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211, 228, 240). Initials in gold on blue and rose grounds with penwork decoration in white, some with foliate extensions (e.g., f. 97). Initials in blue with red pen-flourishing. Paraphs in red or blue. Cadels. Dicta CXLVII and other works
211, 228, 240). Initials in gold on blue and rose grounds with penwork decoration in white, some with foliate extensions (e.g., f. 97). Initials in blue with red pen-flourishing. Paraphs in red or blue. Cadels. Dicta CXLVII and other works
211, 228, 240). Initials in gold on blue and rose grounds with penwork decoration in white, some with foliate extensions (e.g., f. 97). Initials in blue with red pen-flourishing. Paraphs in red or blue. Cadels. Dicta CXLVII and other works
239v). 1 large foliate initial in colours, with display script, at the beginning of book 1 (f. 2). Initials in blue, red, and green with a foliate penwork decoration and display script, at the beginning of other books (ff. 12,
at a depiction of air, shown as a passage of wavy blue. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order. Bound in four volumes: Royal
with foliate decoration in colours over erasure (f. 7). Plain or puzzle initials in blue or red with pen-flourished decoration in red or ochre. Initials in blue or red. Rubrics in red. Breviary, Use of Rome for the Augustinian Hermits,
miniatures on every page illustrating the bestiary (ff. 36-67v). Large initials in blue with red penwork decoration. Small initials in brown or red. Rubrics in red. Paraphs in blue or red, some with penwork decoration. Decorated nota marks, some with
miniatures on every page illustrating the bestiary (ff. 36-67v). Large initials in blue with red penwork decoration. Small initials in brown or red. Rubrics in red. Paraphs in blue or red, some with penwork decoration. Decorated nota marks, some with
miniatures on every page illustrating the bestiary (ff. 36-67v). Large initials in blue with red penwork decoration. Small initials in brown or red. Rubrics in red. Paraphs in blue or red, some with penwork decoration. Decorated nota marks, some with
miniatures on every page illustrating the bestiary (ff. 36-67v). Large initials in blue with red penwork decoration. Small initials in brown or red. Rubrics in red. Paraphs in blue or red, some with penwork decoration. Decorated nota marks, some with
gold of a crowned Tudor rose, at the beginning of the poem (f. 8). Initials in gold on rose or blue grounds, or space left for the initials (ff. 51-78). The pleasaunt poesye of princelie practise, imperfect Added leaves of
gold of a crowned Tudor rose, at the beginning of the poem (f. 8). Initials in gold on rose or blue grounds, or space left for the initials (ff. 51-78). The pleasaunt poesye of princelie practise, imperfect Added leaves of
(f. 190).Hebrew inscriptions (ff. 190v, 191).Numerous inscriptions in Hebrew characters (f. [ii]).Arabic inscription (f. 0).English inscription about the content in blue pencil (f. 0).Judeo-Arabic and Hebrew inscriptions (ff. 1, 191v).Sir Thomas Baring (b. 1772, d. 1848), British banker and MP:
third leaf of quire xxiv^8^. 1 miniature and full foliate border (f. 14). Numerous decorated initial words with red and blue pen-flourishing. Numerous pen-flourishing around initial words spreading into the margins creating a partial border in colours and gold (from
third leaf of quire xxiv^8^. 1 miniature and full foliate border (f. 14). Numerous decorated initial words with red and blue pen-flourishing. Numerous pen-flourishing around initial words spreading into the margins creating a partial border in colours and gold (from
third leaf of quire xxiv^8^. 1 miniature and full foliate border (f. 14). Numerous decorated initial words with red and blue pen-flourishing. Numerous pen-flourishing around initial words spreading into the margins creating a partial border in colours and gold (from
author, in colours and gold (f. 1). Decorated initials, some with arabesque ornament, in green, red, purple, or / and blue. Initials in red, green, purple. Collectio Lanfranci The Benedictine abbey, Winchcombe, Gloucestershire: attributed to its scriptorium on palaeographical and
marginal extensions, some with dragons or hybrids, at the beginning of books. Initials in red with purple pen-flourishing, or in blue with red pen-flourishing. Sanctilogium John Whethamstede, abbot of St. Albans (1420-1440 and 1452-1464), given by him to the Benedictine
marginal extensions, some with dragons or hybrids, at the beginning of books. Initials in red with purple pen-flourishing, or in blue with red pen-flourishing. Sanctilogium John Whethamstede, abbot of St. Albans (1420-1440 and 1452-1464), given by him to the Benedictine
marginal extensions, some with dragons or hybrids, at the beginning of books. Initials in red with purple pen-flourishing, or in blue with red pen-flourishing. Sanctilogium John Whethamstede, abbot of St. Albans (1420-1440 and 1452-1464), given by him to the Benedictine