• Illuminated initial 'Q'(uare) and a bas-de-page scene of Francis sitting on the ground, holding the hem of his habit, with a pair of scissors lying nearby., Book of Hours, Use of Sarum ('The Taymouth Hours')

sitting on the ground, holding the hem of his habit, with a pair of scissors lying nearby. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to

• Detail of a bas-de-page scene of Francis sitting on the ground, holding the hem of his habit, with a pair of scissors lying nearby., Book of Hours, Use of Sarum ('The Taymouth Hours')

on the ground, holding the hem of his habit, with a pair of scissors lying nearby. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two

• Decorated initial 'C' with a fox in a monk's habit., Canon medicinae

52, 68v, 73v, 77v, 91,189, 192v). Large and small initials in plain red. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Canon medicinae Inscribed by 1362, 'Anno domini m^o^ ccc^o^ lxii^o^. 20 die

• Detail of an historiated initial 'A'(postate) of a tonsured ex-cleric, armed with a sword and a shield and his black habit on the ground, facing an abbot., Omne Bonum (Absolucio-Circumcisio)

armed with a sword and a shield and his black habit on the ground, facing an abbot. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order.

• Drawing of Appas, in a monkish habit, gives poison to King Ambrosius., Roman de Brut, a verse epitome (begins imperfectly) with continuation to Edward III; Destruction de Rome; Fierabras

in a monkish habit, gives poison to King Ambrosius. The first quire misbound; the right order being ff. 2, 8, 3-7, 1, 9.French verse translation, in octosyllabic couplets, of Geoffrey of Monmouth's Historia Regum Britanniae.One of the first images of

• London

churches with crosses, two castles, wall with one gate, white paint, blue roofs, round windows and portcullis in silver leaf, now tarnished, spires in gold leaf Icons decoration decoration decorated roofs gate castles (multiple) churches with cross (mutliple) Description Appearances

• Plynlimon

mountains, scarcely visible, omitted from the OS 1935 reproduction (Parsons) Early Maps plu(n)loth (Totius Britanniae; circle with wavy lines on blue background) Overwritten no Attested spelling Plimlvmon 1476; earlier forms include the first element in the form Pum-/Pimp-/Pym-; the name

• Manuscripts of the West Midlands

red initial with blue penwork e.g. f. 148v. F. 27r - five-line red and blue initial O infilled with leaves outlined in red and infilled with blue, penwork surrounding initial in blue and red infilled alternately with blue and red.

• Manuscripts of the West Midlands

red and placed within a ruled column by scribes 1, 3 and 5 but not by scribes 2 and 4. Blue initials with red penwork flourishing, all by the same artist, eg. ff. 140 vb, 324r-v. Not medieval. A second

• Manuscripts of the West Midlands

Formata, ff. 52v. In red: paraphs, two-line red initials, letters frequently tinted, extended ascenders on top line. One five-line initial, blue and red, f. 1r. Spaces for five-line initials: ff. 23r, 33v, 39v, 43v, 47v. Spaces for two-line initials: ff.

• Manuscripts of the West Midlands

angels either side. Christ's halo in bright orange and blue. Angels with blue wings and rose collars. Bar-frame of miniature in rose with pairs of blue and rose single leaves and blue balls. Monks in white habits. Text: 'O veronicle

• Manuscripts of the West Midlands

begins with a blue initial with the remainder in red. Item 10.2: Four-line blue initial C surrounded by red penwork box around. Rubric in red. Some words underlined in red. Red paraphs. Blue paraphs. Red and blue line fillers. Not