• null, Commentary on Unum ex quatuor

82v, 99v, 144v, 189), at the beginning of the prologue and each book. Initials in blue with red pen-flourishing. Small initials in red or blue, at the beginning of capitula (ff. 4-5v). Paraphs in red. 2 catchwords with figural decoration

• Historiated initial 'D' of the Deposition from the Cross, strapwork, extension into margins with acanthus-like foliage and bezants with single hair-line embellishment., Leaf of a Book of Hours, containing the text for Vespers in the Long Hours of the Cross [erased]

hair-line embellishment, at the beginning of Vespers in the Long Hours of the Cross. 3 small initials in gold with blue penwork decoration. Leaf of a Book of Hours, containing the text for Vespers in the Long Hours of the

• Detail of a pen-flourished initial 'L'(a quarte)., Epistre au roi Richart (Letter to King Richard II)

with a partial border (f. 35). Foliate initials in colours and gold with partial borders, or foliate extensions. Line-fillers in blue, red and gold. Epistre au roi Richart (Letter to King Richard II) Richard II (b. 1367, d. 1400), king

• Detail of an illuminated initial 'O'(r)., Epistre au roi Richart (Letter to King Richard II)

with a partial border (f. 35). Foliate initials in colours and gold with partial borders, or foliate extensions. Line-fillers in blue, red and gold. Epistre au roi Richart (Letter to King Richard II) Richard II (b. 1367, d. 1400), king

• Detail of an illuminated initial 'I'(l)., Epistre au roi Richart (Letter to King Richard II)

with a partial border (f. 35). Foliate initials in colours and gold with partial borders, or foliate extensions. Line-fillers in blue, red and gold. Epistre au roi Richart (Letter to King Richard II) Richard II (b. 1367, d. 1400), king

• Detail of an illuminated initial 'Q'(ui)., Epistre au roi Richart (Letter to King Richard II)

with a partial border (f. 35). Foliate initials in colours and gold with partial borders, or foliate extensions. Line-fillers in blue, red and gold. Epistre au roi Richart (Letter to King Richard II) Richard II (b. 1367, d. 1400), king

• Illuminated initial 'S'(elonc)., Epistre au roi Richart (Letter to King Richard II)

with a partial border (f. 35). Foliate initials in colours and gold with partial borders, or foliate extensions. Line-fillers in blue, red and gold. Epistre au roi Richart (Letter to King Richard II) Richard II (b. 1367, d. 1400), king

• Detail of an illuminated initial 'T'(res)., Epistre au roi Richart (Letter to King Richard II)

with a partial border (f. 35). Foliate initials in colours and gold with partial borders, or foliate extensions. Line-fillers in blue, red and gold. Epistre au roi Richart (Letter to King Richard II) Richard II (b. 1367, d. 1400), king

• Illuminated initial 'T'(res), with a partial bar border., Epistre au roi Richart (Letter to King Richard II)

with a partial border (f. 35). Foliate initials in colours and gold with partial borders, or foliate extensions. Line-fillers in blue, red and gold. Epistre au roi Richart (Letter to King Richard II) Richard II (b. 1367, d. 1400), king

• Illuminated initial 'T'(res), with a partial bar border., Epistre au roi Richart (Letter to King Richard II)

with a partial border (f. 35). Foliate initials in colours and gold with partial borders, or foliate extensions. Line-fillers in blue, red and gold. Epistre au roi Richart (Letter to King Richard II) Richard II (b. 1367, d. 1400), king

• Decorated initial 'L'(apides)., Breviary, Ambrosian use

into the margins, in colours. Small initials in plain red or blue. Breviary, Ambrosian use Colophon, stating that the the volume was written by Antoni degli Uberti, son of the late Messer Antonio degli Uberti of Margno in Valsasina, for

• Historiated initial 'D' of the Annunciation, with heraldry of a swan crest flanked by two (erased) arms, with extensions of acanthus-like foliage inhabited by anthropomorphic and zoomorphic figures and large bezants with single hair-line embellishment, in Matins from the Hours of the Virgin., Leaves and bifolia of a Book of Hours, containing text from the Hours of the Virgin, use of Rome

acanthus-like foliage inhabited by anthropomorphic and zoomorphic figures and large bezants with single hair-line embellishment. Small initials in gold with blue penwork. The historiated initial of the Annunciation is off-set onto f. 25. Leaves and bifolia of a Book of

• Historiated initial ‘D’ of the Visitation with extension into margins of acanthus-like foliage inhabited by a human face, strapwork panels and large gold balls., Bifolium from a Book of Hours, containing the text for the end of Matins and beginning of Lauds from the Hours of the Virgin, use of Rome.

inhabited by a human face, strapwork panels and large gold balls, in colours and gold. 5 initials in gold with blue penwork. Bifolium from a Book of Hours, containing the text for the end of Matins and beginning of Lauds

• Historiated initial ?'A' of Christ enthroned blessing a layman, with extension into borders of acanthus-like foliage, a zoomorphic figure, and bezants with single hair-line embellishment, at the beginning of the Carthusian prayer cycle., Leaf from a Book of Hours, containing part of the text of a Carthusian prayer cycle

of acanthus-like foliage, a zoomorphic figure, and bezants with single hair-line embellishment (f. 11v). 1 small initial in gold with blue penwork decoration (f. 11). Leaf from a Book of Hours, containing part of the text of a Carthusian prayer

• Historiated initial 'Q' of a scene of preparation for Mass before an altar, with extension into borders of acanthus-like foliage, strapwork, and bezants with single hair-line embellishment, at the beginning of the Mass prayers. The text has been erased and the initial excised and replaced., Leaf from a Book of Hours, containing part of the Mass prayers

into borders of acanthus-like foliage, strapwork, and bezants with single hair-line embellishment (f. 12). 1 small initial in gold with blue penwork decoration (f. 12v). Leaf from a Book of Hours, containing part of the Mass prayers The Acciuaiuoli family

• Detail of a historiated initial 'Q' of a scene of preparation for Mass before an altar, at the beginning of the Mass prayers., Leaf from a Book of Hours, containing part of the Mass prayers

into borders of acanthus-like foliage, strapwork, and bezants with single hair-line embellishment (f. 12). 1 small initial in gold with blue penwork decoration (f. 12v). Leaf from a Book of Hours, containing part of the Mass prayers The Acciuaiuoli family

• Detail of a historiated initial ?'A' of Christ enthroned blessing a kneeling layman, at the beginning of the Carthusian prayer cycle., Leaf from a Book of Hours, containing part of the text of a Carthusian prayer cycle

of acanthus-like foliage, a zoomorphic figure, and bezants with single hair-line embellishment (f. 11v). 1 small initial in gold with blue penwork decoration (f. 11). Leaf from a Book of Hours, containing part of the text of a Carthusian prayer

• Detail of a historiated initial 'D' of the Betrayal of Christ, at the beginning of Matins in the Long Hours of the Cross., Leaf from a Book of Hours, containing text (partially erased) for Matins in the Long Hours of the Cross

inhabited by two human busts, a zoomorphic figure, and bezants with single hair-line embellishment. 1 small initial in gold with blue penwork decoration. Leaf from a Book of Hours, containing text (partially erased) for Matins in the Long Hours of

• Pen-flourished initials 'F'(rater) and 'H'(enrici)., Cartulary made for Walter Lynton (index Walter de Lynton), master of the hospital of the Virgin Mary and Lazarus, Burton Lazars, Leicestershire

Nero C. 12 is another cartulary of the hospital of Burton Lazars made for Walter Lynton in 1404. Initials in blue with red pen-flourishing, some large, some small. Cartulary made for Walter Lynton (index Walter de Lynton), master of the

• Colophon of the scribe, Nicolaus: 'Quater centeno que semel currente millene [crossed out] cum uno / Anno milleno complevit menseque quarto / Istud scriptor opus cui nomen sit nicolaus / Illi sit cantus qui servatque omnia Christus'., Tragoediae (index Tragedies)

3). Large red initials with red penwork decoration (ff. 75, 104v, 156, 203, 226v ). Numerous smaller red initials with blue, red, or brown penwork decoration (a few with sketches of people or animals). Numerous plain red initials. Incipits, explicits,