initials in blue with red pen-flourishing and 'I'-band borders in red and blue. Running titles and chapter numbers with pen-flourishing in red and blue, line-fillers in red and blue. Omitted text written in the margins in blue and yellow

• Detail of a border with a peacock and hybrid grotesques, at the beginning of Luke., Historia scholastica (The 'Ashridge Petrus Comestor')

190). Initials in blue with red pen-flourishing and 'I'-band borders in red and blue. Running titles and chapter numbers with pen-flourishing in red and blue, line-fillers in red and blue. Omitted text written in the margins in blue and yellow

• Illuminated initials 'N'(otandum), 'O'(mnes) and 'O'(sculetur) at the beginning of the Song of Songs., Proverbia, Ecclesiastes, Canticum Canticorum, Sapientia, Ecclesiasticus, glossed

red or blue, with pen-flourishing in the alternate colour. 1 decorated line-filler in red and blue (f. 66). Running headers and chapter numbers in alternate red or blue. Paraphs in red or blue. Rubrics in red or blue. Proverbia, Ecclesiastes,

• Tinted drawing of Locrini, Kambrini, and Albanactis standing under Gothic arches, a puzzle initial 'B'(ritannia), and a plain initial 'E'(neas)., Brief History of the Kings of England and Scotland up to Henry III (Brevis historia Regum Angliae et Scotiae usque ad Henricum III), Story of the Seven Sages of Rome (L'estoire de 7 Sages de Roume), Castle of Love (Le Château d'Amour), Manuel des Péchés (Books VII and VIII), and Omnes articuli fidei Christianae, imperfect

initials in red and blue with pen-flourishing in the same colours (ff. 48, 61v). Large initials in blue with red and blue pen-flourishing. Plain initials in blue or red. Rubrics in red. Paraphs in red or blue. Brief History of

• Tinted drawing of an empress and a decorated intial 'L' ('emperur)., Brief History of the Kings of England and Scotland up to Henry III (Brevis historia Regum Angliae et Scotiae usque ad Henricum III), Story of the Seven Sages of Rome (L'estoire de 7 Sages de Roume), Castle of Love (Le Château d'Amour), Manuel des Péchés (Books VII and VIII), and Omnes articuli fidei Christianae, imperfect

initials in red and blue with pen-flourishing in the same colours (ff. 48, 61v). Large initials in blue with red and blue pen-flourishing. Plain initials in blue or red. Rubrics in red. Paraphs in red or blue. Brief History of

• Detail of a tinted drawing of Robert Grossteste, bishop of Lincoln., Brief History of the Kings of England and Scotland up to Henry III (Brevis historia Regum Angliae et Scotiae usque ad Henricum III), Story of the Seven Sages of Rome (L'estoire de 7 Sages de Roume), Castle of Love (Le Château d'Amour), Manuel des Péchés (Books VII and VIII), and Omnes articuli fidei Christianae, imperfect

initials in red and blue with pen-flourishing in the same colours (ff. 48, 61v). Large initials in blue with red and blue pen-flourishing. Plain initials in blue or red. Rubrics in red. Paraphs in red or blue. Brief History of

• Tinted drawing of Robert Grossteste, bishop of Lincoln., Brief History of the Kings of England and Scotland up to Henry III (Brevis historia Regum Angliae et Scotiae usque ad Henricum III), Story of the Seven Sages of Rome (L'estoire de 7 Sages de Roume), Castle of Love (Le Château d'Amour), Manuel des Péchés (Books VII and VIII), and Omnes articuli fidei Christianae, imperfect

initials in red and blue with pen-flourishing in the same colours (ff. 48, 61v). Large initials in blue with red and blue pen-flourishing. Plain initials in blue or red. Rubrics in red. Paraphs in red or blue. Brief History of

• null, Medical texts, including the Cyrurgia (ff. 3-82), and the Practicella extracta ex dictis Mesue principaliter (ff. 84-100)

Small initials in red or blue, some with minimal penwork decoration in blue or red. Diagrams. Medical texts, including the Cyrurgia (ff. 3-82), and the Practicella extracta ex dictis Mesue principaliter (ff. 84-100) Added in different later hands some recipes

• Drawing of Gabriel., Miscellany of tracts on magic, including The Divine Seal of Solomon (ff. 127v-137v)

full-page drawings of angels in ink with a yellow or blue wash on parchment (ff. 124-127). 1 full-page drawing in ink (f. 266v). Diagrams in ink, 1 with washes of blue, green, and red (f. 127v). Large initials in brown

• Historiated initial 'C'(antate) of monks singing, with a three-sided border including a hound, bird, lion, and grotesque hybrid, at the beginning of Psalm 97., Psalter

201). Large initials in gold on red and blue grounds, developing three-sided bars. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold, red and blue. Psalter At some point in the manuscript’s

• Illuminated initial 'Q'(uia) with a hybrid, at the beginning of the Apparatus ad Sextum of Johannes Andreae., Apparatus ad Sextum; Liber sextus Decretalium; Apparatus ad Sextum

blue and rose grounds with penwork decoration in white and flowers, at the beginning of rubrics in the Liber sextum. Puzzle initials in red and blue with red pen-flourishing. Initials in blue with red pen-flourishing. Paraphs in red or

• Historiated initial 'V'(enerabilibus) of the pope Boniface VIII, with a full border including the arms of the Reading abbey, at the beginning of Guido de Baysio's, Apparatus ad Sextum., Apparatus ad Sextum; Liber sextus Decretalium; Apparatus ad Sextum

blue and rose grounds with penwork decoration in white and flowers, at the beginning of rubrics in the Liber sextum. Puzzle initials in red and blue with red pen-flourishing. Initials in blue with red pen-flourishing. Paraphs in red or