• Detail of a miniature of Faussemblant (False Seeming or Fraud), Contrainte Atenance (Abstinence, or Forced Abstinence), and another speaking to Male Bouche (literally, Foul mouth, or Scandal)., Roman de la Rose

a foliate initial in colours and gold, at the beginning of the text (f. 5). 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Roman de la Rose Sir Richard Stury (b. c.1327, d. 1395),

• Miniature of Franchise and Dangier with an instruction to an illuminator reading, 'Franchise qui parle a danger'., Roman de la Rose

a foliate initial in colours and gold, at the beginning of the text (f. 5). 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Roman de la Rose Sir Richard Stury (b. c.1327, d. 1395),

• Detail of a miniature of Franchise, with a spear and shield, speaking to Dangier, with a club and shield., Roman de la Rose

a foliate initial in colours and gold, at the beginning of the text (f. 5). 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Roman de la Rose Sir Richard Stury (b. c.1327, d. 1395),

• Miniature of Pygmalion kneeling before the statue., Roman de la Rose

a foliate initial in colours and gold, at the beginning of the text (f. 5). 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Roman de la Rose Sir Richard Stury (b. c.1327, d. 1395),

• Detail of a miniature of Pygmalion kneeling before the statue., Roman de la Rose

a foliate initial in colours and gold, at the beginning of the text (f. 5). 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Roman de la Rose Sir Richard Stury (b. c.1327, d. 1395),

• Miniature of Venus setting fire to the castle., Roman de la Rose

a foliate initial in colours and gold, at the beginning of the text (f. 5). 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Roman de la Rose Sir Richard Stury (b. c.1327, d. 1395),

• Detail of a miniature of Venus setting fire to the castle., Roman de la Rose

a foliate initial in colours and gold, at the beginning of the text (f. 5). 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Roman de la Rose Sir Richard Stury (b. c.1327, d. 1395),

• Illuminated initials., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Historiated initial 'B'(eatus) with a Tree of Jesse, and historiated border with nine roundels with scenes from Genesis: Creation of the World; Creation of Adam and Eve; the Tree of Knowledge; Expulsion from the Garden;Toiling the earth; Cain and Abel; Building the Ark; the Great Flood; the Drunkenness of Noah; three busts appear in quatrefoil at the top of the border; animals, birds, laborers, and fantastic creatures inhabit the borders and margins; at the bottom border, a woman and a man in the arms of the St Omer family kneel in reverence, at the beginning of Psalm 1., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Historiated initial 'D'(ixit insipiens) of a seated king David with knights and a disputing fool, and historiated border with eight roundels of scenes from the lives of Moses and Samson, at the beginning of Psalm 52., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Miniature of Jonah and the Whale, including a small initial 'S'(alvum), and a historiated border with eight roundels of scenes from the Old Testament, with cycles of the Battle of the Philistines and the building of Solomon's Temple, at the beginning of Psalm 68., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Miniature of the anointing and crowning of David, and foliate borders painted over the 14th-century pattern, at the beginning of Psalm 26., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Historiated initial 'D'(ixit) of the Last Judgement, and an historiated border with eight roundels narrating the Passion cycle from the Arrest of Christ to the Pentecost, at the beginning of Psalm 109., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Book-plates of Henry Yates Thompson noting the number of the Ashburnham Appendix, and below, Yates Thompson's own., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Detail of an historiated initial 'B'(eatus) with a Tree of Jesse, at the beginning of Psalm 1., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Detail of border illuminations containing scenes from Genesis, at the beginning of Psalm 1., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Illuminated initials and line fillers., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Detail of an historiated initial 'D'(ixit) of a seated king David with knights and a disputing fool, at the beginning of Psalm 52., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• null, Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Detail of a miniature of Jonah and the Whale, at the beginning of Psalm 68., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')