• Illuminated initial 'C' and line fillers on a text page at the beginning of Psalm 9., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Illuminated initials and line fillers on a text page at the beginning of Psalm 7., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Illuminated initial 'D' and line fillers at the beginning of Psalm 6., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Illuminated initial 'V' and line fillers at the beginning of Psalm 5., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Illuminated initial 'D'(omine) and line fillers, at the end of Psalm 2 and the beginning of Psalm 3., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Calendar page for November., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Calendar page for September., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Calendar page for July., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Calendar page for May., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Calendar page for March., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Calendar page for January., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Two miniatures in two compartments: the Lover (L'Amans), being pierced by an arrow, kneeling before the God of Love (Diex d'Amour) and holding a scroll reading 'Sa mon gre e sauourousaite', and 4 figures including women, a nun and a queen, all pierced by arrows holding scrolls with verses, including 'Lonc temps vivre ne pouray', 'Ay ay nus ne doit amer', 'Dame merci si forment', 'lonc temps servi ay', 'Parmi la forest damours', 'Joliaitement me maintendray', 'Qui longuement pourait', 'Longue demouree fet', 'Je ne lay mie mes vous', 'Ma dame ie vous aim', 'Vray diex que feray iane', 'Lasse iai failli a ioie'., Roman de la Rose

a foliate initial in colours and gold, at the beginning of the text (f. 5). 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Roman de la Rose Sir Richard Stury (b. c.1327, d. 1395),

• Two miniatures in two compartments: 8 figures including men, women, monks and a nun, all pierced by arrows holding scrolls with verses, 'Lonc temps vivre ne pouray', 'Ay ay nus ne doit amer', 'Dame merci si forment', 'lonc temps servi ay', 'Parmi la forest damours', 'Joliaitement me maintendray', 'Qui longuement pourait', 'Longue demouree fet', 'Je ne lay mie mes vous', 'Ma dame ie vous aim', 'Vray diex que feray iane', 'Lasse iai failli a ioie'., Roman de la Rose

a foliate initial in colours and gold, at the beginning of the text (f. 5). 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Roman de la Rose Sir Richard Stury (b. c.1327, d. 1395),

• Text page., Historical writings; Life and Miracles of St. Louis

Bands in colours enclosing columns of the text (1-11v). 1 initial in blue with red pen-flourishing, at the beginning of the text (f. 1). Initials in red or blue. Space left for initials (ff. 7-11v). Historical writings; Life and Miracles

• Detail of an historiated initial 'D'(ilexi) with a woman (Duchess Dionora?) with a skull for a face admiring herself in a hand mirror, and a partial scatter border with gems and flowers, at the beginning of the Office of the Dead., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Detail of an historiated initial 'D'(omine) with David, and partial scatter border with gems, fruit, and flowers, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Detail of an historiated initial 'D'(eus) with Jerome blessing, and a portion of the scatter border including a cameo gem containing the Crucifixion of Christ, at the beginning of Sext in the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Decorated initial 'C'(e) and marginal image of a king., Vetera Statuta (index Statutes of England, Statuta Angliae, Statute book)

and blue penwork decoration (f. 2). Large puzzle initials in blue and red with red and sometimes also blue penwork decoration, sometimes extending into the margin. Large initials in blue with red penwork decoration. Paraphs in red or blue. Marginal

• Detail of puzzle initial., Vetera Statuta (index Statutes of England, Statuta Angliae, Statute book)

and blue penwork decoration (f. 2). Large puzzle initials in blue and red with red and sometimes also blue penwork decoration, sometimes extending into the margin. Large initials in blue with red penwork decoration. Paraphs in red or blue. Marginal

• Detail of initial and marginal drawing., Vetera Statuta (index Statutes of England, Statuta Angliae, Statute book)

and blue penwork decoration (f. 2). Large puzzle initials in blue and red with red and sometimes also blue penwork decoration, sometimes extending into the margin. Large initials in blue with red penwork decoration. Paraphs in red or blue. Marginal