• Puzzle initial 'H'., Historia ecclesiastica gentis Anglorum

8. Three-sided border of pen-flourishing in red and blue (f. 1). Large puzzle initials in blue and red with penwork foliate or geometric decoration in blue, red, or purple. Large and small blue initials with red penwork decoration. Historia ecclesiastica

• Puzzle initial 'E' with penwork decoration., Historia ecclesiastica gentis Anglorum

8. Three-sided border of pen-flourishing in red and blue (f. 1). Large puzzle initials in blue and red with penwork foliate or geometric decoration in blue, red, or purple. Large and small blue initials with red penwork decoration. Historia ecclesiastica

• Puzzle initial 'I'(n)., Historia ecclesiastica gentis Anglorum

8. Three-sided border of pen-flourishing in red and blue (f. 1). Large puzzle initials in blue and red with penwork foliate or geometric decoration in blue, red, or purple. Large and small blue initials with red penwork decoration. Historia ecclesiastica

• Puzzle initial 'S' and decorated initial 'H'., Historia ecclesiastica gentis Anglorum

8. Three-sided border of pen-flourishing in red and blue (f. 1). Large puzzle initials in blue and red with penwork foliate or geometric decoration in blue, red, or purple. Large and small blue initials with red penwork decoration. Historia ecclesiastica

• null, De lapidibus pretiosis

and gold (f. 1). Small initials in red with purple foliate pen-flourishing or in blue with red foliate pen-flourishing. De lapidibus pretiosis Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector. Purchased as part of the Sloane collection

• Detail of decorated initial 'E'(go)., Historia Brittonum, Vita Gildae, and other Vitae

8. Three-sided border of pen-flourishing in red and blue (f. 1). Large puzzle initials in blue and red with penwork foliate or geometric decoration in blue, red, or purple. Large and small blue initials with red penwork decoration. Historia Brittonum,

• Miniature of a king, with an orb in his hand, giving instructions to a group of men, at the beginning of book 3., De la chose de la chevalerie

gold at the beginning of books. Puzzle initials in red and blue with red and blue pen-flourishing (ff. 3, 4). Initials in red with pen-flourishing in blue, or in blue with pen-flourishing in red. De la chose de la chevalerie

• Puzzle initials 'I'(n) and 'C'(reator), at the beginning of Rhasis's Liber Almansoris., Liber Almansoris (ff. 3-74) and other medical texts

at the beginning of Rhasis's Liber Almansoris. 17 large puzzle initials in red and blue with purple and red pen-flourishing, and extensions decorated in red and blue into the margins (ff. 3, 10, 13v, 22, 28, 34, 37, 43, 49,

• Marginal figures of constellations personified as human figures and Auriga in a chariot with animals., Miscellany, including De institutione arithmetica (ff. 1v-31), Astronomica (ff. 71v-89v). Guido d’Arezzo: Micrologus (ff. 98-104), Regulae rhythmicae (ff. 104-106), Prologus in Antiphonarium (ff. 106-107), Epistola ad Michaelem (ff. 107-109v). Anonymous: ‘Mensura Fistularum’ [Inc. “Fistularum mensuram ut a quibusdam…”] (ff. 109v-110), ‘Mensura Organistri’ [Inc. “Organicam quicumque liram…”] (f. 110), Commentary (ff. 121-151).

faces, and some with a blue or green wash. Diagrams in red and black, some with a blue and green wash. Marginal images of the constellations, men, animals, and objects, in red ink with green, blue and/or pink washes (ff.

• Decorated initial 'I'(nter) and diagrams., Miscellany, including De institutione arithmetica (ff. 1v-31), Astronomica (ff. 71v-89v). Guido d’Arezzo: Micrologus (ff. 98-104), Regulae rhythmicae (ff. 104-106), Prologus in Antiphonarium (ff. 106-107), Epistola ad Michaelem (ff. 107-109v). Anonymous: ‘Mensura Fistularum’ [Inc. “Fistularum mensuram ut a quibusdam…”] (ff. 109v-110), ‘Mensura Organistri’ [Inc. “Organicam quicumque liram…”] (f. 110), Commentary (ff. 121-151).

faces, and some with a blue or green wash. Diagrams in red and black, some with a blue and green wash. Marginal images of the constellations, men, animals, and objects, in red ink with green, blue and/or pink washes (ff.

• Marginal drawings of Cancer, Leo, Virgo, Scorpio, and Sagitarius., Miscellany, including De institutione arithmetica (ff. 1v-31), Astronomica (ff. 71v-89v). Guido d’Arezzo: Micrologus (ff. 98-104), Regulae rhythmicae (ff. 104-106), Prologus in Antiphonarium (ff. 106-107), Epistola ad Michaelem (ff. 107-109v). Anonymous: ‘Mensura Fistularum’ [Inc. “Fistularum mensuram ut a quibusdam…”] (ff. 109v-110), ‘Mensura Organistri’ [Inc. “Organicam quicumque liram…”] (f. 110), Commentary (ff. 121-151).

faces, and some with a blue or green wash. Diagrams in red and black, some with a blue and green wash. Marginal images of the constellations, men, animals, and objects, in red ink with green, blue and/or pink washes (ff.

• Decorated initial 'KL', accompanied by a bar developing foliate extensions with a dragon, at the beginning of August in the Calendar., Kalendarium, cum figuris eclipsum, tabulis, et canonibus

29v). 1 large initial in gold on a red and blue ground (f. 40v). Smaller initials (2 lines) in blue with foliate pen-flourishing in red. Small initials (1 line) in blue with foliate pen-flourishing in red, or in red with

• Diagrams of the eclipse of the moon., Kalendarium, cum figuris eclipsum, tabulis, et canonibus

29v). 1 large initial in gold on a red and blue ground (f. 40v). Smaller initials (2 lines) in blue with foliate pen-flourishing in red. Small initials (1 line) in blue with foliate pen-flourishing in red, or in red with

• Detail of initial 'C'(um) on a gold ground, with a hybrid creature in the bowl of the letter., Homilies for Sundays, with table of contents (vol 1, ff. 2-12)

and blue on a gold groud, with foliate decoration and a human head, extending into a border on two sides with flower and nuts (f. 13, vol. 1). Initials in blue with red pen-flourishing, or in red with blue pen-flourishing,

• Historiated illuminated initial 'T'(hedosius) of the Virgin holding the Child blessing a kneeling monk with a three-sided border, at the beginning of Sigibert's Chronographia., De viris illustribus, extract; Chronographia, with prologue; Jerome's preface to the translation of Eusebius

partial borders with initials in blue and pink with coloured foliated decoration and/or hybrid creatures on a gold ground (ff. 9, 54, 58). 2 large puzzle initials in red and blue with red and blue penword decoration of leaves and

• Puzzle initial 'P'(ost), at the beginning of Johannes Andrea's Glosses on the Decretals., Novella in Sextum (book 4)

Decretals. 1 large puzzle initial in red and blue (f. 1). Small initials alternately in red with blue pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Novella in Sextum (book 4) Unidentified owner: inscribed

• Decorated initial 'A'(biciamus), at the beginning of Guilelmus de Malliaco OP's Sermones de tempore., Sermones de tempore (ff. 1-204), table of contents (ff. 204-205v)

the margin, in gold on a red and blue ground (f. 1). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Sermones de tempore (ff. 1-204), table of contents

• Ex-libris 'Liber virginis gloriose. In Ebirbach hic e(st) Ma(r)ie. Ad Usus Abbatis Ebirbacen(sis)', written by Martin Rifflinck von Boppard, abbot of the monastery of Eberbach, in the lower margin., Sermones de tempore (ff. 1-204), table of contents (ff. 204-205v)

the margin, in gold on a red and blue ground (f. 1). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Sermones de tempore (ff. 1-204), table of contents

• Puzzle initial 'E'(go), at the beginning of Nicolai's Antidotarium., Liber Almansoris (ff. 3-74) and other medical texts

'E'(go), at the beginning of Nicolai's Antidotarium. 17 large puzzle initials in red and blue with purple and red pen-flourishing, and extensions decorated in red and blue into the margins (ff. 3, 10, 13v, 22, 28, 34, 37, 43, 49,

• Puzzle initials 'I'(n) and 'C'(reator), at the beginning of Rhasis's Liber Almansoris., Liber Almansoris (ff. 3-74) and other medical texts

at the beginning of Rhasis's Liber Almansoris. 17 large puzzle initials in red and blue with purple and red pen-flourishing, and extensions decorated in red and blue into the margins (ff. 3, 10, 13v, 22, 28, 34, 37, 43, 49,