• Detail of a miniature of the Virgin Mary restoring an ill monk with her milk., Psalter ('The Queen Mary Psalter')

85v-318). Foliate initials in gold and colours with marginal extensions. Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose, blue, and gold with penwork decoration in white. Psalter ('The Queen Mary Psalter') Isabella

• Bas-de-page scene of Simon and Jude with three magicians., Psalter ('The Queen Mary Psalter')

85v-318). Foliate initials in gold and colours with marginal extensions. Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose, blue, and gold with penwork decoration in white. Psalter ('The Queen Mary Psalter') Isabella

• Detail of a bas-de-page scene of a messenger announcing the arrival of four knights to Thomas Becket., Psalter ('The Queen Mary Psalter')

85v-318). Foliate initials in gold and colours with marginal extensions. Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose, blue, and gold with penwork decoration in white. Psalter ('The Queen Mary Psalter') Isabella

• Detail of a bas-de-page scene of the murder of Thomas Becket., Psalter ('The Queen Mary Psalter')

85v-318). Foliate initials in gold and colours with marginal extensions. Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose, blue, and gold with penwork decoration in white. Psalter ('The Queen Mary Psalter') Isabella

• Detail of a bas-de-page scene of Thomas Becket lying in state in his tomb., Psalter ('The Queen Mary Psalter')

85v-318). Foliate initials in gold and colours with marginal extensions. Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose, blue, and gold with penwork decoration in white. Psalter ('The Queen Mary Psalter') Isabella

• Detail of a bas-de-page drawing of Thomas Becket, supported by two angels, kneeling before Christ., Psalter ('The Queen Mary Psalter')

85v-318). Foliate initials in gold and colours with marginal extensions. Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose, blue, and gold with penwork decoration in white. Psalter ('The Queen Mary Psalter') Isabella

• Historiated initial 'D' with David pointing to his mouth, with hybrid creatures with a cither and a pipe in the borders., Psalter and Book of Hours (the 'Howard Psalter and Hours') (Arundel 83 I) (ends imperfectly); including a calendar of uncertain East Anglian destination (ff. 6-11v), a liturgical Psalter with canticles, litany, and Office of the Dead (ff. 14-113v), and an incomplete Hours of the Passion (ff. 113v-116v)

last part of the manuscript (ff. 106-116v). Smaller initials in gold on red and blue grounds. Small initials in gold with purple foliate pen-flourishing or in blue with red foliate pen-flourishing. Psalter and Book of Hours (the 'Howard Psalter and

• Historiated initial 'A'(d) with the Mass and full foliate borders including birds and heraldic arms., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Miniatures of the Crucifixion and the Majesta Domini, at the beginning of the Canon of the mass., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Historiated initial of the Nativity., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Historiated initial of the Adoration of the Magi., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Historiated intial of Peter in chains between two soldiers., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Historiated initial 'D' with God and Christ enthroned, and grotesques in the border, at the beginning of Psalm 109., Psalter and Book of Hours (the 'Howard Psalter and Hours') (Arundel 83 I) (ends imperfectly); including a calendar of uncertain East Anglian destination (ff. 6-11v), a liturgical Psalter with canticles, litany, and Office of the Dead (ff. 14-113v), and an incomplete Hours of the Passion (ff. 113v-116v)

last part of the manuscript (ff. 106-116v). Smaller initials in gold on red and blue grounds. Small initials in gold with purple foliate pen-flourishing or in blue with red foliate pen-flourishing. Psalter and Book of Hours (the 'Howard Psalter and

• Historiated initial of a monk praying before an altar., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Historiated initial of the Resurrection., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Detail of a historiated initial of Pentecost., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Detail of historiated initial of the Trinity., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Historiated initial 'D'(ominus) with Andrew., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Detail of historiated initial of the Presentation., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Historiated initial of the Presentation., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar