• Miniature of a debate between a clerk and a knight in a garden, before the king of France and the personifications of Spiritual Power in a Franciscan habit, and Temporal Power represented as a queen, with the author sleeping, at the beginning of the text., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Decorated initial and border., Prayer book

in red and blue with pen-flourishing in red and green wash (f. 132). Smaller initials in red or blue, many with reserved designs, with red foliate pen-flourishing, many with green wash. Small initials in plain red or blue. Prayer book

• Flourished initial., Divina Commedia (Inferno, Purgatorio, Paradiso)(index Divine Comedy)

Flourished initial. 3 large puzzle initials in red and blue with pen-flourishing in blue and red (ff. 2, 56, 104). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Divina Commedia (Inferno, Purgatorio, Paradiso)(index Divine Comedy)

• null, Historiae ecclesiasticae

8. Three-sided border of pen-flourishing in red and blue (f. 1). Large puzzle initials in blue and red with penwork foliate or geometric decoration in blue, red, or purple. Large and small blue initials with red penwork decoration. Historiae ecclesiasticae

• Decorated initial with a leaf., Historiae ecclesiasticae

8. Three-sided border of pen-flourishing in red and blue (f. 1). Large puzzle initials in blue and red with penwork foliate or geometric decoration in blue, red, or purple. Large and small blue initials with red penwork decoration. Historiae ecclesiasticae

• Manuscripts of the West Midlands

(Doyle, 1987, pp. 11-12). One-line coloured (normally blue or red) or gold initials, which normally have contrasted and alternating penwork. Quires 32-36, and 41 have one-line gold initials with brown penwork and blue or orange paraphs. Quires 44-47 have violet

• Manuscripts of the West Midlands

infill of blue penwork. Along the top and left margins are two faint blue lines extending from the capital across the folio and flanked either side by red, and blue penwork motifs forming a two-sided border. A blue trefoil leaf

• Manuscripts of the West Midlands

3mm. Four-sided border on initial page constructed of a blue, thin, inner band and an outer band made up of alternate blue and red humped lines carrying short spikes. A six-line blue initial I surrounded by red penwork, including an

• Manuscripts of the West Midlands

ff. 13r-20v: three-line blue initials with red penwork flourishing along margin (first letter of each Psalm). One-line red and blue Lombardic capitals. Red underlining. Text 3, ff. 21r-25v: three-line blue initial with red penwork begins text. Two-line blue initials with

• Manuscripts of the West Midlands

position. Body height 1.5-2mm. Eleven-line blue initial I with red penwork extending along left and top margin begins first text. Other texts begin with three-line initials with fine red penwork e.g. f. 9r. Two-line blue initials with red penwork throughout.