• Detail of a miniature of a group of men in discussion, with an inscription on the wall reading 'Concilium', with a foliate initial 'A'(dives), at the beginning of book 2., Facta et dicta memorabilia

blue with pen-flourishing in red and black, at the beginning of chapters. Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. Running titles and chapter numbers in red and

• Detail of a miniature of Charles V, king of France, receiving the book from the translator, Raoul des Presles, at the beginning of the prologue., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Detail of a miniature of a group of men dancing around an idol, at the beginning of book 2., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Miniature of Jean, duke of Berry, receiving the book from the translator, Laurent de Premierfait, with a full border containing the royal arms of England surrounded by the Garter with the motto, 'Honny soit qui mal y pense', and surmounted by a crowned helm with a mantling in Edward IV's colours of red and blue, with two shields bearing the same arms differentiated by labels of three and five points for Edward's sons, Edward, prince of Wales, and Richard, duke of York, two banners held by angels bearing the royal arms of England, and a Yorkist badge of white ~rose-en-soleil~ with the motto 'Dieu est mon droit'; and an illuminated initial 'L'(e propre) with a dragon, at the beginning of the prologue., Decameron (Les cent nouvelles)

the prologue (f. 1). Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in blue, gold or in gold and blue. Decameron (Les cent nouvelles) Edward IV (b. 1442, d. 1483), king of England

• Detail of a miniature of pagan priest worshiping an idol, and of a Christian mass in front of an altar, at the beginning of book 6., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Detail of a miniature of an angel holding aloft the arms of England, from the right margin of the folio., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Blank folio., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Detail of a miniature of an enthroned monarch wearing the papal crown and an armour, and holding the imperila insigna, a sword and a globe, at the beginning of book 5., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Miniature of a group of men dancing around an idol, with a partial border and a puzzle initial 'D'(e la maniere), at the beginning of book 2., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Miniature of John the Baptist with an angel, decorated initial 'D'(omine) and foliate borders including hybrid and human figures, at the beginning of the Hours of John the Baptist., Prayer book: Psalter of Jerome, Psalter of Augustine, Hours of the Dead, Hours of the Trinity, Hours of John the Baptist, Suffrages, Prayer to the Holy Face

Large and small initials (2-3 lines) in blue on brown or in brown on blue grounds, decorated with golden acanthus. Small initials (1 line) and line fillers in gold on red or blue grounds. Prayer book: Psalter of Jerome, Psalter

• Miniature of a death scene, with an angel and a devil fighting for the soul of the man lying in the foreground, decorated initial 'I'(ncipit) and foliate borders including hybrid figures and rabbits, at the beginning of the short Office of the Dead., Prayer book: Psalter of Jerome, Psalter of Augustine, Hours of the Dead, Hours of the Trinity, Hours of John the Baptist, Suffrages, Prayer to the Holy Face

Large and small initials (2-3 lines) in blue on brown or in brown on blue grounds, decorated with golden acanthus. Small initials (1 line) and line fillers in gold on red or blue grounds. Prayer book: Psalter of Jerome, Psalter

• Detail of historiated initial 'D'(as) with Micah holding a scroll at the beginning of Micah., Old Testament (volume 2), from Psalms

230). Large initials in red with brown and sometimes blue penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Small initials in red or blue. Rubrics in red. Highlighting of letters in red. Cadels.

• Illuminated initial 'T'(he) at the beginning of Matthew., New Testament, in the later Wycliffite version, with prologues and a calendar and table of lessons for the use of Sarum from both Testaments

of red and blue with foliage penwork decoration. Large initials in gold on red and blue grounds with foliate penwork decoration extending into the border. Large initials in blue with red penwork decoration. Small initials in blue. Line-fillers in red.

• Illuminated initial 'I' with foliate decoration., New Testament, in the later Wycliffite version, with prologues and a calendar and table of lessons for the use of Sarum from both Testaments

of red and blue with foliage penwork decoration. Large initials in gold on red and blue grounds with foliate penwork decoration extending into the border. Large initials in blue with red penwork decoration. Small initials in blue. Line-fillers in red.

• Historiated initial of Daniel seated in a room with landscape in the background at the beginning of Daniel., Old Testament (volume 2), from Psalms

230). Large initials in red with brown and sometimes blue penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Small initials in red or blue. Rubrics in red. Highlighting of letters in red. Cadels.

• Historiated initial 'U'(nd) of a boat with sailors, Jonah, and the whale, at the beginning of Jonah., Old Testament (volume 2), from Psalms

230). Large initials in red with brown and sometimes blue penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Small initials in red or blue. Rubrics in red. Highlighting of letters in red. Cadels.

• Drawing of an interior space., Stimulus Conscientiae (Prick of Conscience); The Abbey of the Holy Ghost, and other devotional texts.

architectural frame in colours (f. 1v). Partial border in red and blue penwork, partly excised (f. 2). Large puzzle or decorated initials in red and blue, with red and blue pen-flourishing forming a partial border, some with human or animal

• Illuminated initial and border., Scientific miscellany, including John Metham's Summa Chiromantiae (ff. 75-96)

and blue grounds with white filigree, and sprays (ff. 14, 17v, 20, 21v, 26, 34v, 41v, 51, 54, 57, 63, 105, 122v, ). Large initials in blue with red pen-flourishing, often in foliate forms. Paraphs in red or blue. Numbers

• Decorated initials., Scientific miscellany, including John Metham's Summa Chiromantiae (ff. 75-96)

and blue grounds with white filigree, and sprays (ff. 14, 17v, 20, 21v, 26, 34v, 41v, 51, 54, 57, 63, 105, 122v, ). Large initials in blue with red pen-flourishing, often in foliate forms. Paraphs in red or blue. Numbers

• Drawing of a chemical process with a standing man, in the Practica geometrie., Scientific miscellany, including John Metham's Summa Chiromantiae (ff. 75-96)

and blue grounds with white filigree, and sprays (ff. 14, 17v, 20, 21v, 26, 34v, 41v, 51, 54, 57, 63, 105, 122v, ). Large initials in blue with red pen-flourishing, often in foliate forms. Paraphs in red or blue. Numbers