• Drawing of Tubal-Cain with the anvil and Jubal inventing music holding a harp., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the Crucifixion, with the thieves, Mary pierced by a sword, and John., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Nebuchadnezzar's dream of the tree., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Evilmerodach with an axe, with birds carrying pieces of Nebuchadnezzar's body in their beaks., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the Deposition., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Joseph being lowered into a pit., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Jonah falling into the mouth of the whale, shown as a large fish., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the Virgin, with the instruments of the Passion, crusing Satan., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the Resurrection, with Christ stepping on sleeping soldiers., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Moses receiving the Ten Commandments., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the finding of the silver coin., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the marriage of Michal and Phaltiel, and a marginal drawing of a beggar., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the Coronation of the Virgin., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Christ showing wounds to God the Father., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the feast of Job's children., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the Last Supper, with Christ washing a disciple's feet below., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Historiated initial 'C'(antate) of monks singing, with a three-sided border including a hound, bird, lion, and grotesque hybrid, at the beginning of Psalm 97., Psalter

201). Large initials in gold on red and blue grounds, developing three-sided bars. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold, red and blue. Psalter At some point in the manuscript’s

• Detail of a miniature of Francis with a decorated initial 'L'., Miscellaneous theological works, including the Life of Saint Francis (ff. 152-295); Encontre Tribulation (ff. 84-127); L'abbaye de saint esperit (ff. 132v-139v); Le cloistre espirituel (ff. 148-52)

in red and blue with fine penwork decoration (ff. 38, 40v, 41, 42v, 43). Numerous large and small initials in red or blue with pen-flourishing or penwork decoration in the other colour. Line-fillers in red and blue. Some rubrics in

• Decorated initial 'S' (epe et multum) at the beginning of Cicero's De inventione, Book I, with ownership inscriptions for Thomas Cranmer (Thomas Cantuarien[sis]) and Lumley., De inventione (index Rhetorica)

and Lumley. 1 large puzzle initial in red, blue, green, and yellow with foliate motifs, at the beginning of the first book (f. 1). 1 large initial in blue with red and blue pen-flourishing 'C'(rotoniate) at the beginning of the

• Puzzle initial 'D'(omino) with a partial border, at the beginning of the Secretum Secretorum., Secretum Secretorum, Historia destructionis Troiae, and other texts

bifolium signatures 2 puzzle initials in red and blue with pen-flourishing and penwork partial border in red and blue (ff. 1, 38). Initials in red with blue or purple pen-flourishing, or in blue with red pen-flourishing throughout the text. Secretum