• Detail of an historiated initial 'R'(eines) with a mail-coated Nureddin, the Sultan of Damascus, with bare legs and an open helmet, fleeing on horseback with a foal underfoot from two knights (Godfrey Martel and Hugh de Lusignan the elder) pursuing him on war horses, trampling a dismembered torso., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'B'(uymonz) of Saladin's mounted soldiers forcing captives and livestock from the burning city., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'C'(ez) of Bishop Adhemar of Le Puy lying in state with a mitre, a crozier, and a chalice on his breast, and a number of ecclesiastical figures about him., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'A'(pres) of the Emperor John enthroned, with a courtier and a messenger, who points to the lower part of the initial that extends into the margin, where John's knights are assaulting two men., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'O' of the Sultan of Egypt falling from his horse and breaking his neck whilst out hunting., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'M'(ot) of a group of boys with bleeding arms; they include Baldwin IV, who was found to have leprosy., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'A'(er) of a man pointing at a depiction of air, shown as a passage of wavy blue., Omne Bonum (Absolucio-Circumcisio)

at a depiction of air, shown as a passage of wavy blue. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order. Bound in four volumes: Royal

• Foliate initial 'C'(lemens) with a medallion of a portrait of the author, pope Clement I, at the beginning of the text., Collectio Lanfranci

author, in colours and gold (f. 1). Decorated initials, some with arabesque ornament, in green, red, purple, or / and blue. Initials in red, green, purple. Collectio Lanfranci The Benedictine abbey, Winchcombe, Gloucestershire: attributed to its scriptorium on palaeographical and

• Initial 'N'(ow) with pen-flourished decoration., 'Handlyng Synne' (f. 1); 'Medytacyouns of the soper of oure Lorde' (ff. 84-91v); King Robert's romance in couplets (ff. 92-95)

a third hand. 5 initials in gold with penwork decoration in purple (ff. 1, 20v, 57, 63, 75). Initials in blue with pen-flourished decoration in red. Rubrics and marking of verse couplets in red. Initials highlighted in red. 'Handlyng Synne'

• Calendar page for January, with marginal scenes, including the water carrier, Aquarius., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• Double-page with a historiated initial 'A'(d) with a monkey standing on a dog, and full borders, in the Book of Hours., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• Miniature of the Flight into Egypt, with an historiated initial 'D'(eus) of a mourner, and a bas-de-page scene of the Entombment of Christ, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of