• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Historiated initial with author portrait of Dante and foliate border., Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy)

colours and gold, at the beginning of each book (ff. 1, 35, 69). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy) Maffeo Pinelli (b. 1735, d. 1785),

• Illuminated initials., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• null, Consilia medica and other texts

blue with pen-flourishing in red, at the beginning of the texts (ff. 7, 31v, 40, 43, 101, 156, 159v, 161, 162v, 166v, 172, 180v, 184, 189v, 211v, 218, 223v, 229v, 235, 235v, 263). Paraph marks in plain red or

• Historiated initial with men in ship and foliate border., Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy)

colours and gold, at the beginning of each book (ff. 1, 35, 69). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy) Maffeo Pinelli (b. 1735, d. 1785),

• Historiated initial and foliate border., Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy)

colours and gold, at the beginning of each book (ff. 1, 35, 69). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy) Maffeo Pinelli (b. 1735, d. 1785),

• Puzzle initial 'A'(lexander), at the beginning of Aristoteles's Epistola Ypocratis ad Alexandrum., Epistola Ypocratis ad Alexandrum (ends imperfectly)

'A'(lexander), at the beginning of Aristoteles's Epistola Ypocratis ad Alexandrum. 1 large puzzle initial in blue and red with penwork decoration in red and blue (f. 1). 1 smaller initial with reserved designs (f. 4). Small initials in plain red.

• Detail of historiated initial., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• Detail of miniature., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• null, Ab urbe condita: first (ff. 1-113), third (ff. 113-213), and fourth (ff. 214-290v) decades

2 historiated initials (f. 65, 222). Large puzzle initials in red and blue with flourishing in the same colours. Small initials in red with blue penwork decoration, or vice versa. Cadells. Most of the rest of the decoration consists of

• null, Ab urbe condita: first (ff. 1-113), third (ff. 113-213), and fourth (ff. 214-290v) decades

2 historiated initials (f. 65, 222). Large puzzle initials in red and blue with flourishing in the same colours. Small initials in red with blue penwork decoration, or vice versa. Cadells. Most of the rest of the decoration consists of

• null, Ab urbe condita: first (ff. 1-113), third (ff. 113-213), and fourth (ff. 214-290v) decades

2 historiated initials (f. 65, 222). Large puzzle initials in red and blue with flourishing in the same colours. Small initials in red with blue penwork decoration, or vice versa. Cadells. Most of the rest of the decoration consists of

• Detail of historiated initial., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• Illuminated initial, at the beginning of Ovid's Metamorphoses., Metamorphoses (ff. 3-180); Commentary on the Metamorphoses (f. 181v-191); and other short texts

beginning of Ovid's Metamorphoses. Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v).

• null, Metamorphoses (ff. 3-180); Commentary on the Metamorphoses (f. 181v-191); and other short texts

Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v). Metamorphoses (ff. 3-180); Commentary

• Puzzle initial 'A' with pen-flourishing, at the beginning of the Register book of the Infirmary of the Abbey of St Edmundsbury called Ikworth., Register book of the Infirmary of the abbey of St Edmund, Bury

Abbey of St Edmundsbury called Ikworth. 1 large puzzle initial in red and blue with foliate pen-flourishing in red (f. 4). Large and small initials in blue with red foliate pen-flourishing. Numerous spaces for initials. Register book of the Infirmary

• null, Register book of the Infirmary of the abbey of St Edmund, Bury

1 large puzzle initial in red and blue with foliate pen-flourishing in red (f. 4). Large and small initials in blue with red foliate pen-flourishing. Numerous spaces for initials. Register book of the Infirmary of the abbey of St Edmund,

• Illuminated initial 'A'(tt) at the beginning of the prologue to the Squire's tale., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Decorated initial 'U' and full border, in the Antiphonary., Antiphoner (index antiphonal, antiphonary), use of Sarum (begins and ends imperfectly)

brown penwork decoration, some including human heads, in the musical notation. Smaller initials in blue with pen-flourishing in red. Small initials in plain red or blue. Antiphoner (index antiphonal, antiphonary), use of Sarum (begins and ends imperfectly) William Petty (~formerly~