• Puzzle initial 'M'., Stimulus Conscientiae (Prick of Conscience); The Abbey of the Holy Ghost, and other devotional texts.

architectural frame in colours (f. 1v). Partial border in red and blue penwork, partly excised (f. 2). Large puzzle or decorated initials in red and blue, with red and blue pen-flourishing forming a partial border, some with human or animal

• Miniature of knights entering the city, with a partial border, at the beginning of book 3., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Miniature of Augustine and falling idols, with a partial border and an illuminated initial 'M'(on), at the beginning of the prologue to book 1., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Historiated initial 'A'(d) with a chalice and host (the latter now barely visible), with a three-sided border., Register of the Guild of Corpus Christi, Boston with a calendar (ff. 66v-77)

and blue grounds, with foliate decoration (ff. 6, 13). Small initials in gold or red with purple penwork decoration, in blue with red penwork decoration. Large initials in blue with red or red and purple pen-flourishing. Paraphs in blue. Line-fillers

• Illuminated initials at the beginning of the list of members of the guild, starting with Gilbert Alilaunde, its founder., Register of the Guild of Corpus Christi, Boston with a calendar (ff. 66v-77)

and blue grounds, with foliate decoration (ff. 6, 13). Small initials in gold or red with purple penwork decoration, in blue with red penwork decoration. Large initials in blue with red or red and purple pen-flourishing. Paraphs in blue. Line-fillers

• Illuminated and decorated initials in the list of guild members., Register of the Guild of Corpus Christi, Boston with a calendar (ff. 66v-77)

and blue grounds, with foliate decoration (ff. 6, 13). Small initials in gold or red with purple penwork decoration, in blue with red penwork decoration. Large initials in blue with red or red and purple pen-flourishing. Paraphs in blue. Line-fillers

• Miniature of Jerome and the lion, decorated initial 'V'(erba) and foliate borders, at the beginning of Jerome's Psalter., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Historiated initial of the Virgin reading a book, and foliate border., Breviary (use of Toledo), including a Psalter (ff. 183-259v), with canticles, litany, and prayers, Sanctorale for January-September (ff. 311-454v)

203, 209, 215v, 232, 241). Initials in red with blue penwork decoration, or in red with blue penwork decoration, some of the larger ones with decoration in both colours. Paraphs in blue or red. Cadels or descenders decorated in red

• Decorated initials., Breviary (use of Toledo), including a Psalter (ff. 183-259v), with canticles, litany, and prayers, Sanctorale for January-September (ff. 311-454v)

203, 209, 215v, 232, 241). Initials in red with blue penwork decoration, or in red with blue penwork decoration, some of the larger ones with decoration in both colours. Paraphs in blue or red. Cadels or descenders decorated in red

• Decorated initials and border with a man playing the bagpipes, a bird, and a vase in the border.., Breviary (use of Toledo), including a Psalter (ff. 183-259v), with canticles, litany, and prayers, Sanctorale for January-September (ff. 311-454v)

203, 209, 215v, 232, 241). Initials in red with blue penwork decoration, or in red with blue penwork decoration, some of the larger ones with decoration in both colours. Paraphs in blue or red. Cadels or descenders decorated in red

• Puzzle initials 'E'(x ordine), 'D'(e excellentia) and 'I'(ncipit) with penwork decoration forming a border with human faces, animals and a blessing bishop, at the beginning of the prologues to De Concordia Evangelistarum of Zacharias of Besançon., De Concordia Evangelistarum (or Explanatio in Unum ex Quatuor)

red and blue with red and blue pen-flourishing, at the beginning of books (ff. 18v, 57v, 101v, 166v), and small puzzle initials, at the beginning of chapters. Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some

• Detail of miniature of the Crucifixion., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Musical notation., Gradual, of Carthusian use, imperfect, including Temporale and Sanctorale

in blue and red with blue, red, and brown pen-flourishing forming a partial border (f. 1). Large initials in blue with red pen-flourishing. Large initials in brown with penwork decoration, many in the form of faces. Paraphs in blue. Small

• Miniature of the Mass of St Gregory., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Miniature of the Mass of St Gregory., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Detail of a miniature of the martyrdom of Thomas Becket of Canterbury., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Detail of miniature of Mary Magdalene., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Detail of miniature of the Agony in the Garden., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Miniature of the Agony in the Garden., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Detail of miniature of Christ before Pilate., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with